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Lying Over Under Another with Zoë Strachan

Lying Over Under Another is a collaborative sound performance with Zoë Strachan.

We were absolutely delighted to have been selected for a Second Life Award by the Edwin Morgan Trust to research, develop and produce the work through 2023. https://edwinmorgantrust.com/2022/10/14/nichola-scrutton-and-zoe-strachan-lying-over-under-another/

Responding to the visual richness of Edwin Morgan’s scrapbooks, held in Archives and Special Collections, we reimagine the scrapbooking and research process through sound and gesture. This improvised performance combines recorded and live sound with spoken word to re-present the diverse materials Morgan collected as bodies (entities) in relation to each other; offering new connections that may be physical, emotional, psychical. Elements of verbal disintegration and moments of absurdity and humour echo Morgan’s own poetic practice and its rootedness in the city of Glasgow.

Supported by the Edwin Morgan Trust through The Second Life Award.

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Second Life Award – Edwin Morgan Trust

Lying Over Under Another – a collaboration with Zoë Strachan

Really delighted to have been selected for The Second Life Awards with Zoë Strachan – thank you so much to the  Edwin Morgan Trust for such a fantastic opportunity to develop our collaborative practice and make new work! More info to follow…

Read more about the selected projects at: https://edwinmorgantrust.com/the-second-life-awards-2023/

In case it’s of interest, I also have a Mailing List for occasional news updates – Join Mailing List

@EdMorganTrust
@zoestrachan
@NicholaScrutton

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Dream Stream

Dream Stream – a Radio Art Zone Commission

Dream Stream was commissioned by Radio Art Zone as part of their 100-day programme inviting 100 artists to create 22-hour long radio works for European Capital of Culture at Esch 2022, Luxembourg. https://radioart.zone

Programme Note

Dream Stream weaves together field recordings, voice, fragments of text, visualisations, stories, performance and archive materials in a sonic contemplation of inner / outer landscapes. The sound of water is a thread across the whole duration. From that constantly shifting ‘surface’, various other sound worlds emerge and recede in a transient dream-like encounter.

In case it’s of interest, I have a Mailing List for occasional news updates – Join Mailing List

Many thanks indeed to Sarah, Knut and all at Radio Art Zone.

Artwork © Nichola Scrutton

@RadioArtZone
@Mobile_Radio
@RadioARA
@NicholaScrutton

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Night Vision

2022-23 – Phase 2

I’m thrilled to say that I have been awarded Creative Scotland funding for the Night Vision project over 2022-23.

As part of a general website overhaul, I have temporarily removed background information, credits and plans for Night Vision so I can update all the details.

In the meantime, I’ll be posting news about select performances and a recording, to be released first on Bandcamp in early April and then across all music platforms on 28th April so please do connect / follow for updates. Many thanks.

Many thanks indeed to everyone who has supported Night Vision.

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Test-Pitting with Zoë Strachan

Test-Pitting – a collaborative residency

Zoë Strachan and I had a two-week residency at Glasgow Project Room in April/May 2022.

In our residency we were engaging in a process of ‘test-pitting’ to develop new work around themes of excavation as a means of opening an aperture onto fragile lines of connection between inner and outer landscapes.

In archaeology a test-pit is a trial, a delving in to reveal layers, fragments of artefacts, the potential of a site of enquiry. It enables a snapshot of composition and decomposition, of life cycle and decay in the earth. Grids and tracing map the process.

We shared some work-in-progress at the end of the residency in an event that included an informal performance and Q+A chat.

Zoë and I have an ongoing collaboration making sound art works and experimental radio combining newly written and found text, composed sound, field recordings, found sound, voice and improvisation.

@zoestrachan
@NicholaScrutton

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Salt Cellar with Zoë Strachan

Salt Cellar – a collaborative radio art work

Zoë Strachan and I first performed Salt Cellar as a live-to-air broadcast on Radiophrenia, 11th February 2022, in the Creative Lab at the CCA Glasgow.

