
Lateral has been selected for the first Framework radio show of 2014. which will have a series of broadcasts during the week 12th – 18th Jan 2014 starting with Resonance fm on Sunday 12th. Broadcast details are here.

Lateral has been selected for the first Framework radio show of 2014. which will have a series of broadcasts during the week 12th – 18th Jan 2014 starting with Resonance fm on Sunday 12th. Broadcast details are here.


I’m delighted that my HearAfter sound piece will be installed for a month at the ohrenhoch gallery in Berlin in early January as part of their Sunday Series.

Day of the Dead Mini-Fest, co-produced by Gallery of Modern Art and Final Fling.
Date: 2nd Nov 2013
Venue: GoMA, Glasgow
Many thanks to Katie Bruce and all at the Gallery of Modern Art.

My composition Word of Mouth will be part of a collective sound installation for the Música Viva Fringe Festival 2013. The installation runs 16th November 2013 – 5th January 2014 at the CAAA Centre for Art and Architecture Affairs, Guimarães, Portugal.
“The installation offers visitors an immersion into distinct soundscapes under the theme of “text-sound composition”, originally selected by Miso Music Portugal for the 2012 Sound Walk/Garden”. More info here

Post-Industrial Broadcast #1 has been selected for the Nuite Blanche event at Festival Futura this coming August.
The event is taking place at Espace Soubeyran, Crest, Drôme, France. The festival is chocka with concerts from 22nd – 24th August and Nuite Blanche runs over from 24th – 25th.
Some exciting news arrived – I won the IAWM Pauline Oliveros Prize for electroacoustic media for my studio composition Post-Industrial Broadcast #1.
The full winner’s list and other info will be available at the IAWM website.


Fretwork has been selected for the first album Undae! Electroacoustic I/II from the Undae! concert series in Autumn 2012 in Madrid. The album is produced by the netlabel Thrmnphone.

I’m looking forward to the Scottish Music Centre’s Composition Marathon 2013. The event takes place over the weekend of 23th March, with final performances at The Arches from 3 – 6 pm on Sunday 4th March. Tickets are available from The Arches and more info here.


My piece Word of Mouth has been selected for a Musica Viva Festival Sound Walk/Sound Garden, an immersive soundscape installation with a theme of “sound-text composition” at the Goethe-Institut in Lisbon, Portugal, More info at MisoMusic Portugal

A 30 min programme of my works has been selected for broadcast at the RadiaLx 2012 Radio Art Festival, which is hosted by Rádio Zero in Lisbon, Portugal.

I’m delighted to say that Lateral is programmed in the AIR/EAR – Instalación Radial – running through June and July and hosted by Radio-System in Argentina.

Hit or Miss has been selected for the International Computer Music Conference to be held in Ljubljana, Slovenia in September 2012.

Breathing Space has been selected by Anna Raimondo for diffusion in the gallery of the Institut de Culture de Rabat in Morocco from 26th May – 2nd June 2012.

My work Lateral was commissioned for High-Slack-Low-Slack-High curated by Minty Donald for Glasgow International Festival of Visual Art in April 2012. For more information and performance times visit Glasgow International Festival of Visual Art and also the Facebook page High-Slack-Low-Slack-High.

Commissioned Artists: John Cavanagh, Minty Donald/Nick Miller, Douglas Morland, Nichola Scrutton, Hanna Tuulikki
A group of artists with shared, but diverse, interests in sound, space and place – have created audio works to be performed in public spaces close to or on the River Clyde over five days during the Festival (Monday 23rd – Friday 27th April 2012). Each performance is timed to coincide with high tide. In these citywide performances, the natural cadences and flux of the river, once significant in the tempo of Glasgow life, will again leak into the urban fabric.
On Saturday 28th April, all five works will be performed in the Trust Hall of Clydeport Authority Headquarters, an opulent, circular, Edwardian boardroom overlooking the Clyde. Here, the sonic interpretations of the river’s tidal cycle will permeate a building that stands as symbol of Glasgow’s maritime heritage.
‘High-Slack-Low-Slack-High reflects on the functional and symbolic roles played by urban rivers in contemporary cities – and in particular, the role of the River Clyde in Glasgow today. It’s common belief that, following the decline of shipbuilding and other maritime industries, Glasgow turned its back on the River. Now, while the riverbanks are undergoing significant regeneration, the water itself remains a relatively dead space. Through interweaving the natural cadences of the tide with contemporary urban rhythms, High-Slack-Low-Slack-High is an invitation to re-imagine the relationship between river and city – beyond the legacy of Glasgow’s industrial and manufacturing past.’
Perpetually rising and falling yet constrained within manmade embankments, detached from the city that once saw it as symbolic of its industrial prowess, the tidal river is taken as an invitation to reflect on ideas of change and continuity, nature and culture, in relation to the contemporary, post-industrial city.
(press written by Minty Donald)

