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Rough Breathing Shortlisted

Delighted to be shortlisted with Alex South for the Scottish Awards for New Music ISM Prize for Collaboration for our Rough Breathing collaboration. The Award event is on 14th April 2020 at the V&A in Dundee.

Read the category details at The ISM Prize for Collaboration
See the full shortlist  at Scottish Awards for New Music 2020

Please note, as of April 2020, the Rough Breathing sound clip will be removed from the public realm. Many thanks to BBC Radio 3  for the permission to use the clip for a year from the BBC’s live recording of the event.  A private clip will be available for professional use – please contact me if you are interested to hear it.

Many thanks to Alasdair Campbell, AC Projects, CCA Glasgow and all at Tectonics Glasgow 2019 for supporting Rough Breathing.

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Stolen Voices at CCA

stolen voices nichola scrutton 1
Photo © Alan Davidson

stolen voices nichola scrutton 2

 

 

 

 

 

 

 

 

 

Necessary Notes: A Vocal Response  – solo performance as part of the Stolen Voices album launch on 8th February 2020.

Review

“Nichola Scrutton is, as ever, an absolute wonder- her voice can disarm, charm and bewitch….She takes the listener into otherwordly realms, an uncertain space between sleep and consciousness.” (The Tempohouse)

Read the full review by Lorna Irvine.

The album launch was part of a creative research project by Rebecca Collins and Johanna Linsley – more here. The event forms part of ‘The Sonic Study Series: Act I Sonic Practice’ and is a pop-up event for the Festival of Creative Learning 2020, University of Edinburgh. Many thanks to Rebecca and Johanna for the invitation. More info about the event at  CCA Stolen Voices.

 

 

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Sonic Bothy Updates March 2020

Sonic Bothy Ensemble at TUSK Festival 2019

Performances

Sonic Bothy Ensemble Platform
SBE at Platform Glasgow (image © Brian Hartley/Sonic Bothy)

Sonic Bothy Ensemble enjoyed wonderful performances at TUSK Festival in October 2019 (photo above © Sonic Bothy) and at Platform Glasgow in December 2019.

Gateshead Jazz Festival – Covid-19 affected

Tectonics Festival – Covid-19 affected

Sonic Bothy Ensemble had two very exciting performances in the pipe-line – one in late March at The Sage, Gateshead for Gateshead Jazz Festival and one in early May at Tectonics, Old Fruitmarket. Unfortunately both were cancelled or postponed due to lockdown.

Meanwhile Sonic Bothy has resumed some rehearsals online. More news about future events will follow as and when available.

Performance Anxiety Research Project

Since September 2019 I have been Lead Artist on the development of Sonic Bothy’s Performance Anxiety Project. At the core of the project was a series of exploratory workshops, co-led with Malcy Duff who works with Bothy Learning Space. The project aims, through direct experience in workshops, consultation and research, to increase awareness and create resources to support musicians with an ALSN in any aspect of performance anxiety and associated issues.

Sonic Bothy Ensemble Album Fields

Sonic Bothy Ensemble’s debut album Fields is still available at Bandcamp in hard copy and digital formats…

More Information

For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.

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The Dwelling Series

The Dwelling Series - Nichola Scrutton

The Dwelling Series is a triptych of vocal works. Multiple concepts arising from the notion of the title Dwelling gave rise to an interactive process of improvising and recording with MAXMSP, through which I sought to explore a sense of ‘inhabiting’ the work. As inspiration for generating improvised material under this complex umbrella concept of ‘dwelling’ I used three general metaphors to articulate events or states: dust (nature), cycle (flow/journey) and echo (memory).

The compositional process consisted of creating successive  vocal improvisations, which were merged together, fully intact, after each improvisation was captured. Manipulation of the captured improvisations was strictly limited to the editing of gestures and textures in time and space to enhance or magnify relationships/conflicts that emerged by chance as each layer was added.

(i) Dwelling/In Dialogue: studio composition (17′). 

(ii) Dwelling/Encounters: pre-composed sound and live performance, in which two live performers merged and improvised with a pre-composed soundtrack projected through multiple loud speakers.  Swiss vocalist Céline Hänni and I undertook a short intensive residency to explore extended technique vocal improvisation that culminated in the final performance. (12’30). Listen

(iii) Dwelling/In Reflection: live interactive solo performance (18′). 