Programme Note

What is a prompt? It’s an inciting, a bringing forth, an augury, an urge, a bringing to light. In this live to broadcast performance, Nichola Scrutton and Zoë Strachan employ a cootie catcher (also known as a salt cellar) to provoke a series of discreet but interlinked improvisations based on texts, photographs and physical objects. Thus they seek to enact an archaeology of embodied memory within the palimpsest of a time-limited performance space.  

Zoë and I collaborate to make sound art/experimental radio combining newly written and found text, composed sound, field recordings, found sound, voice and improvisation.

@zoestrachan
@NicholaScrutton

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Voice Workshops with Wendy Kirkup

Devising and delivering a series of voice workshops with Wendy Kirkup as part of her 2021 research and development towards a new film looking at 16mm film and improvised voice.

Performers/participants: Wendy, Catherine, Laura, Nicole and Emmie. The film footage was captured by Alex Hetherington, and Stevie Jones recorded the sound. See more of Wendy’s work at Wendy’s Instagram.

Group photo © Alex Hetherington. Film photo © Nichola Scrutton

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Sonic Bothy Updates July 2021

New Work

Sonic Bothy Ensemble produced a new digital work Verbaaaaatum for Tectonics Festival 2021. The festival was online for a month and hosted a fantastic array of digital and streamed music/sound performances. View the archive of the 2021 Tectonics Festival online at Tectonics Glasgow 2021

Hats off to Claire and all at Sonic Bothy for how everything has continued to grow and develop since the first lockdown hit in March 2020. In spite of the challenges, we’ve being actively involved in staying creatively connected to participants/musicians and producing new work, and it’s a joy.

Scottish Awards for New Music

Exciting that Sonic Bothy was shortlisted for The RCS Award for Education/Community Project at New Music Scotland. The awards were announced in an online event in July 2021 – congratulations to the winners. Read more about the category and shortlisted projects here…The RCS Award for Education/Community Project

Sonic Bothy Ensemble Album Fields

Sonic Bothy Ensemble’s debut album Fields is still available at Bandcamp in hard copy and digital formats…

https://sonicbothy.bandcamp.com/album/fields

More Information

For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.

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Drawing Correspondence Pilot Program

I was thrilled to be one of ten artists selected for the pilot of the Drawing Correspondence Program. The Program was developed and facilitated by artists / educators Anita Taylor, Chloe Briggs and Tania Kovats. In addition, we were fortunate to have guest artists to share and discuss practice.

The intensive six-week development period had an umbrella theme of Grow. Regular self-directed drawing practice was focused through an exciting range of activities and investigations, live online drawing classes, one-to-one and group discussion, sharing and presentations.

We produced a publication at the end of the Program – 10 Letters and 10 Drawings – initially published on Issuu, with a physical publication to follow. Link to Issuu publication

A huge thanks to all on the journey.

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Up Closeness with Zoë Strachan

Up Closeness – a collaborative radio artwork

Zoë Strachan and I continue our exploration of performing live experimental radio artwork. Up Closeness is a dialogue between two green urban spaces, a close look at the local. An attempt to find small connections amid the dislocation from everyday life. Field recordings and voice sounds are combined with found and composed text to animate distinct temporal spaces. Live improvisation and embedded writing practice enact a mimetic re-inhabiting of space.

We first performed Up Closeness as a live broadcast at Radiophrenia Glasgow on 20th November 2020 in CCA Glasgow.

@zoestrachan
@NicholaScrutton

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Sonic Bothy Updates March 2020

Sonic Bothy Ensemble at TUSK Festival 2019

Performances

Sonic Bothy Ensemble Platform
SBE at Platform Glasgow (image © Brian Hartley/Sonic Bothy)

Sonic Bothy Ensemble enjoyed wonderful performances at TUSK Festival in October 2019 (photo above © Sonic Bothy) and at Platform Glasgow in December 2019.

