Devising and delivering a series of voice workshops with Wendy Kirkup as part of her 2021 research and development towards a new film looking at 16mm film and improvised voice.
Performers/participants: Wendy, Catherine, Laura, Nicole and Emmie. The film footage was captured by Alex Hetherington, and Stevie Jones recorded the sound. See more of Wendy’s work at Wendy’s Instagram.
Group photo © Alex Hetherington. Film photo © Nichola Scrutton
I’m really thrilled to share news of a PRS Foundation Open Fund for Music Creators Award to record an album for release on Nonclassical. More info to follow. Sign up for updates at Newsletter…
| One of ten artist who formed the hyphæ drawing collective. The collective met online during the lockdown of early 2021, through the inaugural Drawing Correspondence development programme (Feb 2021). Read more about hyphæ drawing collective at our website, where you can also contact us and sign up for our newsletter. We are also on social media a Instagram @hyphaedrawing |
I am delighted to have produced some new drawings for the cover of tape / digital album River . Pathway . Static – at Colliding Lines. Release date is Monday 19th July 2021. More info and link for tape purchase at Colliding Lines (which includes a digital version). The digital version is also available at Colliding Lines Bandcamp
Colliding Lines are also broadcasting on Resonance Extra – info and listening links at #18 Nettles and Chalklines.
Thrilled to have the opportunity to develop Phase 1 of Night Vision with support from the Creative Scotland Open Fund. This funding supports me to work with an ensemble to develop my sound and performance ideas. Thanks to all who have supported this work so far. Sign up for updates at Newsletter…
I was thrilled to be one of ten artists selected for the pilot of the Drawing Correspondence Program. The Program was developed and facilitated by artists / educators Anita Taylor, Chloe Briggs and Tania Kovats. In addition, we were fortunate to have guest artists to share and discuss practice.
The intensive six-week development period had an umbrella theme of Grow. Regular self-directed drawing practice was focused through an exciting range of activities and investigations, live online drawing classes, one-to-one and group discussion, sharing and presentations.
We produced a publication at the end of the Program – 10 Letters and 10 Drawings – initially published on Issuu, with a physical publication to follow. Link to Issuu publication
A huge thanks to all on the journey.
I am delighted to be collaborating as a vocalist with artist Anne Colvin on her moving image artwork/experience Dear Prudence re-imagined. More information about the work is available at Dear Prudence re-imagined.
Lovely to receive this book Restless Explorations in the post – Magnetic North celebrating 21 years. Congratulations! The book contains details of all their work & commissions by artists they have collaborated with.
I was delighted to be invited to make a contribution. I feel very fortunate to have had Rough Mix Residency support for my first shared exploration of the Night Vision materials in 2019.
The commissioned image is called On Route and re-presents ideas from that development.
Limited Edition copies are available at the Magnetic North website
I am very pleased to say that I finished my Seasonal Yoga Academy 300hr Yoga RYT Teacher Training in November 2020. This award combines with my 200hr training (2017) to complete the 500hr advanced training.
Many thanks indeed to all at the Seasonal Yoga Academy, particularly Marit, Claire, Julie and Sue. And huge thanks to my 300hr peers who shared the journey!
Zoë Strachan and I continue our exploration of performing live experimental radio artwork. Up Closeness is a dialogue between two green urban spaces, a close look at the local. An attempt to find small connections amid the dislocation from everyday life. Field recordings and voice sounds are combined with found and composed text to animate distinct temporal spaces. Live improvisation and embedded writing practice enact a mimetic re-inhabiting of space.
We first performed Up Closeness as a live broadcast at Radiophrenia Glasgow on 20th November 2020 in CCA Glasgow., in the hour before lockdown. Here’s a clip…
Delighted to be shortlisted with Alex South for the Scottish Awards for New Music ISM Prize for Collaboration for our Rough Breathing collaboration. The Award event is on 14th April 2020 at the V&A in Dundee.
Read the category details at The ISM Prize for Collaboration
See the full shortlist at Scottish Awards for New Music 2020
Please note, as of April 2020, the Rough Breathing sound clip will be removed from the public realm. Many thanks to BBC Radio 3 for the permission to use the clip for a year from the BBC’s live recording of the event. A private clip will be available for professional use – please contact me if you are interested to hear it.
Many thanks to Alasdair Campbell, AC Projects, CCA Glasgow and all at Tectonics Glasgow 2019 for supporting Rough Breathing.
