Necessary Notes: A Vocal Response – solo performance as part of the Stolen Voices album launch on 8th February 2020.
Review
“Nichola Scrutton is, as ever, an absolute wonder- her voice can disarm, charm and bewitch….She takes the listener into otherwordly realms, an uncertain space between sleep and consciousness.” (The Tempohouse)
The album launch was part of a creative research project by Rebecca Collins and Johanna Linsley – more here. The event forms part of ‘The Sonic Study Series: Act I Sonic Practice’ and is a pop-up event for the Festival of Creative Learning 2020, University ofEdinburgh. Many thanks to Rebecca and Johanna for the invitation. More info about the event at CCA Stolen Voices.
Sonic Bothy Ensemble had two very exciting performances in the pipe-line – one in late March at The Sage, Gateshead for Gateshead Jazz Festival and one in early May at Tectonics, Old Fruitmarket. Unfortunately both were cancelled or postponed due to lockdown.
Meanwhile Sonic Bothy has resumed some rehearsals online. More news about future events will follow as and when available.
Performance Anxiety Research Project
Since September 2019 I have been Lead Artist on the development of Sonic Bothy’s Performance Anxiety Project. At the core of the project was a series of exploratory workshops, co-led with Malcy Duff who works with Bothy Learning Space. The project aims, through direct experience in workshops, consultation and research, to increase awareness and create resources to support musicians with an ALSN in any aspect of performance anxiety and associated issues.
Sonic Bothy Ensemble Album Fields
Sonic Bothy Ensemble’s debut album Fields is still available at Bandcamp in hard copy and digital formats…
More Information
For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.
Sonic Bothy Ensemble are next performing at TUSK Festival at The Sage in Gateshead, which is very exciting! We’ll be in Hall 2 at 7:10pm on Sunday 13th October 2019.
In June 2019 we had a fantastic time performing at the Kelvingrove Museum and Art Gallery…Also in June we also had a wonderful time recording some new work in the studio at Gorbals Sound, Glasgow.
Sonic Bothy Ensemble Debut Album
Sonic Bothy Ensemble’s debut album Fields is available at Bandcamp…
More Information
For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.
Delighted to be working with Ian Spink, Aya Kobayashi, Skye Reynolds, Selina Boyack and Stella Boyack to develop Radio Play. The immediate focus was a scratch performance for UNFIX Festival 2019. Here’s more info about the event on Sunday 31st March at CCA Glasgow Scratch Night. We re-visited the work for Batch2 Festival In August 2019.
Radio Play A and new work-in-progress Radio Play B performances at Batch Festival in the Borders on Sunday 18th August 2019.
With Ian Spink, Skye Reynolds, Selina Boyack, Rebecca Moore and Stella. Huge thanks to Claire Pencak for hosting. Visit Batch Festival on Facebook for more information.
I was delighted to be selected for a residency at Q-O2 in Brussels for two weeks May/June 2019. See more info at Q-O2. While I was there I worked on the early explorations of Night Vision. gathered a range of field recordings and produced some visual sketches for new work. I also joined cellist Arnold Noid Haberl for an improvised performance as part of a public sharing at the Q-O2 space. Many thanks indeed to all at Q-O2!
Rays & Correlations – a collaborative live-to-air broadcast
Zoë Strachan and I created Rays & Correlations for a live broadcast from the Radiophrenia studio on 15th May 2019.
Programme Note
Inspired by the patterns of cosmic ray interactions in a cloud chamber, we imagine the myriad signals and attempts at communication that might enter a sphere and intersect, cluster, miss or fade away. Rays & Correlations is a voice-focused improvised performance with layers of interactive soundscape.
The listener is invited to find a thread to hold onto amid interweaving sparse and dense streams of words and evocations – and to decide whether the sound space is literal, as inside a kind of radome, or metaphorical – representing any individual consciousness trying to make sense of human connection.
…”Downstairs in the Old Fruitmarket, Scottish vocalist Nichola Scrutton breathed deeply into a mic, the sounds mirrored by clarinettist Alex South across the room. In between, the audience were caught in a dexterous layering of breath that felt like the wash and roll of the sea.”…
Excited to be performing some of our Rough Breathing project this weekend at Tectonics Festival in Glasgow with Alex South. We’ll be in the Old Fruitmarket at 4pm on Sunday 5th May 2019. Read more about line up at Tectonics Glasgow 2019 announcement and more info…Also at Festival info and the Tectonics Facebook event …
Martin O’Connor and I collaborated once again on a co-commission from Outspoken Arts Scotland. We were invited to develop a proposal for a new theatre production in Paisley called Love Street – The Musical. We spent two months out and about visiting organisations and gathering stories from people in Paisley who have memories and connections to Love Street.