Gateshead Jazz Festival – Covid-19 affected

Tectonics Festival – Covid-19 affected

Sonic Bothy Ensemble had two very exciting performances in the pipe-line – one in late March at The Sage, Gateshead for Gateshead Jazz Festival and one in early May at Tectonics, Old Fruitmarket. Unfortunately both were cancelled or postponed due to lockdown.

Meanwhile Sonic Bothy has resumed some rehearsals online. More news about future events will follow as and when available.

Performance Anxiety Research Project

Since September 2019 I have been Lead Artist on the development of Sonic Bothy’s Performance Anxiety Project, along with Creative Director Claire Docherty (Project Manager) and Malcy Duff who works with Bothy Learning Space (Support Artist). At the core of the project was a series of exploratory workshops, co-led with Malcy. The project aims, through direct experience in workshops, consultation and research, to increase awareness and create resources to support musicians with an ALSN in any aspect of performance anxiety and associated issues. The project has been detailed in an extensive research report, written up at the end of the practical work.

Sonic Bothy Ensemble Album Fields

Sonic Bothy Ensemble’s debut album Fields is still available at Bandcamp in hard copy and digital formats…

More Information

For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.

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Sonic Bothy Updates Oct 2019

Review – Sonic Bothy Ensemble: Immediate Buzz Shift, CCA, Glasgow

Image © Brian Hartley

 

“Part of the wonder of Sonic Bothy is that each night is individual as a finger print. So it is with Immediate Buzz Shift.” (The Tempohouse)

Read the SBE CCA Review

Performances

Sonic Bothy Ensemble are next performing at TUSK Festival at The Sage in Gateshead, which is very exciting! We’ll be in Hall 2 at 7:10pm on Sunday 13th October 2019.

In June 2019 we had a fantastic time performing at the Kelvingrove Museum and Art Gallery…Also in June we also had  a wonderful time recording some new work in the studio at Gorbals Sound, Glasgow.

Sonic Bothy Ensemble Debut Album

Sonic Bothy Ensemble’s debut album Fields is available at Bandcamp…

More Information

For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.

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Residency at Q-O2 in Brussels

Q-O2 residency
Portrait photo © Wendy Kirkup.

I was delighted to be selected for a residency at Q-O2 in Brussels for two weeks May/June 2019. See more info at Q-O2. Part of my priority was to reflect on Night Vision – a new work-in-progress originally developed at Rough Mix Residency with Magnetic North Theatre Company. While I was there I also made some recordings, explored some visual artwork as an extension of the Night Vision text and, and gave an improvised performance with cellist Arnold Noid Haberl as part of a public sharing at the Q-O2 space.

Many thanks indeed to all at Q-O2!

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Sonic Bothy Updates 2018

181105 Sonic Bothy Diagonal JoyPerformance

Sonic Bothy Ensemble and Bothy Learning Space joined forces for some intensive rehearsals and a big performance, Diagonal Joy, in the Recital Room at City Halls in November 2018.

NominationSonic Bothy ISME 2016 at RCS photo © SB

Everyone’s excited that Sonic Bothy inclusive new music ensemble has been nominated for a Scottish Award For New Music.

More Information

For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.

 

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When Night Comes

When Night Comes 4When Night Comes 3

 

 

 

 

 

 

When Night Comes was a solo performance created in dialogue with Wendy Kirkup’s film from a score (2017). In the film I perform Berio’s Sequenza III for solo voice. After Wendy’s films were selected to be screened at the 5th Edition of the Beton 7 Festival in Athens, Greece in 2018, I was invited to perform at the opening as a response to the film prior to the screening on the opening night of the festival. My improvised performance drew inspiration and gestures from both my knowledge of Berio’s score and the compositional and material aesthetic of the film itself. The title is a play on a fragment of text from Berio’s  score – “before night comes”.

