Posted on

A Subtle Shift

Traces & Materiality

I’m currently refreshing the website to create a more streamlined space, and a make a subtle shift in the blog. In addition to project updates, Journal + Traces is a space for sharing fragments from my creative process. Some of those traces will find their way into the shop as cards and other items.

More specific information about projects and works can be found in Works and Events. These categories are active, but are also being updated as part of the website restructure. Thanks for your patience as pages shift and evolve over the coming weeks.

My first offering is a small batch of fine art cards created with details from previous works. Browse at your leisure in the Shop – more to come soon.

For any specific shop-related enquiries, please feel free to get in touch via the Contact Page.

Warm wishes,
Nichola

Posted on

Featured Artist – Glasgow Print Studio

I’m excited to have a Featured Artist Exhibition at Glasgow Print Studio. 🙏😊

A Kind of Scoring

Preview – 5th March 2026, all welcome!
The exhibition runs from 6th – 28th March.
More information at: Glasgow Print Studio Exhibitions

A Kind of Scoring presents a series of abstract landscapes that evoke experiences of sound and listening – part of a body of work I’m continuing to develop over the next few months. I’m grateful to Glasgow Print Studio for this opportunity to share the work.

Posted on

Work selected for RBA Exhibition – Mall Galleries

My limited edition etching Windborne (soundscape) has been selected for the Royal Society of British Artists | Annual Exhibition at the Mall Galleries in London. The etching was created and printed at the Glasgow Print Studio, Scotland.

The exhibition runs from 26th Feb – 8 March 2025 from 10 am – 5 pm.

More info about the exhibition at: https://www.mallgalleries.org.uk/exhibitions-events/royal-society-british-artists-annual-exhibition-2025

Posted on

GPS Christmas Exhibition – Fleeting Forms

I’m delighted to have three works from my Fleeting Forms series in the 2024 Glasgow Print Studio Christmas Exhibition. Along with all the works in the exhibition, these Monoprints are available to buy directly from the gallery, with framed or unframed options, until the end of the exhibiton 1st February 2025. Pop in, or visit the link for more info and enquiries:

https://shop.glasgowprintstudio.co.uk/exhibitions/89-christmas-exhibition-first-floor-gallery

Posted on

Radio Art Zone – a new publication

Radio Art Zone – curated and edited by Sarah Washington

Radio Art Zone explores the central themes and techniques of artist-made radio, emerging from over 20 years of practice in the field by a multitude of artists. It is a reflection of the world’s largest exhibition of radio art, also title Radio Art Zone, a project by the artist duo Modile Radio (Sarah Washington and Knut Aufermann) in collaboration with Luxembourg community station Radio ARA, which broadcast for 100 days as part of the program of the European Capital Culture Esch 2022.”

Book Cover, Radio Art Zone, published by Hatje Cantz

I’m thrilled to have two drawings and a micro-essay included in this new book Radio Art Zone, curated & edited by Sarah Washington. The experimental publication contains a stunning array of visual & textual contributions from artists worldwide.

The book is available in bookshops, online, and direct from the publisher at:

https://www.hatjecantz.com/products/65229-radio-art-zone

Posted on

Hospitalfield Interdisciplinary Residency

August 2023

The residency at Hospitalfield was a very welcome break from my usual workspace, and I really appreciated the sea walks and open vistas. The combination of working on own projects and sharing time with the other artists-in-residence worked really well, particularly as some themes in the work resonated across our distinct practices. Everyone was very generous in many ways. I’m currently developing a film iteration of Night Vision. This focused time sparked a new direction in that work, as well as other seed ideas to carry forward in new work.

Many thanks to everyone at Hospitalfield and to all the August 2023 artists.

Night Vision is supported by Creative Scotland.

Posted on

Test-Pitting with Zoë Strachan

Test-Pitting – a collaborative residency

Zoë Strachan and I had a two-week residency at Glasgow Project Room in April/May 2022.

In our residency we were engaging in a process of ‘test-pitting’ to develop new work around themes of excavation as a means of opening an aperture onto fragile lines of connection between inner and outer landscapes. We shared some work-in-progress at the end of the residency in a public event that included a performance and a Q+A chat.

In archaeology a test-pit is a trial, a delving in to reveal layers, fragments of artefacts, the potential of a site of enquiry. It enables a snapshot of composition and decomposition, of life cycle and decay in the earth. Grids and tracing map the process.

Zoë and I have an ongoing collaboration making sound art works and experimental radio combining newly written and found text, composed sound, field recordings, found sound, voice and improvisation.

@zoestrachan
@NicholaScrutton

Posted on

hyphæ drawing collective at Folkestone

hyphæ drawing collective poster for group show in Folkestone

The recently formed hyphæ drawing collective are having a group show in Folkestone. The details are:

Dates: 9 – 14 September 2021
Opening hours: 11 – 17 h daily
Touchbase Gallery, 15 Tontine Street, Folkestone CT20 1JT

You are warmly invited to an afternoon of refreshments with the artists of hyphæ drawing collective to celebrate our exhibition, Letting it settle.

Saturday 11 September, 2021, between 14 –17h  at the above address.