Performances
23 April – Hanna Tuulikki, Bell’s Bridge, G51 – 3.15pm
24 April – John Cavanagh – Riverside Museum, G3 8RS – 3.45pm
25 April – Nichola Scrutton – Dixon Street, G1 4AL – 4.05pm
26 April – Douglas Morland – Clyde north waterfront between Victoria and Glasgow Bridges, G5 – 4.45pm
27 April – Minty Donald/Nick Millar – citywide – 5.25pm (and throughout the week)
28 April – 5pm and 7.30pm – Clydeport Authority Headquarters

After being awarded my PhD from University of Glasgow I worked as a Teaching Fellow in Music there for two years.

2009-2011 University of Glasgow (Music)
Teaching Fellow (0.6 fte)
Sonic Arts Levels II and III;
Practice-based Composition Workshops;
Contemporary Music Ensemble;
Lectures in Music and Technology;
Advising UG Dissertations and students on the MLitt in Popular Music Studies (Creative Practice);
First GLEAM concert organiser and host;
Music Education Project Organiser;
Course Administration.
2004-2009 University of Glasgow (Music):
Graduate Teaching Assistant

I am very pleased to say I received a Creative Scotland Quality Arts Production Award for the development of vocal performance work Songs for a Stranger.
Songs for a Stranger is a collection or cycle of five electroacoustic works that draws metaphorical inspiration from the many senses of the word ‘stranger’. The work was originally created for, and supported by, Arches Live Festival.
SoundAround was a mental health music/sound workshop and performance project co-facilitated with Erin Scrutton.
Over 10 weekly sessions we created a range of musical materials using voice, drumming, percussion and recorded sounds to create a final live interactive performance for the ‘Come Awa’ In’ opening weekend of Perth Concert Hall in Scotland.

**** Joyce McMillan, The Scotsman 23/0911, Arches Live!, Glasgow
……And down at the rough end of the basement, in a bare tunnel of a room, there’s composer Nichola Scrutton’s Songs For A Stranger, a 25-minute piece that moves beyond the limits of language into five segments of abstract electronic sound, accompanied by the increasingly fierce and brilliant vocal improvisations of Scrutton and her performing partner, Celine Hanni. There’s a central moment of meditation – titled Solitude – that recalls the deep resonances of Tibetan chant; then a final, shattering visit to what sounds like a dying rainforest, as a fierce richness of animal sound gives way to crackling cataclysm, and the soft, low sigh of a final breath….
*** Mary Brennan, The Herald (“…as a live performance, full of vertiginous vocal techniques, it was always impressive…”)
All We’re Skilled In was a film, sound art and heritage project run in partnership with Plantation Productions, Glasgow Film Theatre and Scottish Screen Archive. Erin Scrutton and I worked with young carers in Glasgow to create atmospheric sound tracks for silent film clips using original historical footage of the Govan shipyards and the people who worked there. The film below, made by Jamie Dempster, is a short documentary of the project itself. The film has had several screenings, including the Glasgow International Film Festival.