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Rough Breathing | Alex South

Through the Rough Breathing project I have been collaborating with clarinettist Alex South to investigate the role and use of breath as an improvising tool in live performance. Our collaborative exploration to date has focused on a) the psychoacoustic and sonic relationships between voice and clarinet, and b) breath and bodily breathing processes as potential material and/or structural devices within free improvisation. One line of inquiry, for example, centres on how the breath might sculpt the dynamic flow of sound-making in performance.

With early exploratory performances at The Glad Cafe and Sharmanka Kinetic Theatre (many thanks John Cavanagh), the work was further supported and developed through a CCA/AC Projects Residency in the Creative Lab at CCA 2018  and Tectonics Festival 2019.

In 2020, Rough Breathing was shortlisted for the Scottish Awards for New Music Ism Prize for Collaboration.

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Sonic Bothy Inclusive New Music

I am delighted to have been working with Sonic Bothy  Ensemble since January 2014. Sonic Bothy was founded by creative director Claire Docherty, and explores, composes and performs experimental and contemporary music.

I post occasional updates – read more in News or click on the Sonic Bothy tag.

For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website

 

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Static Flux with Zoë Strachan

Static Flux – a radio art and performance collaboration

Zoë Strachan and I first produced Static Flux as a live studio broadcast for Radiophrenia in 2017. The work was then selected for a live performance at  Hidden Door Festival  2018.

Programme Note

Static Flux focuses on out-of-time memory states, and how they can be both static and in flux. We are interested in exploring narrative and time through chance encounters with remnants, fragments and the ephemera of past lives. Metaphors for our endeavour include the remnants found in second-hand bags and the pockets of clothing, or in notes scribbled on the back of black and white photographs. There is a melancholy air to these things, but as with any kind of haunting, also the potential for fear, and for deeper connections with our own sense of mortality.

@zoestrachan
@NicholaScrutton

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Sura Medura Moving Out

Moving Out Sura Medura 2016

The final stage of our residency was focused on preparing for our Moving Out event. The other artists involved were Natasha Russell, Sumit Surkar, Samson Ogiamien, and Rose Staff. On the day, we were thrilled to have a big local crowd join us, and delighted that many people came down from the Colombo Biennale and the University Faculty of Visual and Performing Arts to join us for some or all of the time.

Overall, the day at Sunbeach was a wonderful combination of visual art, sound, sculpture, video, performance, people, food, beer, Arrack sour, sea, sand, laughing, chatting, sharing…and cake (what a fabulous day for a birthday!). In our exhibition, which combined some finished elements and work-in-progress, my sound work Sabda saha Pintura was available as a headphone installation.

Listening Post Sabda Saha Pintura

The title Sabda saha Pintura means sound and picture in Sinhalese – through much discussion this seemed to be the most apt translation for the collage idea I was working with in the piece. Exploring  differences in the English/Sinhalese languages was very intriguing – how or in what way  metaphors or concepts translate, for example, sound, soundscape, landscape,  environment.

 

 

Sudu - Tuk Tuk Tour Driver

Tuk Tuk TourDuring the afternoon an audiovisual tuk tuk tour was running – a collaboration between Natasha (Russell) and me. Three people at a time could hop into Sudu’s tuk tukand take a short round trip to visit Natasha’s work in local shops accompanied by my soundtrack.

The soundtrack combined recordings I gathered from those shopkeepers  introducing themselves and their businesses, shop sounds, etc – the general store, jewellers, barbers, a fruit and veg stall. I also recorded an introduction to the tour in Sinhalese, with pronunciation help from folk at Sunbeach. Big thanks to Sudu and Chinthaka for running the tours.

Samson and Nichola Moving Out 1Samson and Nichola Moving Out 2

Early evening, I accompanied Samson Omiagien with some live vocals for his performance piece with sculpture, which we had rehearsed  in the lead up to the event.  The evening finished with a fantastic Sri Lankan curry banquet.

Big thanks to Neil and all at UZ Arts, Chaminda, Chathura, Hasantha, Kari and all at Sunbeach, Maria and Jack, my fellow artists-in-residence, everyone I met.