Sonic Bothy inclusive new music ensemble I work with launched its debut album Fields with a performance at Mono in Glasgow on 28th February 2019. The album was recorded near the end of 2017 at Riverside Studios. Read more at Lost Art Agency and at Glasgow City Music Tours…The album is available at Bandcamp.
More Information
For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.
A clip of my composition Lateralwill be included in BBC Radio 4 prog Shaped by the River Clyde. The programme is about artist and humanitarian George Parsonage, and features artist Minty Donald. Many thanks to Minty for including my work. Minty originally commissioned Lateral as part of High-Slack-Low-Slack-High for Glasgow International Festival in 2012. Following those performances, I created a studio version, which has been broadcast internationally.
Delighted to be selected for the Magnetic North Rough Mix Residency. The residency took place in Perth Theatre, Scotland for two weeks in January 2019. I explored seed ideas for Night Vision and produced a work-in-progress sketch for the public sharing on 18th January 2019.
Many thanks to Nick and all at Magnetic North, and to the artists and performers involved in the residency. Special thanks to Lorna, Neil, Ian and Laurie for the first performance sharing of Night Vision., and Lise for recordings and tech support.
Near the end of our CCA/AC Projects Residency we held an informal event in the Creative Lab. We shared a performance of work-in-progress and had a wonderful Q and A/discussion.
Many thanks indeed to Keith Bruce for including Rough Breathing in this nice piece about CCA Glasgow and the Counterflow Festival 2019.
Sonic Bothy Ensemble and Bothy Learning Space joined forces for some intensive rehearsals and a big performance, Diagonal Joy, in the Recital Room at City Halls in November 2018.
Delighted to have been selected for a month-long CCA/AC Projects Residency with clarinettist Alex South in the Creative Lab at CCA Glasgow – read more at the CCA website.
During our residency Alex South and I explored different elements through the Rough Breathing context – live electronics, audiovisual, and psychoacoustic and sonic relationships between voice and clarinet in addition to breathing practices informed by Pranayama.
We posted some blogs at AC Projects Counterflows and shared some work-in-progress at an informal gathering at CCA near the end of the residency. Huge thanks to Alasdair Campbell/AC Projects, Creative Scotland, Alex Misick, Kenny Christie and all at CCA Glasgow, and our guests in the lab, sound designer William Aikman, filmmaker Wendy Kirkup and dance artists Joan Clevillé and Solène Weinachter.
I am super delighted to be part of the 2018 Space/Time creative retreat with Magnetic North Theatre Company. This is arrival day at the wonderful residency centre Cove Park in the west of Scotland. The sunset is stunning.
My fellow artists are Eoin Carey, Pat Law, Ross Whyte and Sharron Devine and the residency is facilitated by Magnetic North’s Artistic Director Nicholas Bone and Alice McGrath, Creative Director of Red Bridge Arts.
During the residency we will be taking an in depth look at our various practices through the question ‘how does an artist keep developing?’.
We were delighted to be invited to share work for the opening night of Beton 7 Festival in Athens on 4th June 2018. The event included an introduction by curator Demosthenes Agrafiotis, my solo performance When Night Comes, screening of Wendy Kirkup’s two films Touches Bloquees and film from a score, and a Q + A session in conversation with Simon Murray.
Festival dates: 5th – 17th June 2018. Festival theme: “Visions-V_Ideas, Performances”…
“Visions-V_ideas, Performances” celebrates 5 years since its launch at BETON7. In April 2014, it was stated that the set of actions of the festival aimed at exploring the interface between performance and video in the specific frame of the Votanikos neighbourhood – the site of BETON7, Center for the Arts.
A review may be necessary, not in the sense of a conclusion but an assessment for future adjustments. According to a terminology, performance is at the crossroad of the living arts (arts vivants), which rely on the human body as the main tool, in order to found its artistic idiosyncrasy or specificity (dance for example) and the visual arts, where physical elements allow to shape primarily spatial structures (e.g. sculpture). At this crossroad, the video is entering, which is the field, the opportunity to create a new version of what is happening at the aforementioned crossroad from aesthetic and social point of view.”
