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Test-Pitting with Zoë Strachan

Zoë Strachan and I had a two-week residency at Glasgow Project Room in April/May 2022.

In our residency we were engaging in a process of ‘test-pitting’ to develop new work around themes of excavation as a means of opening an aperture onto fragile lines of connection between inner and outer landscapes.

In archaeology a test-pit is a trial, a delving in to reveal layers, fragments of artefacts, the potential of a site of enquiry. It enables a snapshot of composition and decomposition, of life cycle and decay in the earth. Grids and tracing map the process.

We shared some work-in-progress at the end of the residency in an event that included an informal performance and Q+A chat.

Zoë and I have an ongoing collaboration making sound art works and experimental radio combining newly written and found text, composed sound, field recordings, found sound, voice and improvisation.

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Night Vision – a body of work

Night Vision Nichola Scrutton

Night Vision (working title) is a body of work in development.

The starting point was a series of texts captured in the middle of the night lying down in a semi-conscious state over a two-year period (2017-19). This was a new approach for me as a composer.

Many thanks to writer Em Strang – an early reader of a random, unfiltered selection of the texts. Em’s generous response gave me encouragement to trust my instincts in pursuing the work. 

Early inquiries focused on investigating the text, making selections and initial thoughts about how to interact with the texts in performance.  In 2019, I had the opportunity to explore those seed ideas in a Magnetic North Rough Mix Residency. The work-in-progress was aired in a public performance at Perth Theatre, Scotland.

2021 Developments

I am delighted to say  that in early 2021 I was awarded Creative Scotland funding to develop the next phase of the project over a six month period. A few threads are now unfolding, including a more substantial ensemble work for performance (which takes the title Night Vision), as well as a solo recording project, drawings/visual compositions, and micro-commissions. 

I will link to more information here in the coming months, and I’m posting occasional updates on social media – you can connect there too if it’s of interest, details are on the Contact page…