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Video Jam at Colombo Art Biennale

BANNERColombo Art Biennale - 2

VideoJam

In the final week of the Sura Medura residency we headed up the road for the opening of Colombo Art Biennale in Sri Lanka. I was excited to also have been invited by Shereen Perera to create a live score for the Video Jam event on the opening night. I responded with a solo vocal performance to a beautiful, strange and thoughtful clip of Sri Lankan film-maker Vimukthi Jayasundara’s Light in the Yellow Breathing Space. 

The event took place on 2nd December 2016 at the ZMax Fairway Hotel roof terrace and was part of the Colombo Biennale Performing Arts Programme.

Here’s the Facebook event  and a link to a film clip here Video Jam clip

 

 

 

 

 

 

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BBC Radio 3 Exposure

Exposure GigI was delighted to be performing solo on the first programme of a new BBC Radio 3 series – Exposure. The programme ‘explores the local alternative and underground music scenes’.

The live event is on 23rd September 2016 in Glasgow at the Glad Cafe. The programme will be broadcast on 29th September at 11 pm and available online for a month.

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Sura Medura Residency

uzarts logo sura medura residency

I was thrilled to be selected for a six-week Sura Medura residency with UZ Arts  from October to December 2016. The Sura Medura residency on this occasion was being hosted in Hikkaduwa, Sri Lanka. My fellow artists were Natasha Russell and Sumit Sarkar, and two other artists arrived later in the residency – Martin Janicek and Samson Ogiamien. Early experience after arrival was a whirlwind of sensations and there was definitely a process of settling into Sunbeach and adjusting – heat, humidity, sounds, smells, surf, swimming, dogs, jungle, mozzies, food, walks, and meeting many warm friendly folk along the way sharing experiences, tips and ideas.

Sura Medura, Storm Brewing

Presentations

As part of the residency we travelled to Colombo and gave presentations to staff and students in the University Faculty of Visual and Performing Arts in week 3. That was a really good day – as well as meeting people, we were fortunate to be shown round all the art departments then had lunch before travelling back.

Sura Medura, Train Nichola ScruttonTrain TimetableFaculty Of Visual And Performing Arts Colombo UniversityFaculty Of Visual And Performing Arts Colombo University2

Thinking about soundscapes

The sound environment is generally very dense and I spent quite a bit of time actively listening and drawing.The area has two main aspect – beach and jungle – and each has its own distinct soundscape. On the beach side the sea roars continuously as the surf thunders in and on the jungle side the air is thick with heat, bird song, massive trees rustling and people going about their daily lives.  A railway line runs between the two through much of the area and regular trains, horns and bells punctuate the air. In the mix are a whole rich array of sounds – the hollering voices of people selling at markets and on the street, the honking and revving of huge buses overtaking other vehicles at breakneck speed (treacherous), thunderstorms and torrential rain, intermittent firework eruptions, the bread, fish and other vans making melodic announcements and so on. I created two soundscape pieces – Sabda saha Pintura and Wave Shift.

Sura Medura, Fish Market

Sura Medura, Lightening Storm

Sura Medura, Jungle

 

 

 

 

 

In week five  we hosted a Moving Out public event at Sunbeach as part of the Colombo Art Biennale, which was a big success. And actually it was on my birthday so an extra cake was involved at the end of the night. Read a bit more info on that at Moving Out. Finally, we had a trip up to Colombo for the opening of the Biennale. I also had been invited to perform/score a film clip at the opening as part of Video Jam. More info on that at Video Jam

Huge thanks to Neil and all at UZ Arts, Chaminda, Chathura, Hasantha, Kari and all at Sunbeach, Maria and Jack, my fellow artists-in-residence, everyone I met.

