Originally produced by the Gallery of Modern Art, HearAfter was installed in the Round Room on the 2nd floor balcony from 25th October – 2nd December 2013.
HearAfter is a contemplative, immersive pre-composed sound installation inspired by the life cycle, memory, and the process of decay. HearAfter is a pun on ‘hereafter’, which means ‘in the time to follow’ and is often associated with questions about experiences after death. With this in mind, the piece HearAfter, through the present moment of a listening experience, at one level might be heard to tap into memory – a sense of something past, gone, altered or retold, but at the same time could suggest a kind of anticipation of a future that is both factually certain yet remains unknown.
While the human voice is often considered primarily as a communicator of words, I am artistically interested in its potential as sonorous, expressive and sculptural material. The sounds of breathing and an array of vocal gestures weave together with other abstract sounds into a collage of overlapping cycles and collisions.
Producer curator Katie Bruce talks, after the preview, about our first meeting and the HearAfter work at the GoMA blog
Transnational Express, Auricle Sonic Arts Gallery, Christchurch, NZ
Ohrenhoch Sound Gallery, Weichselstr. 4912045 Berlin-Neukölln
25 Oct – 2nd Dec, Gallery of Modern Art, Glasgow, Scotland
Here’s a wee fragment of our Death Rattle performance under the GoMA portico in Glasgow for Final Fling’s Day of the Dead mini-fest.
Date: 2nd Nov 2013
Venue: GoMA, Glasgow
- 10 am – 12 noon – a shrine workshop with Greer Pester;
- 12 noon – 1 pm – Death Rattle performance in the portico;
- 2 pm – 4 pm – a Death Cafe – top floor workshop;
- 5 pm – 9 pm – Unburden – one to one with Adrian Howells, southside location;
- All day in the portico – Charnal House by Doug Strang
- HearAfter sound installation was previewed on 25th Oct and ran until 1st Dec 2013.
Many thanks to Katie Bruce and all at the Gallery of Modern Art.