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Radiophrenia Lost in Transmission Performance

I’m delighted to be performing at Radiophrenia Lost in Transmission #3 – a special event with Radio Atlas. I’ll be performing a solo set with new film material.

Details

Wednesday 25th February 2026 at 7pm (doors 6.45pm)
GMAC Cinema – 5th Floor, Trongate 103, Glasgow
Free but ticketed – available through Eventbrite

From Radiophrenia – An evening of subtitled radio works drawn from the Radio Atlas archives. Veteran radio producer and the brains (and ears) behind the organisation, Eleanor McDowall will be there in person to introduce the programme. For this edition we also have a special live performance from Glasgow based composer and sound artist, Nichola Scrutton

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Hospitalfield Interdisciplinary Residency

August 2023

The residency at Hospitalfield was a very welcome break from my usual workspace, and I really appreciated the sea walks and open vistas. The combination of working on own projects and sharing time with the other artists-in-residence worked really well, particularly as some themes in the work resonated across our distinct practices. Everyone was very generous in many ways. I’m currently developing a film iteration of Night Vision. This focused time sparked a new direction in that work, as well as other seed ideas to carry forward in new work.

Many thanks to everyone at Hospitalfield and to all the August 2023 artists.

Night Vision is supported by Creative Scotland.

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Night Vision Residency at Tramway

Residency 5th – 9th June 2023

Night Vision has several iterations underway through 2023, including an album, a performance and a film.

I’m working on the film with cinematographer Kirstin McMahon, and the Tramway residency is a space to explore additional visual/sound materials.

Team for Residency

Director: Nichola Scrutton
Cinematographer: Kirstin McMahon
Technical / SM: Jack Wrigley
Production Manager: Nick Millar
Producer: Nichola Scrutton

Additional thanks to performers – Alison Peebles, Ian Spink, Louise Montgomery, Nerea Bello, Belle Jones, to stand-in Deen Fredericks, and to Stevie Jones for sound recording experiments.

Many thanks to Tramway for supporting Night Vision, and to the super-helpful crew.

Main image: Nichola Scrutton © Julie Broadfoot

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Night Vision 2023 – Creative Scotland Open Fund

Absolutely thrilled to receive an award from the Creative Scotland Open Fund to produce my Night Vision project in 2023. I’ll be sharing various updates along the way. Sign up for updates at Newsletter

Many thanks to everyone who’s supported the development of Night Vision.

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Night Vision

2022-23 – Phase 2

I’m thrilled to say that I have been awarded Creative Scotland funding for the Night Vision project over 2022-23.

As part of a general website overhaul, I have temporarily removed background information, credits and plans for Night Vision so I can update all the details.

In the meantime, I’ll be posting news about select performances and a recording, to be released first on Bandcamp in early April and then across all music platforms on 28th April so please do connect / follow for updates. Many thanks.

Many thanks indeed to everyone who has supported Night Vision.

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Voice Workshops with Wendy Kirkup

Devising and delivering a series of voice workshops with Wendy Kirkup as part of her 2021 research and development towards a new film looking at 16mm film and improvised voice.

Performers/participants: Wendy, Catherine, Laura, Nicole and Emmie. The film footage was captured by Alex Hetherington, and Stevie Jones recorded the sound. See more of Wendy’s work at Wendy’s Instagram.

Group photo © Alex Hetherington. Film photo © Nichola Scrutton

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Beton 7 Festival in Athens

Demosthenes

Q+A

Gallery Screening

Festival Opening

We were delighted to be invited to share work for the opening night of  Beton 7 Festival in Athens on 4th June 2018. The event included an introduction by curator Demosthenes Agrafiotis, my solo performance When Night Comes, screening of Wendy Kirkup’s two films Touches Bloquees and film from a score, and a Q + A session in conversation with Simon Murray.

Festival dates: 5th – 17th June 2018. Festival theme: “Visions-V_Ideas, Performances”…

“Visions-V_ideas, Performances” celebrates 5 years since its launch at BETON7. In April 2014, it was stated that the set of actions of the festival aimed at exploring the interface between performance and video in the specific frame of the Votanikos neighbourhood – the site of BETON7, Center for the Arts.

When Night Comes 4

A review may be necessary, not in the sense of a conclusion but an assessment for future adjustments. According to a terminology, performance is at the crossroad of the living arts (arts vivants), which rely on the human body as the main tool, in order to found its artistic idiosyncrasy or specificity (dance for example) and the visual arts, where physical elements allow to shape primarily spatial structures (e.g. sculpture). At this crossroad, the video is entering, which is the field, the opportunity to create a new version of what is happening at the aforementioned crossroad from aesthetic and social point of view.”