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At First Light

At First Light listener
At First Light listener – WISWOS, LICA

At First Light  is a studio composition (8’49). Arising from an ongoing strand of exploration around ideas of ‘ephemeral’,  At First Light is a vocal meditation  inspired by the play of light at sunrise and a notion that each moment may be filled with the past, present and future. The process of making the piece involved repeated exploration of the material ideas using a simple MAXMSP patch, with the final work being created in a single real-time improvisation. While a version of the piece was ultimately fixed to become At First Light, inherent in the process and the material is an idea of transient evolution – emergence, cycle and decay.

The piece was selected for:

Women in Sound/Women on Sound‘ Symposium at Lancaster Institute for Contemporary Arts (LICA) (2015)
New York City Electroacoustic Music Festival Concert 35 (NYCEMF) (2016)
Tomorrow, Today will be Yesterday‘ group installation at CAAA, Guimaraes, Portugal, ELO, Victoria BC, Canada, and LCGA, Limerick, Ireland as part of the Screen Dance Festival.

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Phoenix Dance Theatre | Choreographers and Composers Lab

I was absolutely delighted to be one of four composers selected for the Choreographers and Composers Lab 2015 – a two-week intensive residency with Phoenix Dance Theatre in Leeds. The residency was led by  Sharon Watson and Ken Hesketh, with guest speakers – Robert Cohan, Peter Weigold, Zoé Martlew, Dr Jo Butterworth, Mike Dixon, Didy Veldman.

Choreographers: Adrienne Hart, Mbulelo Ndabeni, Claire Lefèvre and Sandrine Monin.
Composers: Roberto David Rusconi, Nichola Scrutton, Sarah Westwood and Eloise Gynn.
Dancers:  Hannah Bateman, Francesca Caselli, Andreas Grimaldier, Joshua  Harriette, Carmen Marfil, Marie Astrid Mence, Ben Mitchell, Vanessa Pang, Alice Shepherdson, Sam Vaherlehto , Prentice Whitlow.
Musicians: Hara Alonso, Oliver  Dover, Sean  Hamilton, Becky Yen-Huan

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Sonnets/Radiophrenia

RAdiophrenia logo

 



Sonnets was a series of live, interactive, largely improvised sound poems, and was created for a Radiophrenia live-to-air commission in 2015. The work drew on the root meanings of the title word – from  ‘son’ (song) and ‘sonus’ (sound) – rather than the traditional poetic form. I used minimal processing, and focused instead on weaving together a palette of breathy sounds, phonemic fragments and vocal gestures into a series of self-contained but interlinked sound worlds, sometimes with field recordings, to invoke or reference a fictional place or state.

(Please note the sound clips are currently off-air)

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Segami Dance Company

From the archive – Segami Dance Company was a collaborative project with New Zealand performer Hugh Major in the early 1990s in Edinburgh, Scotland. We joined forces after our paths crossed while working in the experimental theatre scene.

We created a handful of works including Bruised (solo), My Heart and My LegsThis Glorious Prison, and Shifting Sands, and performed in Edinburgh, London and a few venues in New Zealand’s north island. During our stay in New Zealand we also held workshops and collaborated with performing arts students to create their own contribution to our performance.

Our main influences were Butoh dance, other movement practices like Tai Chi, and indigenous cultures – we were interested in creating intense, contemplative, energetic work. I am currently going through archive materials to see what remains from that time.

Segami

Segami

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One Autumn Night


One Autumn Night  is an encounter, a dialogue between two contrasting kinds of musical material: one is human and lyrical, using voice sounds and simple sung melodic fragments, the other is clearly digital and artificial but is subtly inflected with speech-like gestures.  The drama, which unfolds in two waves, is a negotiation that nods to the complexities of striving for a thoughtful interaction between humanity, technology and nature.

Events include: 2013 Acoustic Frontiers, Radio, Ottawa, Canada, 2012 RadiaLx, Radio Art Festival / 88.4 FM, Lisbon, Portugal, Basic.fm, broadcast by Pixel.Palace, Newcastle upon Tyne, UK, WEALR, 2012 New Music Festival , Cal State Fulerton, US. 2011 Lights Out Listening Group, The Old Hairdressers, Glasgow

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Word of Mouth

Word of Mouth is fixed medium work (4′) that uses the human voice as the only sound source. Structurally the piece uses gestural phonemes to project a range of non-linguistic vocal sounds on the breath, which are extended and woven together to evoke metaphorical and spatial associations.

