Category: Residencies

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Hospitalfield Interdisciplinary Residency

August 2023

The residency at Hospitalfield was a very welcome break from my usual workspace, and I really appreciated the sea walks and open vistas. The combination of working on own projects and sharing time with the other artists-in-residence worked really well, particularly as some themes in the work resonated across our distinct practices. Everyone was very generous in many ways. I’m currently developing a film iteration of Night Vision. This focused time sparked a new direction in that work, as well as other seed ideas to carry forward in new work.

Many thanks to everyone at Hospitalfield and to all the August 2023 artists.

Night Vision is supported by Creative Scotland.

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Night Vision Residency at Tramway

Residency 5th – 9th June 2023

Night Vision has several iterations underway through 2023, including an album, a performance and a film.

I’m working on the film with cinematographer Kirstin McMahon, and the Tramway residency is a space to explore additional visual/sound materials.

Team for Residency

Director: Nichola Scrutton
Cinematographer: Kirstin McMahon
Technical / SM: Jack Wrigley
Production Manager: Nick Millar
Producer: Nichola Scrutton

Additional thanks to performers – Alison Peebles, Ian Spink, Louise Montgomery, Nerea Bello, Belle Jones, to stand-in Deen Fredericks, and to Stevie Jones for sound recording experiments.

Many thanks to Tramway for supporting Night Vision, and to the super-helpful crew.

Main image: Nichola Scrutton © Julie Broadfoot

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Test-Pitting with Zoë Strachan

Test-Pitting – a collaborative residency

Zoë Strachan and I had a two-week residency at Glasgow Project Room in April/May 2022.

In our residency we were engaging in a process of ‘test-pitting’ to develop new work around themes of excavation as a means of opening an aperture onto fragile lines of connection between inner and outer landscapes. We shared some work-in-progress at the end of the residency in a public event that included a performance and a Q+A chat.

In archaeology a test-pit is a trial, a delving in to reveal layers, fragments of artefacts, the potential of a site of enquiry. It enables a snapshot of composition and decomposition, of life cycle and decay in the earth. Grids and tracing map the process.

Zoë and I have an ongoing collaboration making sound art works and experimental radio combining newly written and found text, composed sound, field recordings, found sound, voice and improvisation.

@zoestrachan
@NicholaScrutton

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Drawing Correspondence Pilot Program

I was thrilled to be one of ten artists selected for the pilot of the Drawing Correspondence Program. The Program was developed and facilitated by artists / educators Anita Taylor, Chloe Briggs and Tania Kovats. In addition, we were fortunate to have guest artists to share and discuss practice.

The intensive six-week development period had an umbrella theme of Grow. Regular self-directed drawing practice was focused through an exciting range of activities and investigations, live online drawing classes, one-to-one and group discussion, sharing and presentations.

We produced a publication at the end of the Program – 10 Letters and 10 Drawings – initially published on Issuu, with a physical publication to follow. Link to Issuu publication

A huge thanks to all on the journey.

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Residency at Q-O2 in Brussels

Q-O2 residency
Portrait photo © Wendy Kirkup.

I was delighted to be selected for a residency at Q-O2 in Brussels for two weeks May/June 2019. See more info at Q-O2. Part of my priority was to reflect on Night Vision – a new work-in-progress originally developed at Rough Mix Residency with Magnetic North Theatre Company. While I was there I also made some recordings, explored some visual artwork as an extension of the Night Vision text and, and gave an improvised performance with cellist Arnold Noid Haberl as part of a public sharing at the Q-O2 space.

Many thanks indeed to all at Q-O2!

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Magnetic North Rough Mix Residency

Night Vision – development at Rough Mix 2019

Delighted to be selected for the Magnetic North Rough Mix Residency. The residency took place in Perth Theatre, Scotland for two weeks in January 2019. I explored seed ideas for Night Vision and produced a performance for the public sharing on 18th January 2019.

Many thanks to Nick and all at Magnetic North, and to the artists and performers involved in the residency. Special thanks to Lorna, Neil, Ian and Laurie for the first performance sharing of Night Vision., and Lise for recordings and tech support.