Necessary Notes: A Vocal Response – solo performance as part of the Stolen Voices album launch on 8th February 2020.
“Nichola Scrutton is, as ever, an absolute wonder- her voice can disarm, charm and bewitch….She takes the listener into otherwordly realms, an uncertain space between sleep and consciousness.” (The Tempohouse)
Read the full review by Lorna Irvine.
The album launch was part of a creative research project by Rebecca Collins and Johanna Linsley – more here. The event forms part of ‘The Sonic Study Series: Act I Sonic Practice’ and is a pop-up event for the Festival of Creative Learning 2020, University of Edinburgh. Many thanks to Rebecca and Johanna for the invitation. More info about the event at CCA Stolen Voices.
Audio clip from a live performance of Dwelling/Encounters from the triptych The Dwelling Series.
The Dwelling Series is a triptych of vocal works. Multiple concepts arising from the notion of the title Dwelling gave rise to an interactive process of improvising and recording with MAXMSP, through which I sought to explore a sense of ‘inhabiting’ the work. As inspiration for generating improvised material under this complex umbrella concept of ‘dwelling’ I used three general metaphors to articulate events or states: dust (nature), cycle (flow/journey) and echo (memory).
The compositional process consisted of creating successive vocal improvisations, which were merged together, fully intact, after each improvisation was captured. Manipulation of the captured improvisations was strictly limited to the editing of gestures and textures in time and space to enhance or magnify relationships/conflicts that emerged by chance as each layer was added.
(i) Dwelling/In Dialogue: studio composition (17′).
(ii) Dwelling/Encounters: pre-composed sound and live performance, in which two live performers merged and improvised with a pre-composed soundtrack projected through multiple loud speakers. Swiss vocalist Céline Hänni and I undertook a short intensive residency to explore extended technique vocal improvisation that culminated in the final performance. (12’30). Listen
(iii) Dwelling/In Reflection: live interactive solo performance (18′).
“Part of the wonder of Sonic Bothy is that each night is individual as a finger print. So it is with Immediate Buzz Shift.” (The Tempohouse)
Read the SBE CCA Review…
Sonic Bothy Ensemble are next performing at TUSK Festival at The Sage in Gateshead, which is very exciting! We’ll be in Hall 2 at 7:10pm on Sunday 13th October 2019.
In June 2019 we had a fantastic time performing at the Kelvingrove Museum and Art Gallery…Also in June we also had a wonderful time recording some new work in the studio at Gorbals Sound, Glasgow.
Sonic Bothy Ensemble’s debut album Fields is available at Bandcamp…
For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.
I was delighted to be selected for a residency at Q-O2 in Brussels for two weeks May/June 2019. See more info at Q-O2. While I was there I worked on the early explorations of Night Vision. gathered a range of field recordings and produced some visual sketches for new work. I also joined cellist Arnold Noid Haberl for an improvised performance as part of a public sharing at the Q-O2 space. Many thanks indeed to all at Q-O2!
Portrait photo © Wendy Kirkup.
Zoë Strachan and I created Rays & Correlations for a live broadcast from the Radiophrenia studio on 15th May 2019.
Inspired by the patterns of cosmic ray interactions in a cloud chamber, we imagine the myriad signals and attempts at communication that might enter a sphere and intersect, cluster, miss or fade away. Rays & Correlations is a voice-focused improvised performance with layers of interactive soundscape.
The listener is invited to find a thread to hold onto amid interweaving sparse and dense streams of words and evocations – and to decide whether the sound space is literal, as inside a kind of radome, or metaphorical – representing any individual consciousness trying to make sense of human connection.
Tectonics Review The Guardian ****7th May 2019
…”Downstairs in the Old Fruitmarket, Scottish vocalist Nichola Scrutton breathed deeply into a mic, the sounds mirrored by clarinettist Alex South across the room. In between, the audience were caught in a dexterous layering of breath that felt like the wash and roll of the sea.”…
Read the full Tectonics review online…
Excited to be performing some of our Rough Breathing project this weekend at Tectonics Festival in Glasgow with Alex South. We’ll be in the Old Fruitmarket at 4pm on Sunday 5th May 2019. Read more about line up at Tectonics Glasgow 2019 announcement and more info…Also at Festival info and the Tectonics Facebook event …
The next performance is at CCA, Glasgow on 26th April 2019. More details at Sonic Bothy’s Facebook page.
