Zoë Strachan and I had a two-week residency at Glasgow Project Room in April/May 2022.
In our residency we were engaging in a process of ‘test-pitting’ to develop new work around themes of excavation as a means of opening an aperture onto fragile lines of connection between inner and outer landscapes.
In archaeology a test-pit is a trial, a delving in to reveal layers, fragments of artefacts, the potential of a site of enquiry. It enables a snapshot of composition and decomposition, of life cycle and decay in the earth. Grids and tracing map the process.
We shared some work-in-progress at the end of the residency in an event that included an informal performance and Q+A chat.
Zoë and I have an ongoing collaboration making sound art works and experimental radio combining newly written and found text, composed sound, field recordings, found sound, voice and improvisation.