Sister duo Nichola Scrutton and Erin Scrutton as And Then She Said in association with Plan B Collective created HumDrum pop-up singing and drumming events to celebrate 100 years of International Women’s Day. Subsequent events included the West End Festival and the Royal Highland Show.
Watch a short film about HumDrum.
Check out some press photos of the HumDrum event at the Royal Concert Hall steps in Glasgow to celebrate 100 years of International Women’s Day at Universal News.
Big thanks to our sponsors above, and a huge thanks to all involved!
Events included: International Women’s Day 100 year celebration, Concert Hall, Glasgow, Kelvingrove Museum and Art Gallery for the West End Festival, and the Royal Highland Show.


I was delighted to be invited to review Tara Rodger’s excellent book Pink Noises: Women in Electronic Music and Sound in Cambridge University Press Popular Music Journal.
I was commissioned by Glasgay! as composer/sound designer for Panic Patterns by Zöe Strachan and Louise Welsh. The work was further supported by a Creative Scotland New Music Award. The play was directed by Alison Peebles and ran from 19th – 30th October at the Citizens Theatre, Glasgow.
“… sound designer Nichola Scrut(t)on’s noises off for comfort…” ****The Herald
“Nichola Scrutton’s sound design plays a starring role…” Broadway World
“…an atmospheric set and soundscape…” ***The Scotsman
“…while Nichola Scrutton’s ghost-radio music……add to a twitchy atmosphere” Times Higher

Some of my works have been selected for ‘Soundgate’ – an exhibition of sound art in Aalborg, Denmark at the Kunsten Museum of Modern Art, Utzon Architectural Centre and Platform 4. The works will also be streamed online for the duration of the exhibition.
I am absolutely delighted to say that I have been awarded a Creative Scotland New Music Award to support my composer/sound design commission by Glasgay! for Panic Patterns theatre production at the Citizens in Glasgow.
Panic Patterns is a new play by Zoë Strachan and Louise Welsh, directed by Alison Peebles. The show will run from 19th – 30th October 2010.

An excerpt of Sustenance has been selected for the Deep Wireless 7 CD produced by New Adventures in Sound Art (NAISA), as part of the annual Deep Wireless festival in May, a month-long celebration of radio art. NAISA is based in Toronto and produces performances and installations spanning the entire spectrum of electroacoustic and experimental sound art.

Hold Your Breath was a large-scale visual/sound art project set up to improve the entrances/exits to the Clyde Tunnel, with the participation of the Whiteinch and Linthouse communities at each end of the tunnel.
I composed the various contributions of source sound and music into one large 40-minute work, which was to be projected by radio into the cars traveling through the Clyde Tunnel.


Various groups were involved in creating sound/music source materials for the soundscape: Paragon Ensemble working with St Jerome’s and Whiteinch Primary Schools; Art Form with Bryan Tolland; Tigerstyle and Dhol Infusion drummers; and the MacAlpine Family all contributed. I worked with Paragon Ensemble in the schools, gathering up sounds/songs from the children, the playground and surrounding streets, and recorded songs at the MacAlpine’s (four generation) family party
(photos courtesy of Kathy Friend)
I am delighted to have organised the first GLEAM electroacoustic concert in the University of Glasgow Concert Hall. A call for works drew of 60 submissions. The event includes fixed medium works by:
Christian Banasik, Géraud Bec, Iain Campbell, Timothy Cooper, Jonas Foerster, Annelie Nederberg, Felipe Otondo, Dale Perkins, Calum Scott, Pei-Yu Shi, Graeme Truslove, Matt Walch.
Date and time: Saturday 20th March 2010 at 6 pm.
Free entry.
I am delighted to be organiser and host of the first University of Glasgow Music Department electroacoustic music event GLEAM on 20th March 2010 . Here is a call for works.
2009 PhD in Electroacoustic Composition, University of Glasgow
Portfolio ‘Hearing Voices’
Funded by an Arts and Humanities Research Council Award – selected from open competition (2005 – 08)
2005 MMus in Composition, University of Glasgow
Supported by a Bellahouston Scholarship and a Broomhill Scholarship
2004 BMus (Hons) First Class, University of Glasgow
The Goudie Prize ‘Most Distinguished BMus Hons Graduate’.