On 31st August 2021 the six composers met in a virtual gathering to listen together, discuss the works and creative process.
Many thanks indeed to the composers/sound artists. The works are:
Claire Docherty – Pulse dream fragment For Una MacGlone (bass) & Emma Roche (flute) (3’23) Dafna Naphtali- Striations (3′) Elisabetta Senesi – Under the Surface (3’50) Julia Drouhin – Mer4 (3’50) Nichola Scrutton – Gestures (3’44) Ruth Wiesenfeld – the wool from which the ribbons were made (3’54)
The images were a prompt, a connecting point, a spring board for dialogue. The sound compositions stand as individual works and as a collection, which hopefully will be shared publicly in the future.
I’m delighted to be one of ten artist who have formed the hyphæ drawing collective. The collective met online during the lockdown of early 2021, through the Drawing Correspondence development programme. Gradually this shared work evolved into our collective based on mutual support and joint explorations of drawing and of what it might become for each.
Read more about hyphæ drawing collective at our website, where you can also contact us and sign up for our newsletter. We are also on social media at:
I was delighted to be invited into a duo with Manuel Padding for Giant Tank’s Pot Luck, which was aired on TUSK TV on 6th August 2021. Big thanks to Manuel, and to Ali and Collette for hosting – connect to Giant Tank on their FB page – Giant Tank Facebook
Our duo track is available as part of TUSK Editions #5 – download the album at TUSK Festival’s TUSK Editions Bandcamp.
I am delighted to be collaborating as a vocalist with artist Anne Colvin on her moving image artwork/experience Dear Prudence re-imagined. More information about the work is available at Dear Prudence re-imagined.
Zoë Strachan and I continue our exploration of performing live experimental radio artwork. Up Closeness is a dialogue between two green urban spaces, a close look at the local. An attempt to find small connections amid the dislocation from everyday life. Field recordings and voice sounds are combined with found and composed text to animate distinct temporal spaces. Live improvisation and embedded writing practice enact a mimetic re-inhabiting of space.
We first performed Up Closeness as a live broadcast at Radiophrenia Glasgow on 20th November 2020 in CCA Glasgow.
Delighted to be working with Ian Spink, Aya Kobayashi, Skye Reynolds, Selina Boyack and Stella Boyack to develop Radio Play. The immediate focus was a scratch performance for UNFIX Festival 2019. Here’s more info about the event on Sunday 31st March at CCA Glasgow Scratch Night. We re-visited the work for Batch2 Festival In August 2019.
Zoë Strachan and I created Rays & Correlations for a live broadcast from the Radiophrenia studio on 15th May 2019. This is our third collaborative radio artwork. Previous works are In Transit and Static Flux.
Inspired by the patterns of cosmic ray interactions in a cloud chamber, we imagine the myriad signals and attempts at communication that might enter a sphere and intersect, cluster, miss or fade away. Rays & Correlations is a voice-focused improvised performance with layers of interactive soundscape.
The listener is invited to find a thread to hold onto amid interweaving sparse and dense streams of words and evocations – and to decide whether the sound space is literal, as inside a kind of radome, or metaphorical – representing any individual consciousness trying to make sense of human connection.
Martin O’Connor and I collaborated once again on a co-commission from Outspoken Arts Scotland. We were invited to develop a proposal for a new theatre production in Paisley called Love Street – The Musical. We spent two months out and about visiting organisations and gathering stories from people in Paisley who have memories and connections to Love Street.
We were delighted to be invited to share work for the opening night of Beton 7 Festival in Athens on 4th June 2018. The event included an introduction by curator Demosthenes Agrafiotis, my solo performance When Night Comes, screening of Wendy Kirkup’s two films Touches Bloquees and film from a score, and a Q + A session in conversation with Simon Murray.
Festival dates: 5th – 17th June 2018. Festival theme: “Visions-V_Ideas, Performances”…
“Visions-V_ideas, Performances” celebrates 5 years since its launch at BETON7. In April 2014, it was stated that the set of actions of the festival aimed at exploring the interface between performance and video in the specific frame of the Votanikos neighbourhood – the site of BETON7, Center for the Arts.
A review may be necessary, not in the sense of a conclusion but an assessment for future adjustments. According to a terminology, performance is at the crossroad of the living arts (arts vivants), which rely on the human body as the main tool, in order to found its artistic idiosyncrasy or specificity (dance for example) and the visual arts, where physical elements allow to shape primarily spatial structures (e.g. sculpture). At this crossroad, the video is entering, which is the field, the opportunity to create a new version of what is happening at the aforementioned crossroad from aesthetic and social point of view.”
Many thanks indeed to Rania and Demosthenes for their invitation, welcome and warm hospitality.
Static Flux is a sonic seance! In this spoken word/sound piece Zoë and I are exploring narrative and time through chance encounters with remnants, fragments and the ephemera of past lives. The performance was originally created for a live studio broadcast for Radiophrenia in 2017.