Please let us know if you intend to come along, so that we don’t run out of tea…RSVP

Read more about hyphæ drawing collective at our website, where you can also contact us and sign up for our newsletter.

Posted on

hyphæ drawing collective

One of ten artist who formed the hyphæ drawing collective. The collective met online during the lockdown of early 2021, through the inaugural Drawing Correspondence development programme (Feb 2021). Read more about hyphæ drawing collective at our website, where you can also contact us and sign up for our newsletter. We are also on social media a Instagram @hyphaedrawing 



Posted on

Colliding Lines Tape and Digital Album Artwork

I am delighted to have produced some new drawings for the cover of tape / digital album River . Pathway . Static – at Colliding Lines. Release date is Monday 19th July 2021. More info and link for tape purchase at Colliding Lines (which includes a digital version). The digital version is also available at Colliding Lines Bandcamp

Colliding Lines are also broadcasting on Resonance Extra – info and listening links at #18 Nettles and Chalklines.

Posted on

Drawing Correspondence Pilot Program

I was thrilled to be one of ten artists selected for the pilot of the Drawing Correspondence Program. The Program was developed and facilitated by artists / educators Anita Taylor, Chloe Briggs and Tania Kovats. In addition, we were fortunate to have guest artists to share and discuss practice.

The intensive six-week development period had an umbrella theme of Grow. Regular self-directed drawing practice was focused through an exciting range of activities and investigations, live online drawing classes, one-to-one and group discussion, sharing and presentations.

We produced a publication at the end of the Program – 10 Letters and 10 Drawings – initially published on Issuu, with a physical publication to follow. Link to Issuu publication

A huge thanks to all on the journey.

Posted on

Magnetic North Book – Restless Explorations

Lovely to receive this book Restless Explorations in the post – Magnetic North celebrating 21 years. Congratulations! The book contains details of all their work & commissions by artists they have collaborated with.

I was delighted to be invited to make a contribution. I feel very fortunate to have had Rough Mix Residency support for my first shared exploration of the Night Vision materials in 2019.

The commissioned image is called On Route and re-presents ideas from that development.

Limited Edition copies are available at the Magnetic North website

Posted on

Residency at Q-O2 in Brussels

Q-O2 residency

I was delighted to be selected for a residency at Q-O2 in Brussels for two weeks May/June 2019. See more info at Q-O2. While I was there I worked on the early explorations of Night Vision. gathered a range of field recordings and produced some visual sketches for new work. I also joined cellist Arnold Noid Haberl for an improvised performance  as part of a public sharing at the Q-O2 space. Many thanks indeed to all at Q-O2!

Portrait photo © Wendy Kirkup.

 

Posted on

Sura Medura Residency

uzarts logo sura medura residency

I was thrilled to be selected for a six-week Sura Medura residency with UZ Arts  from October to December 2016. The Sura Medura residency on this occasion was being hosted in Hikkaduwa, Sri Lanka. My fellow artists were Natasha Russell and Sumit Sarkar, and two other artists arrived later in the residency – Martin Janicek and Samson Ogiamien. Early experience after arrival was a whirlwind of sensations and there was definitely a process of settling into Sunbeach and adjusting – heat, humidity, sounds, smells, surf, swimming, dogs, jungle, mozzies, food, walks, and meeting many warm friendly folk along the way sharing experiences, tips and ideas.

Sura Medura, Storm Brewing

Presentations

As part of the residency we travelled to Colombo and gave presentations to staff and students in the University Faculty of Visual and Performing Arts in week 3. That was a really good day – as well as meeting people, we were fortunate to be shown round all the art departments then had lunch before travelling back.

Sura Medura, Train Nichola ScruttonTrain TimetableFaculty Of Visual And Performing Arts Colombo UniversityFaculty Of Visual And Performing Arts Colombo University2

Thinking about soundscapes

The sound environment is generally very dense and I spent quite a bit of time actively listening and drawing.The area has two main aspect – beach and jungle – and each has its own distinct soundscape. On the beach side the sea roars continuously as the surf thunders in and on the jungle side the air is thick with heat, bird song, massive trees rustling and people going about their daily lives.  A railway line runs between the two through much of the area and regular trains, horns and bells punctuate the air. In the mix are a whole rich array of sounds – the hollering voices of people selling at markets and on the street, the honking and revving of huge buses overtaking other vehicles at breakneck speed (treacherous), thunderstorms and torrential rain, intermittent firework eruptions, the bread, fish and other vans making melodic announcements and so on. I created two soundscape pieces – Sabda saha Pintura and Wave Shift.

Sura Medura, Fish Market

Sura Medura, Lightening Storm

Sura Medura, Jungle

 

 

 

 

 

In week five  we hosted a Moving Out public event at Sunbeach as part of the Colombo Art Biennale, which was a big success. And actually it was on my birthday so an extra cake was involved at the end of the night. Read a bit more info on that at Moving Out. Finally, we had a trip up to Colombo for the opening of the Biennale. I also had been invited to perform/score a film clip at the opening as part of Video Jam. More info on that at Video Jam

Huge thanks to Neil and all at UZ Arts, Chaminda, Chathura, Hasantha, Kari and all at Sunbeach, Maria and Jack, my fellow artists-in-residence, everyone I met.