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Night Vision

2022-23 – Phase 2

I’m thrilled to say that I have been awarded Creative Scotland funding for the Night Vision project over 2022-23.

As part of a general website overhaul, I have temporarily removed background information, credits and plans for Night Vision so I can update all the details.

In the meantime, I’ll be posting news about select performances and a recording, to be released first on Bandcamp in early April and then across all music platforms on 28th April so please do connect / follow for updates. Many thanks.

Many thanks indeed to everyone who has supported Night Vision.

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Test-Pitting with Zoë Strachan

Test-Pitting – a collaborative residency

Zoë Strachan and I had a two-week residency at Glasgow Project Room in April/May 2022.

In our residency we were engaging in a process of ‘test-pitting’ to develop new work around themes of excavation as a means of opening an aperture onto fragile lines of connection between inner and outer landscapes. We shared some work-in-progress at the end of the residency in a public event that included a performance and a Q+A chat.

In archaeology a test-pit is a trial, a delving in to reveal layers, fragments of artefacts, the potential of a site of enquiry. It enables a snapshot of composition and decomposition, of life cycle and decay in the earth. Grids and tracing map the process.

Zoë and I have an ongoing collaboration making sound art works and experimental radio combining newly written and found text, composed sound, field recordings, found sound, voice and improvisation.

@zoestrachan
@NicholaScrutton