I was delighted to be selected for a residency at Q-O2 in Brussels for two weeks May/June 2019. See more info at Q-O2. Part of my priority was to reflect on Night Vision – a new work-in-progress originally developed at Rough Mix Residency with Magnetic North Theatre Company. While I was there I also made some recordings, explored some visual artwork as an extension of the Night Vision text and, and gave an improvised performance with cellist Arnold Noid Haberl as part of a public sharing at the Q-O2 space.
Zoë Strachan and I created Rays & Correlations for a live broadcast from the Radiophrenia studio on 15th May 2019. This is our third collaborative radio artwork. Previous works are In Transit and Static Flux.
Inspired by the patterns of cosmic ray interactions in a cloud chamber, we imagine the myriad signals and attempts at communication that might enter a sphere and intersect, cluster, miss or fade away. Rays & Correlations is a voice-focused improvised performance with layers of interactive soundscape.
The listener is invited to find a thread to hold onto amid interweaving sparse and dense streams of words and evocations – and to decide whether the sound space is literal, as inside a kind of radome, or metaphorical – representing any individual consciousness trying to make sense of human connection.
Martin O’Connor and I collaborated once again on a co-commission from Outspoken Arts Scotland. We were invited to develop a proposal for a new theatre production in Paisley called Love Street – The Musical. We spent two months out and about visiting organisations and gathering stories from people in Paisley who have memories and connections to Love Street.
Sonic Bothy inclusive new music ensemble I work with launched its debut album Fields with a performance at Mono in Glasgow on 28th February 2019. The album was recorded near the end of 2017 at Riverside Studios. Read more at Lost Art Agency and at Glasgow City Music Tours…The album is available at Bandcamp.
For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.
Night Vision (working title) is a body of work in development.
The starting point was a series of texts and drawings captured in the middle of the night lying down in a semi-conscious state over a two-year period (2017-19). This was a new approach for me.
Many thanks to writer Em Strang – an early reader of a random, unfiltered selection of the texts. Em’s generous responses gave me encouragement to trust my instincts in pursuing the work.
Early inquiries focused on investigating the text, making selections and initial thoughts about how to interact with the texts in performance. In 2019, I had the opportunity to explore those seed ideas in a Magnetic North Rough Mix Residency. The work-in-progress was aired in a public performance at Perth Theatre, Scotland.
I am delighted to say that in early 2021 I was awarded Creative Scotland funding to develop the next phase of the project over six months. A few things are now unfolding, including a more substantial ensemble work for performance and broadcast.
More information will follow here in the coming months, and I’m posting occasional updates on social media – you can connect there too if it’s of interest, details are on the Contact page…
When Night Comes was a solo performance created in dialogue with Wendy Kirkup’s film from a score (2017). In the film I perform Berio’s Sequenza III for solo voice. After Wendy’s films were selected to be screened at the 5th Edition of the Beton 7 Festival in Athens, Greece in 2018, I was invited to perform at the opening as a response to the film prior to the screening on the opening night of the festival. My improvised performance drew inspiration and gestures from both my knowledge of Berio’s score and the compositional and material aesthetic of the film itself. The title is a play on a fragment of text from Berio’s score – “before night comes”.
Static Flux is a sonic seance! In this spoken word/sound piece Zoë and I are exploring narrative and time through chance encounters with remnants, fragments and the ephemera of past lives. The performance was originally created for a live studio broadcast for Radiophrenia in 2017.