 

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Sonic Bothy Updates Oct 2019

Review – Sonic Bothy Ensemble: Immediate Buzz Shift, CCA, Glasgow

Image © Brian Hartley

 

“Part of the wonder of Sonic Bothy is that each night is individual as a finger print. So it is with Immediate Buzz Shift.” (The Tempohouse)

Read the SBE CCA Review…

Performances

Sonic Bothy Ensemble are next performing at TUSK Festival at The Sage in Gateshead, which is very exciting! We’ll be in Hall 2 at 7:10pm on Sunday 13th October 2019.

In June 2019 we had a fantastic time performing at the Kelvingrove Museum and Art Gallery…Also in June we also had  a wonderful time recording some new work in the studio at Gorbals Sound, Glasgow.

Sonic Bothy Ensemble Debut Album

Sonic Bothy Ensemble’s debut album Fields is available at Bandcamp…

More Information

For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.

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Radio Play | Ian Spink

Radio Play, Unfix Festival

Delighted to be working with Ian Spink, Aya Kobayashi, Skye Reynolds, Selina Boyack and Stella Boyack to develop Radio Play. The immediate focus was a scratch performance for UNFIX Festival 2019. Here’s more info about the event on Sunday 31st March at CCA Glasgow Scratch Night. We re-visited the work for Batch2 Festival In August 2019.

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Residency at Q-O2 in Brussels

Q-O2 residency

I was delighted to be selected for a residency at Q-O2 in Brussels for two weeks May/June 2019. See more info at Q-O2. While I was there I worked on the early explorations of Night Vision. gathered a range of field recordings and produced some visual sketches for new work. I also joined cellist Arnold Noid Haberl for an improvised performance  as part of a public sharing at the Q-O2 space. Many thanks indeed to all at Q-O2!

Portrait photo © Wendy Kirkup.

 

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Rays & Correlations with Zoë Strachan

Rays & Correlations – a collaborative live-to-air broadcast

Zoë Strachan and I created Rays & Correlations  for a live broadcast from the Radiophrenia studio on 15th May 2019.

Rays & Correlations

Programme Note

Inspired by the patterns of cosmic ray interactions in a cloud chamber, we imagine the myriad signals and attempts at communication that might enter a sphere and intersect, cluster, miss or fade away. Rays & Correlations is a voice-focused improvised performance with layers of interactive soundscape.

The listener is invited to find a thread to hold onto amid interweaving sparse and dense streams of words and evocations – and to decide whether the sound space is literal, as inside a kind of radome, or metaphorical – representing any individual consciousness trying to make sense of human connection.

@zoestrachan
@NicholaScrutton

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Tectonics The Guardian

190507 Tectonics Review Guardian Tectonics Review The Guardian ****

7th May 2019

…”Downstairs in the Old Fruitmarket, Scottish vocalist Nichola Scrutton breathed deeply into a mic, the sounds mirrored by clarinettist Alex South across the room. In between, the audience were caught in a dexterous layering of breath that felt like the wash and roll of the sea.”…

Read the full Tectonics review online…

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Sonic Bothy Updates April 2019

Sonic Bothy Ensemble Performances

The next performance is at CCA, Glasgow on 26th April 2019. More details at Sonic Bothy’s Facebook page.

Article in The List magazine

Sonic Bothy article The List

Read the article at the link below…

https://www.list.co.uk/article/107892-sonic-bothy-aims-to-explore-glasgows-new-and-experimental-music-scene-as-a-source-of-dialogue-and-inspiration/

Review of SBE Album at Scots Whae Hae

Sonic Bothy album review Scots Whae Hae

Here’s a link to the review online – scroll down the page to find Sonic Bothy’s album write up…

Scots Whae Hae New Musical Success

More Information

For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.

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Co-commission – Outspoken Arts

Love Street – The Musical

Love Street Paisley ExpressMartin O’Connor and I collaborated once again  on a co-commission from Outspoken Arts Scotland. We were invited to develop a proposal for a  new theatre production in Paisley called Love Street – The Musical. We spent two months  out and about visiting organisations and gathering stories from people in Paisley who have memories and connections to Love Street.