Many thanks indeed to Rania and Demosthenes for their invitation, welcome and warm hospitality.
Zoë Strachan and I performed Static Flux at the Hidden Door Festival in Edinburgh on 29th May 2018.
Programme Note
Static Flux is a sonic seance! In this spoken word/sound piece Zoë and I are exploring narrative and time through chance encounters with remnants, fragments and the ephemera of past lives. The performance was originally created for a live studio broadcast for Radiophrenia in 2017.
Presented by Martin O’Connor and Platform
Written and Performed by Martin O’Connor With Nichola Scrutton and the North East Recovery Community
Platform, Easterhouse 13th-15th April
The Scottish Storytelling Centre 19th April
Creative Team:
Martin O’Connor – Writer and Performer
Nichola Scrutton – Composition/Sound Design
Fergus Dunnet – Set Design
Hana Allen – Stage Management
Davie Green – Lighting Design
Alan McKendrick – Directing Support
Eoin Carey – Image and Production Photography
I was delighted to collaborate on the audio form for Kate Briggs written piece Corner Corner Volta Flip, which was part of ‘How Forms Live’ at the Mitchell Library for Glasgow International Festival of Visual Art. The work was set up as a headphone installation in the Poet’s Corner.
The Mark of the Beast – a collaboration as composer/sound artist with writer/theatre-maker Martin O’Connor that explores lived experience of alcohol and addiction in Glasgow.
Between November 2015 and March 2016, Martin and I worked with the North East Recovery Community to create materials for a sound installation Good Days Bad Days. I composed a ‘soundtrack’ from the many voices/stories of participant’s experiences that was projected as an immersive installation at Platform Glasgow. The work was commissioned by GEAC Platform-to-Health and GRAND (Getting Real About Alcohol n Drugs).
The installationwas research and development for Martin’s live solo show The Mark of the Beast , for which I re-composed the Good Days Bad Days material in 2018.
***** The Herald (Platform Glasgow)
**** The Wee Review (Scottish Storytelling Centre, Edinburgh)
Exploring the Unknown is a performance collaboration with Vernon & Burns, initially created for this lovely event in Glasgow produced by Sonically Depicting. Many thanks to Ceylan!
Have a listen to some Vernon & Burns on SoundCloud.
Through the Rough Breathing project I have been collaborating with clarinettist Alex South to investigate the role and use of breath as an improvising tool in live performance. Our collaborative exploration to date has focused on a) the psychoacoustic and sonic relationships between voice and clarinet, and b) breath and bodily breathing processes as potential material and/or structural devices within free improvisation. One line of inquiry, for example, centres on how the breath might sculpt the dynamic flow of sound-making in performance.
With early exploratory performances at The Glad Cafe and Sharmanka Kinetic Theatre (many thanks John Cavanagh), the work was further supported and developed through a CCA/AC Projects Residency in the Creative Lab at CCA 2018 and Tectonics Festival 2019.
In 2020, Rough Breathing was shortlisted for the Scottish Awards for New Music Ism Prize for Collaboration.
I am delighted to have been working with Sonic Bothy Ensemble since January 2014. Sonic Bothy was founded by creative director Claire Docherty, and explores, composes and performs experimental and contemporary music.
I post occasional updates – read more in News or click on the Sonic Bothy tag.
For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website
Delighted to be support for the Drawn to Water album launch. Alex South and I will be experimenting with a new 30 minute set called Rough Breathing at the start of the night.
I’m delighted that my sound composition Wave Shift will be playing on Radiophrenia on Saturday 18th November at 8.20 pm. Source sounds for the work include voice, hydrophone and other field recordings captured during my Sura Medura Residency in Sri Lanka.
Listen out for Sarah Tripp’s Radiophrenia commission online or at 87.9fm. First transmission is at 6pm on 14th Nov 2017 with a repeat broadcast at 6pm on 15th Nov.
“One Hundred Glass Brains Waking Up is a fictional conversation between two people who begin as strangers. Without any prior social bonds they discover they are free to make each other up. This is escapist fiction pared back to two people in a room looking for a way out of social stultification.”
Performed by: Brighton Upton Trust
Composed by: Nichola Scrutton