Tag: theatre

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Co-commission – Outspoken Arts

Love Street – The Musical

Love Street Paisley ExpressMartin O’Connor and I collaborated once again  on a co-commission from Outspoken Arts Scotland. We were invited to develop a proposal for a  new theatre production in Paisley called Love Street – The Musical. We spent two months  out and about visiting organisations and gathering stories from people in Paisley who have memories and connections to Love Street.

Love Street research
Research at Paisley Heritage Centre
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Night Vision

Night Vision Nichola Scrutton

Night Vision (working title) is an interdisciplinary performance project.

The starting point was a series of non-narrative texts and drawings captured in the middle of the night lying down in a semi-conscious state. This was a new approach for me.

Early inquiries focused on selection and how to interact with the texts. What happens when these words and symbols are given voice, off the page?  In 2019, initial ideas were explored in a Magnetic North Rough Mix Residency  including a public performance at Perth Theatre.

The work is now in the next phase of development. More information to follow…

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The Mark of the Beast | Martin O’Connor

Mark of the Beast 1

The Mark of the Beast – a collaboration as composer/sound artist with writer/theatre-maker Martin O’Connor that explores lived experience of alcohol and addiction in Glasgow.

Between November 2015 and March 2016, Martin and I worked with the North East Recovery Community to create materials for a sound installation Good Days Bad Days.  I composed a ‘soundtrack’ from the many voices/stories of participant’s experiences that was projected as an immersive installation at Platform Glasgow. The work was commissioned by GEAC Platform-to-Health and GRAND (Getting Real About Alcohol n Drugs).

The installation was research and development for Martin’s live solo show The Mark of the Beast , for which I re-composed the Good Days Bad Days material in 2018.

***** The Herald (Platform Glasgow)
**** The Wee Review (Scottish Storytelling Centre, Edinburgh)

 

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Building a Nation | Martin O’Connor

Building A Nation eflyerCollaboration as composer/sound designer with writer/theatre-maker Martin O’Connor on his solo show Togail Nàisean/Building a Nation. We toured as part of a double bill with Aisling Oidhche Meadhan Samhraidh/A Midsummer Nights Dream (performed by Daibhidh Walker, directed by Liz Carruthers).

The tour visited venues in  Lewis, North Uist, South Uist, Skye, Isle of Mull, Glasgow, Edinburgh. In 2018 the work had a performance at Tramway, Glasgow. Read more about it at Martin’s website here.

 

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Phoenix Dance Theatre | Choreographers and Composers Lab

I was absolutely delighted to be one of four composers selected for the Choreographers and Composers Lab 2015 – a two-week intensive residency with Phoenix Dance Theatre in Leeds. The residency was led by  Sharon Watson and Ken Hesketh, with guest speakers – Robert Cohan, Peter Weigold, Zoé Martlew, Dr Jo Butterworth, Mike Dixon, Didy Veldman.

Choreographers: Adrienne Hart, Mbulelo Ndabeni, Claire Lefèvre and Sandrine Monin.
Composers: Roberto David Rusconi, Nichola Scrutton, Sarah Westwood and Eloise Gynn.
Dancers:  Hannah Bateman, Francesca Caselli, Andreas Grimaldier, Joshua  Harriette, Carmen Marfil, Marie Astrid Mence, Ben Mitchell, Vanessa Pang, Alice Shepherdson, Sam Vaherlehto , Prentice Whitlow.
Musicians: Hara Alonso, Oliver  Dover, Sean  Hamilton, Becky Yen-Huan

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Segami Dance Company

From the archive – Segami Dance Company was a collaborative project with New Zealand performer Hugh Major in the early 1990s in Edinburgh, Scotland. We joined forces after our paths crossed while working in the experimental theatre scene.

We created a handful of works including Bruised (solo), My Heart and My Legs, This Glorious Prison, and Shifting Sands, and performed in Edinburgh, London and a few venues in New Zealand’s north island. During our stay in New Zealand we also held workshops and collaborated with performing arts students to create their own contribution to our performance.

Our main influences were Butoh dance, other movement practices like Tai Chi, and indigenous cultures – we were interested in creating intense, contemplative, energetic work. I am currently going through archive materials to see what remains from that time.

Segami

Segami