Love Street research
Research at Paisley Heritage Centre

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Sonic Bothy Ensemble Album Launch

Sonic Bothy inclusive new music ensemble I work with launched its debut album Fields with a performance at Mono in Glasgow on 28th February 2019.  The album was recorded near the end of 2017 at Riverside Studios. Read more at Lost Art Agency and at Glasgow City Music Tours…The album is available at Bandcamp.

More Information

For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.

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Lateral on BBC Radio 4

BBC Radio 4, 14th Feb at 11.30am.

A clip of my composition Lateral will be included in BBC Radio 4 prog Shaped by the River Clyde.  The programme is about artist and humanitarian George Parsonage, and features artist Minty Donald. Many thanks to Minty for including my work. Minty originally commissioned Lateral as part of High-Slack-Low-Slack-High for Glasgow International Festival in 2012. Following those performances, I created a studio version, which has been broadcast internationally.

https://www.bbc.co.uk/programmes/m0002hlk

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Magnetic North Rough Mix Residency

Night Vision – development at Rough Mix 2019

Delighted to be selected for the Magnetic North Rough Mix Residency. The residency took place in Perth Theatre, Scotland for two weeks in January 2019. I explored seed ideas for Night Vision and produced a work-in-progress sketch for the public sharing on 18th January 2019.

Many thanks to Nick and all at Magnetic North, and to the artists and performers involved in the residency. Special thanks to Lorna, Neil, Ian and Laurie for the first performance sharing of Night Vision., and Lise for recordings and tech support.

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Rough Breathing – The Herald

181124 Keith Bruce Rough Breathing

Near the end of our CCA/AC Projects Residency we held an informal event in the Creative Lab. We shared a performance of work-in-progress and had a wonderful Q and A/discussion.

Many thanks indeed to Keith Bruce for including Rough Breathing in this nice piece about CCA Glasgow and the Counterflow Festival 2019.

https://www.heraldscotland.com/opinion/17241164.keith-bruce-glasgow-continues-to-host-ground-breaking-music/

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Sonic Bothy Updates 2018

Performance

Sonic Bothy Ensemble and Bothy Learning Space joined forces for some intensive rehearsals and a big performance, Diagonal Joy, in the Recital Room at City Halls in November 2018.

Nomination

Sonic Bothy ISME 2016 at RCS photo © SBEveryone’s excited that Sonic Bothy Ensemble has been nominated for a Scottish Award For New Music.

More Information

For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.

 

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Rough Breathing CCA/AC Projects Residency

CCA:AC Projects1Delighted to have been selected for a month-long CCA/AC Projects Residency with clarinettist Alex South in the Creative Lab at CCA Glasgow – read more at the CCA website.

During our residency Alex South and I explored different elements through the Rough Breathing context – live electronics, audiovisual, and psychoacoustic and sonic relationships between voice and clarinet in addition to breathing practices informed by Pranayama.

Nichola and Alex recording CCASession with Wendy 181117

 

 

 

 

 

 

We posted some blogs at AC Projects Counterflows and shared some work-in-progress at an informal gathering at CCA near the end of the residency. Huge thanks to Alasdair Campbell/AC Projects, Creative Scotland, Alex Misick, Kenny Christie and all at CCA Glasgow, and our guests in the lab, sound designer William Aikman, filmmaker Wendy Kirkup and dance artists Joan Clevillé and Solène Weinachter.

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Space/Time – Magnetic North

I am super delighted to be part of the 2018 Space/Time creative retreat with Magnetic North Theatre Company. This is arrival day at the wonderful  residency centre Cove Park in the west of Scotland. The sunset is stunning.

My fellow artists are Eoin Carey, Pat Law, Ross Whyte and Sharron Devine and the residency is facilitated by Magnetic North’s Artistic Director Nicholas Bone  and Alice McGrath, Creative Director of Red Bridge Arts.

During the residency we will be taking an in depth look at our various practices through the question ‘how does an artist keep developing?’.

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Rough Breathing at Sharmanka

Sharmanka Scrutton:South

Many thanks to John Cavanagh for inviting us to perform on 1st July 2018 at Sharmanka Gallery amongst the wonderful, atmospheric kinetic sculptures.

Alex South and I further explored our Rough Breathing collaboration for voice and clarinets.

