Lateral was made as a live, site-specific installation set in Dixon Street, Glasgow. The work was commissioned and created for High-Slack-Low-Slack-High – a suite of audio works relating to the Clyde River curated by Minty Donald for GI Festival of Visual Art. Subsequent to that event I created a studio version of Lateral, which is now available at Bandcamp.
Lifeguard was a site-specific performance created and performed by Adrian Howells, in collaboration with Mike Brookes, Minty Donald, Rob Drummond, Ira Mandela Siobhan, Jane Mason, Nick Millar and Nichola Scrutton. Produced by National Theatre of Scotland and The Arches in association with Govanhill Baths Community Trust.
Performances: 5th – 27th October 2012, Govanhill Baths, Calder Street, Glasgow.
Exploring the emotional and psychological effects of water, from its therapeutic qualities to our overwhelming fear of it, lifeguard re-evaluates the place of swimming in our lives as a health-promoting and life-saving activity.
Joint composer with Erin Scrutton for Code Butterfly, a site-specific performance created by Curious Seed Dance Company for the Leith Festival, Edinburgh, (involving 5 professional performers, (dancers/ aerial artists, singer) and 15 young women from the Leith area. Performances: Out Of The Blue, old Drill Hall. Edinburgh.
Directed by Christine Devaney
Designed by Karen Tennant
Production Manager: John Riddell
with Jennifer Patterson, Skye Reynolds, Kaela Rowan
Cove Park residency for Lifeguard research and development with Adrian Howells, Minty Donald, Nick Millar, Mike Brookes and National Theatre of Scotland.
Hold Your Breath was a large-scale visual/sound art project set up to improve the entrances/exits to the Clyde Tunnel, with the participation of the Whiteinch and Linthouse communities at each end of the tunnel. I composed the various contributions of source sound and music into one large 40-minute work, which was to be projected by radio into the cars traveling through the Clyde Tunnel. More info at Hold Your Breath
Hold Your Breath was a large-scale visual/sound art project set up to improve the entrances/exits to the Clyde Tunnel, with the participation of the Whiteinch and Linthouse communities at each end of the tunnel.
I composed the various contributions of source sound and music into one large 40-minute work, which was to be projected by radio into the cars traveling through the Clyde Tunnel.
Various groups were involved in creating sound/music source materials for the soundscape: Paragon Ensemble working with St Jerome’s and Whiteinch Primary Schools; Art Form with Bryan Tolland; Tigerstyle and Dhol Infusion drummers; and the MacAlpine Family all contributed. I worked with Paragon Ensemble in the schools, gathering up sounds/songs from the children, the playground and surrounding streets, and recorded songs at the MacAlpine’s (four generation) family party
(photos courtesy of Kathy Friend)