Necessary Notes: A Vocal Response – solo performance as part of the Stolen Voices album launch on 8th February 2020.
“Nichola Scrutton is, as ever, an absolute wonder- her voice can disarm, charm and bewitch….She takes the listener into otherwordly realms, an uncertain space between sleep and consciousness.” (The Tempohouse)
The album launch was part of a creative research project by Rebecca Collins and Johanna Linsley – more here. The event forms part of ‘The Sonic Study Series: Act I Sonic Practice’ and is a pop-up event for the Festival of Creative Learning 2020, University ofEdinburgh. Many thanks to Rebecca and Johanna for the invitation. More info about the event at CCA Stolen Voices.
…”Downstairs in the Old Fruitmarket, Scottish vocalist Nichola Scrutton breathed deeply into a mic, the sounds mirrored by clarinettist Alex South across the room. In between, the audience were caught in a dexterous layering of breath that felt like the wash and roll of the sea.”…
Presented by Martin O’Connor and Platform
Written and Performed by Martin O’Connor With Nichola Scrutton and the North East Recovery Community
Platform, Easterhouse 13th-15th April
The Scottish Storytelling Centre 19th April
Martin O’Connor – Writer and Performer
Nichola Scrutton – Composition/Sound Design
Fergus Dunnet – Set Design
Hana Allen – Stage Management
Davie Green – Lighting Design
Alan McKendrick – Directing Support
Eoin Carey – Image and Production Photography
Sonic Bothy Ensemble’s first gig of 2017 at Mono in Glasgow gets a wonderful review from The Cusp Magazine. Read the full review here…
Sonic Bothy Ensemble have been in residence at Riverside studios recording tracks for a forth coming album.
Paritor Award – Sonic Bothy was one of several Glasgow Life/City Council partnered projects submitted to the National Music Council Awards, and received the Paritor Award for New Music in Education. Read more about the Paritor Award and other winners at the National Music Council website.
Theology with Martin O’Connor has been shortlisted for a CATS 2013-14 award in the Best Music and Sound Category. Announcements will be made on 8th June 2014. See details and the full listings at CATS.
Reviews of recent performances at Behaviour Festival
……And down at the rough end of the basement, in a bare tunnel of a room, there’s composer Nichola Scrutton’s Songs For A Stranger, a 25-minute piece that moves beyond the limits of language into five segments of abstract electronic sound, accompanied by the increasingly fierce and brilliant vocal improvisations of Scrutton and her performing partner, Celine Hanni. There’s a central moment of meditation – titled Solitude – that recalls the deep resonances of Tibetan chant; then a final, shattering visit to what sounds like a dying rainforest, as a fierce richness of animal sound gives way to crackling cataclysm, and the soft, low sigh of a final breath….
*** Mary Brennan, The Herald (“…as a live performance, full of vertiginous vocal techniques, it was always impressive…”)
Panic Patterns – sound design commission for theatre
I was commissioned by Glasgay! as composer/sound designer for Panic Patterns by Zöe Strachan and Louise Welsh. The work was further supported by a Creative Scotland New Music Award. The play was directed by Alison Peebles and ran from 19th – 30th October at the Citizens Theatre, Glasgow.
“… sound designer Nichola Scrut(t)on’s noises off for comfort…” ****The Herald
“Nichola Scrutton’s sound design plays a starring role…” Broadway World