Here’s a link to the Sharmanka event. https://www.facebook.com/events/181727232538481/

 

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Beton 7 Festival in Athens

Demosthenes

Q+A

Gallery Screening

Festival Opening

We were delighted to be invited to share work for the opening night of  Beton 7 Festival in Athens on 4th June 2018. The event included an introduction by curator Demosthenes Agrafiotis, my solo performance When Night Comes, screening of Wendy Kirkup’s two films Touches Bloquees and film from a score, and a Q + A session in conversation with Simon Murray.

Festival dates: 5th – 17th June 2018. Festival theme: “Visions-V_Ideas, Performances”…

“Visions-V_ideas, Performances” celebrates 5 years since its launch at BETON7. In April 2014, it was stated that the set of actions of the festival aimed at exploring the interface between performance and video in the specific frame of the Votanikos neighbourhood – the site of BETON7, Center for the Arts.

When Night Comes 4

A review may be necessary, not in the sense of a conclusion but an assessment for future adjustments. According to a terminology, performance is at the crossroad of the living arts (arts vivants), which rely on the human body as the main tool, in order to found its artistic idiosyncrasy or specificity (dance for example) and the visual arts, where physical elements allow to shape primarily spatial structures (e.g. sculpture). At this crossroad, the video is entering, which is the field, the opportunity to create a new version of what is happening at the aforementioned crossroad from aesthetic and social point of view.”

Many thanks indeed to Rania and Demosthenes for their invitation, welcome and warm hospitality.

 

 

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When Night Comes

When Night Comes 4When Night Comes 3

 

 

 

 

 

 

When Night Comes was a solo performance created in dialogue with Wendy Kirkup’s film from a score (2017). In the film I perform Berio’s Sequenza III for solo voice. After Wendy’s films were selected to be screened at the 5th Edition of the Beton 7 Festival in Athens, Greece in 2018, I was invited to perform at the opening as a response to the film prior to the screening on the opening night of the festival. My improvised performance drew inspiration and gestures from both my knowledge of Berio’s score and the compositional and material aesthetic of the film itself. The title is a play on a fragment of text from Berio’s  score – “before night comes”.

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Static Flux at Hidden Door Festival

Zoë Strachan and I performed Static Flux at the Hidden Door Festival in Edinburgh on 29th May 2018.

Programme Note

Static Flux is a sonic seance! In this spoken word/sound piece Zoë and I are exploring narrative and time through chance encounters with remnants, fragments and the ephemera of past lives. The performance was originally created for a live studio broadcast for Radiophrenia in 2017.

@zoestrachan
@NicholaScrutton

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The Mark of the Beast review

***** (The Herald)

Read the review online

Presented by Martin O’Connor and Platform
Written and Performed by Martin O’Connor
With Nichola Scrutton and the North East Recovery Community
Platform, Easterhouse 13th-15th April
The Scottish Storytelling Centre 19th April

Creative Team:
Martin O’Connor – Writer and Performer
Nichola Scrutton – Composition/Sound Design
Fergus Dunnet – Set Design
Hana Allen – Stage Management
Davie Green – Lighting Design
Alan McKendrick – Directing Support
Eoin Carey – Image and Production Photography

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Corner Corner Volta Flip | Kate Briggs

Corner Corner Volta Flip 2

I was delighted to collaborate on the audio form for Kate Briggs written piece Corner Corner Volta Flip, which was part of ‘How Forms Live’ at the Mitchell Library for Glasgow International Festival of Visual Art. The work was set up as a headphone installation in the Poet’s Corner.

Read more about Corner Corner Volta Flip

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The Mark of the Beast | Martin O’Connor

Mark of the Beast 1

The Mark of the Beast – a collaboration as composer/sound artist with writer/theatre-maker Martin O’Connor that explores lived experience of alcohol and addiction in Glasgow.

Between November 2015 and March 2016, Martin and I worked with the North East Recovery Community to create materials for a sound installation Good Days Bad Days.  I composed a ‘soundtrack’ from the many voices/stories of participant’s experiences that was projected as an immersive installation at Platform Glasgow. The work was commissioned by GEAC Platform-to-Health and GRAND (Getting Real About Alcohol n Drugs).

The installation was research and development for Martin’s live solo show The Mark of the Beast , for which I re-composed the Good Days Bad Days material in 2018.

***** The Herald (Platform Glasgow)
**** The Wee Review (Scottish Storytelling Centre, Edinburgh)