Read the article at the link below…
Here’s a link to the review online – scroll down the page to find Sonic Bothy’s album write up…
Scots Whae Hae New Musical Success
For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.
Martin O’Connor and I collaborated once again on a co-commission from Outspoken Arts Scotland. We were invited to develop a proposal for a new theatre production in Paisley called Love Street – The Musical. We spent two months out and about visiting organisations and gathering stories from people in Paisley who have memories and connections to Love Street.
Sonic Bothy inclusive new music ensemble I work with launched its debut album Fields with a performance at Mono in Glasgow on 28th February 2019. The album was recorded near the end of 2017 at Riverside Studios. Read more at Lost Art Agency and at Glasgow City Music Tours…The album is available at Bandcamp.
For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.
Delighted to be selected for the Magnetic North Rough Mix Residency. The residency took place in Perth Theatre, Scotland for two weeks in January 2019. I explored seed ideas for Night Vision and produced a work-in-progress sketch for the public sharing on 18th January 2019.
Many thanks to Nick and all at Magnetic North, and to the artists and performers involved in the residency. Special thanks to Lorna, Neil, Ian and Laurie for the first performance sharing of Night Vision., and Lise for recordings and tech support.
Near the end of our CCA/AC Projects Residency we held an informal event in the Creative Lab. We shared a performance of work-in-progress and had a wonderful Q and A/discussion.
Many thanks indeed to Keith Bruce for including Rough Breathing in this nice piece about CCA Glasgow and the Counterflow Festival 2019.
Performance
Sonic Bothy Ensemble and Bothy Learning Space joined forces for some intensive rehearsals and a big performance, Diagonal Joy, in the Recital Room at City Halls in November 2018.
Everyone’s excited that Sonic Bothy Ensemble has been nominated for a Scottish Award For New Music.
For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.
Delighted to have been selected for a month-long CCA/AC Projects Residency with clarinettist Alex South in the Creative Lab at CCA Glasgow – read more at the CCA website.
During our residency Alex South and I explored different elements through the Rough Breathing context – live electronics, audiovisual, and psychoacoustic and sonic relationships between voice and clarinet in addition to breathing practices informed by Pranayama.
We posted some blogs at AC Projects Counterflows and shared some work-in-progress at an informal gathering at CCA near the end of the residency. Huge thanks to Alasdair Campbell/AC Projects, Creative Scotland, Alex Misick, Kenny Christie and all at CCA Glasgow, and our guests in the lab, sound designer William Aikman, filmmaker Wendy Kirkup and dance artists Joan Clevillé and Solène Weinachter.
I am super delighted to be part of the 2018 Space/Time creative retreat with Magnetic North Theatre Company. This is arrival day at the wonderful residency centre Cove Park in the west of Scotland. The sunset is stunning.
My fellow artists are Eoin Carey, Pat Law, Ross Whyte and Sharron Devine and the residency is facilitated by Magnetic North’s Artistic Director Nicholas Bone and Alice McGrath, Creative Director of Red Bridge Arts.
During the residency we will be taking an in depth look at our various practices through the question ‘how does an artist keep developing?’.
When Night Comes was a solo performance created in dialogue with Wendy Kirkup’s film from a score (2017). In the film I perform Berio’s Sequenza III for solo voice. After Wendy’s films were selected to be screened at the 5th Edition of the Beton 7 Festival in Athens, Greece in 2018, I was invited to perform at the opening as a response to the film prior to the screening on the opening night of the festival. My improvised performance drew inspiration and gestures from both my knowledge of Berio’s score and the compositional and material aesthetic of the film itself. The title is a play on a fragment of text from Berio’s score – “before night comes”.
Presented by Martin O’Connor and Platform
Written and Performed by Martin O’Connor
With Nichola Scrutton and the North East Recovery Community
Platform, Easterhouse 13th-15th April
The Scottish Storytelling Centre 19th April
Creative Team:
Martin O’Connor – Writer and Performer
Nichola Scrutton – Composition/Sound Design
Fergus Dunnet – Set Design
Hana Allen – Stage Management
Davie Green – Lighting Design
Alan McKendrick – Directing Support
Eoin Carey – Image and Production Photography
I was delighted to collaborate on the audio form for Kate Briggs written piece Corner Corner Volta Flip, which was part of ‘How Forms Live’ at the Mitchell Library for Glasgow International Festival of Visual Art. The work was set up as a headphone installation in the Poet’s Corner.
Read more about Corner Corner Volta Flip