Selected Performances

CAAA Centre for Art and Architecture Affairs, Portugal (Fringe Música Viva 2013)
Radio 6: Cafe Sonore, Netherlands (Musica Viva Sound Garden)
France Musique Radio: ‘Electrain de Nuit’, Christian Zanesi (Musica Viva Sound Garden)
Música Viva Festival Sound Garden, Lisbon, Portugal (2012)
RadiaLx, Radio Art Festival / 88.4 FM, Lisbon, Portugal
Lights Out Listening Event, Glasgow

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Lateral

Nichola Scrutton Lateral

Originally commissioned and created for High-Slack-Low-Slack-High – a suite of audio works relating to the Clyde River curated by Minty Donald for GI Festival of Visual Art – Lateral was made as a live, site-specific installation set in Dixon Street, Glasgow. Subsequent to that event I created a studio version of the work.

Background info

Dixon Street is a main thoroughfare that runs from the river directly up through the city’s main shopping artery. The aims of the work were to highlight a sense of disconnection from the river and to create multiple cross currents by merging the river sounds of Lateral and the sounds of the city environment. The work was projected over large horn speakers mounted in the street between two buildings, creating a view down to the river. Six vocalists added a further layer of human presence with their resonant tones both emerging out of and being subsumed by the undulating sound density of the site.

The starting point for the work was the idea of a ‘Lateral System’ – a system of navigational aids comprising shapes, colours and numbers, used to guide boats up river channels into ports and docks. However, the multiple resonances of the word ‘lateral’ took on greater significance in the work through the associations and digressions that emerge with the notion of a flowing river. Place names, numerical information from tidal charts and signal/radio sounds serve as signposts along the way, rooting the work in a real world place. But the perpetual flow of water and the periodic rhythms of a vocal landscape contribute to a sense of multiple spatial and historical resonances, and to ideas of flowing with and against the current.

Many thanks indeed to Claire Docherty, Kirstie Edgar, Jessica King, Morag Stark and Hanna Tuulikki for their live vocal contributions both on site at Dixon Street and at the closing event in the Clydeport Authority Headquarters.

Performances/events include…

2016
‘Inter-#6’ (Glasgow)
Curated radio show ‘Glasgow Soundscapes’ WebSynRadio (France)
2015
Curated listening hour at Brooklyn Acoustic Ecology Festival (US)
LOLG project Shona Island (Scotland)
2014
(25 Feb – 2 March)
Here. now. where? Saout Radio, 5th Marrakech Biennale
(12 – 18 January)
Framework Radio broadcasts
12th london, uk ::: resonance 104.4fm
13th amsterdam, nl ::: concertzender
13th vancouver, us ::: radio nouspace
14th south devon, uk ::: soundartradio 102.5fm
14th maribor, si ::: radio marš 95.9fm
15th lisbon, pt ::: radio zero
15th vancouver, us ::: radio nouspace
16th coimbra, pt ::: rádio universidade de coimbra 107.9fm
16th lisbon, pt ::: radio zero
17th ljubljana, si ::: radio študent 89.3fm
17th brussels, be ::: radio campus 92.1fm
17th vancouver, us ::: radio nouspace
18th london, uk ::: resonance 104.4fm
18th new york state, us ::: wgxc 90.7fm
18th brasilía, br ::: rádio paisagem
2012
Foldover, WOBC 91.5 fm, Ohio
Time/Zones, Akademie der Kunst, Berlin
AIR/EAR Installation, Radio-System, Argentine

High-Slack-Low-Slack-High, GI Festival, Dixon Street, Glasgow
High-Slack-Low-Slack-High, GI Festival, Clydeport HQ, Glasgow