Many thanks indeed to Rania and Demosthenes for their invitation, welcome and warm hospitality.

 

 

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Video Jam at Colombo Art Biennale

BANNERColombo Art Biennale - 2

VideoJam

In the final week of the Sura Medura residency we headed up the road for the opening of Colombo Art Biennale in Sri Lanka. I was excited to also have been invited by Shereen Perera to create a live score for the Video Jam event on the opening night. I responded with a solo vocal performance to a beautiful, strange and thoughtful clip of Sri Lankan film-maker Vimukthi Jayasundara’s Light in the Yellow Breathing Space. 

The event took place on 2nd December 2016 at the ZMax Fairway Hotel roof terrace and was part of the Colombo Biennale Performing Arts Programme.

Here’s the Facebook event  and a link to a film clip here Video Jam clip

 

 

 

 

 

 

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Video Jam Colombo Art Biennale Clip

Video Jam at Colombo Art Biennale

Watch Video Jam clip

Here’s a short clip from the Video Jam at the opening night of the Colombo Art Biennale. The link takes you straight through to the Facebook page of Decibel.lk – a Sri Lankan online news, reviews and events site…just click the image to play…

Thanks to Decibel for that. And big thanks to Shereen Perera for inviting me to score for Video Jam.

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Sura Medura Residency

uzarts logo sura medura residency

I was thrilled to be selected for a six-week Sura Medura residency with UZ Arts  from October to December 2016. The Sura Medura residency on this occasion was being hosted in Hikkaduwa, Sri Lanka. My fellow artists were Natasha Russell and Sumit Sarkar, and two other artists arrived later in the residency – Martin Janicek and Samson Ogiamien. Early experience after arrival was a whirlwind of sensations and there was definitely a process of settling into Sunbeach and adjusting – heat, humidity, sounds, smells, surf, swimming, dogs, jungle, mozzies, food, walks, and meeting many warm friendly folk along the way sharing experiences, tips and ideas.

Sura Medura, Storm Brewing

Presentations

As part of the residency we travelled to Colombo and gave presentations to staff and students in the University Faculty of Visual and Performing Arts in week 3. That was a really good day – as well as meeting people, we were fortunate to be shown round all the art departments then had lunch before travelling back.

Sura Medura, Train Nichola ScruttonTrain TimetableFaculty Of Visual And Performing Arts Colombo UniversityFaculty Of Visual And Performing Arts Colombo University2

Thinking about soundscapes

The sound environment is generally very dense and I spent quite a bit of time actively listening and drawing.The area has two main aspect – beach and jungle – and each has its own distinct soundscape. On the beach side the sea roars continuously as the surf thunders in and on the jungle side the air is thick with heat, bird song, massive trees rustling and people going about their daily lives.  A railway line runs between the two through much of the area and regular trains, horns and bells punctuate the air. In the mix are a whole rich array of sounds – the hollering voices of people selling at markets and on the street, the honking and revving of huge buses overtaking other vehicles at breakneck speed (treacherous), thunderstorms and torrential rain, intermittent firework eruptions, the bread, fish and other vans making melodic announcements and so on. I created two soundscape pieces – Sabda saha Pintura and Wave Shift.

Sura Medura, Fish Market

Sura Medura, Lightening Storm

Sura Medura, Jungle

 

 

 

 

 

In week five  we hosted a Moving Out public event at Sunbeach as part of the Colombo Art Biennale, which was a big success. And actually it was on my birthday so an extra cake was involved at the end of the night. Read a bit more info on that at Moving Out. Finally, we had a trip up to Colombo for the opening of the Biennale. I also had been invited to perform/score a film clip at the opening as part of Video Jam. More info on that at Video Jam

Huge thanks to Neil and all at UZ Arts, Chaminda, Chathura, Hasantha, Kari and all at Sunbeach, Maria and Jack, my fellow artists-in-residence, everyone I met.

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All We’re Skilled In | Plantation Productions

All We’re Skilled In was a film, sound art and heritage project run in partnership with Plantation Productions, Glasgow Film Theatre and Scottish Screen Archive. Erin Scrutton and I worked with young carers in Glasgow to create atmospheric sound tracks for silent film clips using original historical footage of the Govan shipyards and the people who worked there. The film below, made by Jamie Dempster, is a short documentary of the project itself. The film has had several screenings, including the Glasgow International Film Festival.


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Move Mood | Sarah Tripp

I composed electroacoustic music for Move Mood, an observational documentary film by writer and artist Sarah Tripp. Screenings at X-Ray at the Persevence, London, Diversions Film Festival, Edinburgh Filmhouse, Artists Film & Video at the BBC Glasgow (in association with the National Gallery of Modern Art and the Glasgow International Festival of Visual Art). Here’s an excerpt from the film.