@magnorththeatre
@NicholaScrutton

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Rough Breathing CCA/AC Projects Residency

CCA:AC Projects1Delighted to have been selected for a month-long CCA/AC Projects Residency with clarinettist Alex South in the Creative Lab at CCA Glasgow – read more at the CCA website.

During our residency Alex South and I explored different elements through the Rough Breathing context – live electronics, audiovisual, and psychoacoustic and sonic relationships between voice and clarinet in addition to breathing practices informed by Pranayama.

Nichola and Alex recording CCASession with Wendy 181117

 

 

 

 

 

 

We posted some blogs at AC Projects Counterflows and shared some work-in-progress at an informal gathering at CCA near the end of the residency. Huge thanks to Alasdair Campbell/AC Projects, Creative Scotland, Alex Misick, Kenny Christie and all at CCA Glasgow, and our guests in the lab, sound designer William Aikman, filmmaker Wendy Kirkup and dance artists Joan Clevillé and Solène Weinachter.

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Space/Time – Magnetic North

I am super delighted to be part of the 2018 Space/Time creative retreat with Magnetic North Theatre Company. This is arrival day at the wonderful  residency centre Cove Park in the west of Scotland. The sunset is stunning.

My fellow artists are Eoin Carey, Pat Law, Ross Whyte and Sharron Devine and the residency is facilitated by Magnetic North’s Artistic Director Nicholas Bone  and Alice McGrath, Creative Director of Red Bridge Arts.

During the residency we will be taking an in depth look at our various practices through the question ‘how does an artist keep developing?’.

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Sura Medura Moving Out

Moving Out Sura Medura 2016

The final stage of our residency was focused on preparing for our Moving Out event. The other artists involved were Natasha Russell, Sumit Surkar, Samson Ogiamien, and Rose Staff. On the day, we were thrilled to have a big local crowd join us, and delighted that many people came down from the Colombo Biennale and the University Faculty of Visual and Performing Arts to join us for some or all of the time.

Overall, the day at Sunbeach was a wonderful combination of visual art, sound, sculpture, video, performance, people, food, beer, Arrack sour, sea, sand, laughing, chatting, sharing…and cake (what a fabulous day for a birthday!). In our exhibition, which combined some finished elements and work-in-progress, my sound work Sabda saha Pintura was available as a headphone installation.

Listening Post Sabda Saha Pintura

The title Sabda saha Pintura means sound and picture in Sinhalese – through much discussion this seemed to be the most apt translation for the collage idea I was working with in the piece. Exploring  differences in the English/Sinhalese languages was very intriguing – how or in what way  metaphors or concepts translate, for example, sound, soundscape, landscape,  environment.

 

 

Sudu - Tuk Tuk Tour Driver

Tuk Tuk TourDuring the afternoon an audiovisual tuk tuk tour was running – a collaboration between Natasha (Russell) and me. Three people at a time could hop into Sudu’s tuk tukand take a short round trip to visit Natasha’s work in local shops accompanied by my soundtrack.

The soundtrack combined recordings I gathered from those shopkeepers  introducing themselves and their businesses, shop sounds, etc – the general store, jewellers, barbers, a fruit and veg stall. I also recorded an introduction to the tour in Sinhalese, with pronunciation help from folk at Sunbeach. Big thanks to Sudu and Chinthaka for running the tours.

Samson and Nichola Moving Out 1Samson and Nichola Moving Out 2

Early evening, I accompanied Samson Omiagien with some live vocals for his performance piece with sculpture, which we had rehearsed  in the lead up to the event.  The evening finished with a fantastic Sri Lankan curry banquet.

Big thanks to Neil and all at UZ Arts, Chaminda, Chathura, Hasantha, Kari and all at Sunbeach, Maria and Jack, my fellow artists-in-residence, everyone I met.

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Video Jam at Colombo Art Biennale

BANNERColombo Art Biennale - 2

VideoJam

In the final week of the Sura Medura residency we headed up the road for the opening of Colombo Art Biennale in Sri Lanka. I was excited to also have been invited by Shereen Perera to create a live score for the Video Jam event on the opening night. I responded with a solo vocal performance to a beautiful, strange and thoughtful clip of Sri Lankan film-maker Vimukthi Jayasundara’s Light in the Yellow Breathing Space. 

