I’m delighted to be performing at Radiophrenia Lost in Transmission #3 – a special event with Radio Atlas. I’ll be performing a solo set with new film material.
Details
Wednesday 25th February 2026 at 7pm (doors 6.45pm) GMAC Cinema – 5th Floor, Trongate 103, Glasgow Free but ticketed – available through Eventbrite
From Radiophrenia – An evening of subtitled radio works drawn from the Radio Atlas archives. Veteran radio producer and the brains (and ears) behind the organisation, Eleanor McDowall will be there in person to introduce the programme. For this edition we also have a special live performance from Glasgow based composer and sound artist, Nichola Scrutton
The residency at Hospitalfield was a very welcome break from my usual workspace, and I really appreciated the sea walks and open vistas. The combination of working on own projects and sharing time with the other artists-in-residence worked really well, particularly as some themes in the work resonated across our distinct practices. Everyone was very generous in many ways. I’m currently developing a film iteration of Night Vision. This focused time sparked a new direction in that work, as well as other seed ideas to carry forward in new work.
Many thanks to everyone at Hospitalfield and to all the August 2023 artists.
Night Vision has several iterations underway through 2023, including an album, a performance and a film.
I’m working on the film with cinematographer Kirstin McMahon, and the Tramway residency is a space to explore additional visual/sound materials.
Team for Residency
Director: Nichola Scrutton Cinematographer: Kirstin McMahon Technical / SM: Jack Wrigley Production Manager: Nick Millar Producer: Nichola Scrutton
Additional thanks to performers – Alison Peebles, Ian Spink, Louise Montgomery, Nerea Bello, Belle Jones, to stand-in Deen Fredericks, and to Stevie Jones for sound recording experiments.
Many thanks to Tramway for supporting Night Vision, and to the super-helpful crew.
Absolutely thrilled to receive an award from the Creative Scotland Open Fund to produce my Night Vision project in 2023. I’ll be sharing various updates along the way. Sign up for updates at Newsletter
Many thanks to everyone who’s supported the development of Night Vision.
I’m thrilled to say that I have been awarded Creative Scotland funding for the Night Vision project over 2022-23.
As part of a general website overhaul, I have temporarily removed background information, credits and plans for Night Vision so I can update all the details.
In the meantime, I’ll be posting news about select performances and a recording, to be released first on Bandcamp in early April and then across all music platforms on 28th April so please do connect / follow for updates. Many thanks.
Many thanks indeed to everyone who has supported Night Vision.
Devising and delivering a series of voice workshops with Wendy Kirkup as part of her 2021 research and development towards a new film looking at 16mm film and improvised voice.
Performers/participants: Wendy, Catherine, Laura, Nicole and Emmie. The film footage was captured by Alex Hetherington, and Stevie Jones recorded the sound. See more of Wendy’s work at Wendy’s Instagram.
I am delighted to be collaborating as a vocalist with artist Anne Colvin on her moving image artwork/experience Dear Prudence re-imagined. More information about the work is available at Dear Prudence re-imagined.
We were delighted to be invited to share work for the opening night of Beton 7 Festival in Athens on 4th June 2018. The event included an introduction by curator Demosthenes Agrafiotis, my solo performance When Night Comes, screening of Wendy Kirkup’s two films Touches Bloquees and film from a score, and a Q + A session in conversation with Simon Murray.
Festival dates: 5th – 17th June 2018. Festival theme: “Visions-V_Ideas, Performances”…
“Visions-V_ideas, Performances” celebrates 5 years since its launch at BETON7. In April 2014, it was stated that the set of actions of the festival aimed at exploring the interface between performance and video in the specific frame of the Votanikos neighbourhood – the site of BETON7, Center for the Arts.
A review may be necessary, not in the sense of a conclusion but an assessment for future adjustments. According to a terminology, performance is at the crossroad of the living arts (arts vivants), which rely on the human body as the main tool, in order to found its artistic idiosyncrasy or specificity (dance for example) and the visual arts, where physical elements allow to shape primarily spatial structures (e.g. sculpture). At this crossroad, the video is entering, which is the field, the opportunity to create a new version of what is happening at the aforementioned crossroad from aesthetic and social point of view.”
Many thanks indeed to Rania and Demosthenes for their invitation, welcome and warm hospitality.
In the final week of the Sura Medura residency we headed up the road for the opening of Colombo Art Biennale in Sri Lanka. I was excited to also have been invited by Shereen Perera to create a live score for the Video Jam event on the opening night. I responded with a solo vocal performance to a beautiful, strange and thoughtful clip of Sri Lankan film-maker Vimukthi Jayasundara’s Light in the Yellow Breathing Space.
Here’s a short clip from the Video Jam at the opening night of the Colombo Art Biennale. The link takes you straight through to the Facebook page of Decibel.lk – a Sri Lankan online news, reviews and events site…just click the image to play…
Thanks to Decibel for that. And big thanks to Shereen Perera for inviting me to score for Video Jam.
All We’re Skilled Inwas a film, sound art and heritage project run in partnership with Plantation Productions, Glasgow Film Theatre and Scottish Screen Archive. Erin Scrutton and I worked with young carers in Glasgow to create atmospheric sound tracks for silent film clips using original historical footage of the Govan shipyards and the people who worked there. The film below, made by Jamie Dempster, is a short documentary of the project itself. The film has had several screenings, including the Glasgow International Film Festival.
I composed electroacoustic music for Move Mood, an observational documentary film by writer and artist Sarah Tripp. Screenings at X-Ray at the Persevence, London, Diversions Film Festival, Edinburgh Filmhouse, Artists Film & Video at the BBC Glasgow (in association with the National Gallery of Modern Art and the Glasgow International Festival of Visual Art). Here’s an excerpt from the film.
