BBC Radio 4, 14th Feb at 11.30am.
A clip of my composition Lateral will be included in BBC Radio 4 prog Shaped by the River Clyde. The programme is about artist and humanitarian George Parsonage, and features artist Minty Donald. Many thanks to Minty for including my work.
Minty originally commissioned Lateral as part of High-Slack-Low-Slack-High for Glasgow International Festival in 2012.
Following up that performance on Dixon Street by the River Clyde, I created a studio version, which has been broadcast internationally.
The starting point for Night Vision is a series of non-narrative texts captured through an experimental writing practice in the middle of the night lying down in a semi-conscious, or liminal, state.
This is a very different artistic approach for me. Early inquiries were focused on selection, how to interact with the texts, and what happens when these words/sounds are given voice off the page?
The work was initially developed at Rough Mix, Magnetic North’s creative development programme. The residency was held in Perth Theatre in January 2019. Big, big thanks to Magnetic North and the artists and performers involved in the residency. Thanks to Lorna, Neil, Ian and Laurie for the first performance sharing of Night Vision.
I am very excited to have been selected for the Magnetic North Rough Mix Residency. The residency will be taking place in Perth Theatre, Perth, Scotland for two weeks in January 2019. Read the announcement of participating artists at MN Rough Mix 2019
There will be a sharing of work on 18th January at 6 pm at Perth Theatre. All welcome – free but ticketed from Horsecross Arts.
And here’s a lovely photo by Brian Hartley from the performance…
I was absolutely delighted to be part of the opening of the Beton 7 Festival in Athens on 4th June 2018. The event opened with an introduction by curator Demosthenes Agrafiotis, followed by my solo performance When Night Comes, screenings of Wendy Kirkup’s two films Touches Bloquees and film from a score, and a Q + A session with Wendy and me in conversation with Simon Murray.
After the opening the festival runs from 5th – 17th June 2018. The theme of the festival was “Visions-V_Ideas, Performances”…
“Visions-V_ideas, Performances” celebrates 5 years since its launch at BETON7. In April 2014, it was stated that the set of actions of the festival aimed at exploring the interface between performance and video in the specific frame of the Votanikos neighbourhood – the site of BETON7, Center for the Arts.
A review may be necessary, not in the sense of a conclusion but an assessment for future adjustments. According to a terminology, performance is at the crossroad of the living arts (arts vivants), which rely on the human body as the main tool, in order to found its artistic idiosyncrasy or specificity (dance for example) and the visual arts, where physical elements allow to shape primarily spatial structures (e.g. sculpture). At this crossroad, the video is entering, which is the field, the opportunity to create a new version of what is happening at the aforementioned crossroad from aesthetic and social point of view.”
Many thanks to Rania and Demosthenes for their invitation, welcome and hospitality.
When Night Comes
When Night Comes is a solo performance created in dialogue with Wendy Kirkup’s art film film from a score.
In the film, I performed Berio’s Sequenza III for solo voice. After Wendy’s films were selected to be screened at the Beton 7 Festival in Athens, I was invited to perform at the opening as a response to the film before the screening.
The performance is improvised. I draw inspiration and gestures from both my knowledge of Berio’s score and the compositional and material aesthetic of the film itself.
The performance and screenings originally took place at the 5th Edition of the Beton 7 Festival in Athens, Greece
Opening of the Beton 7 Festival, Athens, Greece
Zoë Strachan and I performed Static Flux at the Hidden Door Festival in Edinburgh on 29th May 2018.
Static Flux is a sonic seance! In this spoken word/sound piece Zoë and I are exploring narrative and time through chance encounters with remnants, fragments and the ephemera of past lives.
Static Flux was originally created for a live studio broadcast for Radiophrenia in 2017.
Hidden Door Festival: hiddendoorblog.org
Our FB page: FB event page
Following the CD release in 2014, a back-issue of framework:seasonal issue #7, winter 2014 is now available on Framework Radio bandcamp page.
My composition Post-Industrial Broadcast #1 features in a compilation of thirteen tracks from some wonderful artists.
Many thanks to Patrick Tubin McGinley.
LINK: framework:seasonal issue #7
The Mark of the Beast is a collaboration with writer/theatre-maker Martin O’Connor that explores issues/ideas around alcohol and addiction in Glasgow.
Between November 2015 to March 2016, Martin and I undertook a period of research and development, commissioned by GEAC Platform-to-Health and GRAND (Getting Real About Alcohol n Drugs). Working with the North East Recovery Community.
At that time, I composed a sound installation Good Days Bad Days, incorporating the many voices/stories of participant’s experiences. For The Mark of the Beast, I re-visited and re-composed that material for Martin’s live solo show.
***** The Herald (Platform Glasgow)
**** The Wee Review (Scottish Storytelling Centre, Edinburgh)
13th – 15th April, Platform, Glasgow
19th April Scottish Storytelling Centre, Edinburgh
Vernon & Burns -collaboration
Exploring the Unknown is a performance collaboration with Vernon & Burns, initially created for this lovely event in Glasgow produced by Sonically Depicting.
Have a listen to some Vernon & Burns on SoundCloud.