The event took place on 2nd December 2016 at the ZMax Fairway Hotel roof terrace and was part of the Colombo Biennale Performing Arts Programme.

Here’s the Facebook event  and a link to a film clip here Video Jam clip

 

 

 

 

 

 

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Sura Medura Residency

uzarts logo sura medura residency

I was thrilled to be selected for a six-week Sura Medura residency with UZ Arts  from October to December 2016. The Sura Medura residency on this occasion was being hosted in Hikkaduwa, Sri Lanka. My fellow artists were Natasha Russell and Sumit Sarkar, and two other artists arrived later in the residency – Martin Janicek and Samson Ogiamien. Early experience after arrival was a whirlwind of sensations and there was definitely a process of settling into Sunbeach and adjusting – heat, humidity, sounds, smells, surf, swimming, dogs, jungle, mozzies, food, walks, and meeting many warm friendly folk along the way sharing experiences, tips and ideas.

Sura Medura, Storm Brewing

Presentations

As part of the residency we travelled to Colombo and gave presentations to staff and students in the University Faculty of Visual and Performing Arts in week 3. That was a really good day – as well as meeting people, we were fortunate to be shown round all the art departments then had lunch before travelling back.

Sura Medura, Train Nichola ScruttonTrain TimetableFaculty Of Visual And Performing Arts Colombo UniversityFaculty Of Visual And Performing Arts Colombo University2

Thinking about soundscapes

The sound environment is generally very dense and I spent quite a bit of time actively listening and drawing.The area has two main aspect – beach and jungle – and each has its own distinct soundscape. On the beach side the sea roars continuously as the surf thunders in and on the jungle side the air is thick with heat, bird song, massive trees rustling and people going about their daily lives.  A railway line runs between the two through much of the area and regular trains, horns and bells punctuate the air. In the mix are a whole rich array of sounds – the hollering voices of people selling at markets and on the street, the honking and revving of huge buses overtaking other vehicles at breakneck speed (treacherous), thunderstorms and torrential rain, intermittent firework eruptions, the bread, fish and other vans making melodic announcements and so on. I created two soundscape pieces – Sabda saha Pintura and Wave Shift.

Sura Medura, Fish Market

Sura Medura, Lightening Storm

Sura Medura, Jungle

 

 

 

 

 

In week five  we hosted a Moving Out public event at Sunbeach as part of the Colombo Art Biennale, which was a big success. And actually it was on my birthday so an extra cake was involved at the end of the night. Read a bit more info on that at Moving Out. Finally, we had a trip up to Colombo for the opening of the Biennale. I also had been invited to perform/score a film clip at the opening as part of Video Jam. More info on that at Video Jam…

Huge thanks to Neil and all at UZ Arts, Chaminda, Chathura, Hasantha, Kari and all at Sunbeach, Maria and Jack, my fellow artists-in-residence, everyone I met.

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Phoenix Dance Theatre | Choreographers and Composers Lab

I was absolutely delighted to be one of four composers selected for the Choreographers and Composers Lab 2015 – a two-week intensive residency with Phoenix Dance Theatre in Leeds. The residency was led by  Sharon Watson and Ken Hesketh, with guest speakers – Robert Cohan, Peter Weigold, Zoé Martlew, Dr Jo Butterworth, Mike Dixon, Didy Veldman.

Choreographers: Adrienne Hart, Mbulelo Ndabeni, Claire Lefèvre and Sandrine Monin.
Composers: Roberto David Rusconi, Nichola Scrutton, Sarah Westwood and Eloise Gynn.
Dancers:  Hannah Bateman, Francesca Caselli, Andreas Grimaldier, Joshua  Harriette, Carmen Marfil, Marie Astrid Mence, Ben Mitchell, Vanessa Pang, Alice Shepherdson, Sam Vaherlehto , Prentice Whitlow.
Musicians: Hara Alonso, Oliver  Dover, Sean  Hamilton, Becky Yen-Huan