Tag: radio

Related Media: radio

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Up Closeness | Zoë Strachan

Zoë Strachan and I continue our exploration of performing live experimental radio artwork. Up Closeness is a dialogue between two green urban spaces, a close look at the local. An attempt to find small connections amid the dislocation from everyday life. Field recordings and voice sounds are combined with found and composed text to animate distinct temporal spaces. Live improvisation and embedded writing practice enact a mimetic re-inhabiting of space.

We first performed Up Closeness as a live broadcast at Radiophrenia Glasgow on 20th November 2020 in CCA Glasgow.

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Wave Shift

Wave Shift is an immersive  soundscape composition. Source materials for the work include a selection of field recordings captured during an artist residency with UZ Arts at Sura Medura in Sri Lanka, and vocal sound recordings.  Wave Shift was originally composed for a collaborative installation with artist/printmaker Natasha Russell, and then subsequently recomposed as this shorter standalone work.

Wave Shift Released in 2019

South Asia Phonographic Mornings

Wave Shift  was the first release in August 2019 in the new season South Asia PhoNographic Mornings as part of the soundscape project Each Morning of the World produced by Stéphane Marin in France on BandCamp. All donations from the project go to the World Forum for Acoustic Ecology (WFAE). Many thanks indeed to Stéphane for inviting me to contribute the track, record the voice intro and outro for the season’s radio broadcasts each week, and the album artwork.

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Rays & Correlations | Zoë Strachan

Zoë Strachan and I created Rays & Correlations  for a live broadcast from the Radiophrenia studio on 15th May 2019. This is our third collaborative radio artwork. Previous works are In Transit and Static Flux. 

Rays & Correlations

Inspired by the patterns of cosmic ray interactions in a cloud chamber, we imagine the myriad signals and attempts at communication that might enter a sphere and intersect, cluster, miss or fade away. Rays & Correlations is a voice-focused improvised performance with layers of interactive soundscape.

The listener is invited to find a thread to hold onto amid interweaving sparse and dense streams of words and evocations – and to decide whether the sound space is literal, as inside a kind of radome, or metaphorical – representing any individual consciousness trying to make sense of human connection.

 

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One Hundred Tiny Glass Brains Waking Up | Sarah Tripp

One Hundred Tiny Glass Brains Waking Up

Listen out for Sarah Tripp’s Radiophrenia commission online or at 87.9fm. First transmission is at 6pm on 14th Nov 2017 with a repeat broadcast at 6pm on 15th Nov.

“One Hundred Glass Brains Waking Up is a fictional conversation between two people who begin as strangers. Without any prior social bonds they discover they are free to make each other up. This is escapist fiction pared back to two people in a room looking for a way out of social stultification.”

Performed by: Brighton Upton Trust
Composed by: Nichola Scrutton

 

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Static Flux | Zoë Strachan

Zoë and Nichola

Static Flux is a radio and performance collaboration with writer Zoë Strachan. The work was initially produced as a live studio broadcast for Radiophrenia in 2017 and then subsequently selected for a live performance at  Hidden Door Festival  2018.

Radiophrenia 2017
Static Flux focuses on out-of-time memory states, and how they can be both static and in flux. We are interested in exploring narrative and time through chance encounters with remnants, fragments and the ephemera of past lives. Metaphors for our endeavour include the remnants found in second-hand bags and the pockets of clothing, or in notes scribbled on the back of black and white photographs. There is a melancholy air to these things, but as with any kind of haunting, also the potential for fear, and for deeper connections with our own sense of mortality.

 

 

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BBC Radio 3 Exposure

Exposure GigI was delighted to be performing solo on the first programme of a new BBC Radio 3 series – Exposure. The programme ‘explores the local alternative and underground music scenes’.

The live event is on 23rd September 2016 in Glasgow at the Glad Cafe. The programme will be broadcast on 29th September at 11 pm and available online for a month.

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In Transit | Zoë Strachan

radiophrenia-flyer

Live-to-Air Commission

RadiophreniaRadiophrenia Logo-NEW invited myself and writer Zoë Strachan to collaborate on a Live-to-Air commission. In our collaboration we explored the state of being In Transit and how it disrupts the interior monologues of two people on separate but overlapping journeys of a slightly mysterious kind.

Radiophrenia is a temporary art radio station broadcasting from the CCA in Glasgow. In 2016 it produced a two-week exploration into current trends in sound and transmission arts.

Selected Performances

2016
5th Sep, Radiophrenia, CCA, Glasgow

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Radiophrenia 2016

Radiophrenia

Radiophrenia 2016 Live-to-Air Commission

Over the summer I’m delighted to be collaborating  on a Radiophrenia 2016 commission with writer Zoë Strachan for a Live-to-Air performance.

The temporary radio station will broadcast from 29th August until 11th September 2016. Our live-to-air performance will take place on 5th September at the CCA in Glasgow.

Fine more details about all the commissions and performances at Radiophrenia.

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Curator – WebSYNradio

websynradio

Glasgow Soundscapes: Place, Space and Memory

I am delighted to have been invited by Dominique Balaÿ to curate a programme for broadcast on WebSYNradio from 16th – 30th June 2016.  Alongside a selection of my own works are compositions by Alistair MacDonald, Bethan Parkes, Luca Nasciuti and Mark Vernon – big thanks to them for contributing.

Read more and listen at synradio.fr.

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Sonnets/Radiophrenia

RAdiophrenia logo

 



Sonnets was a series of live, interactive, largely improvised sound poems, and was created for a Radiophrenia live-to-air commission in 2015. The work drew on the root meanings of the title word – from  ‘son’ (song) and ‘sonus’ (sound) – rather than the traditional poetic form. I used minimal processing, and focused instead on weaving together a palette of breathy sounds, phonemic fragments and vocal gestures into a series of self-contained but interlinked sound worlds, sometimes with field recordings, to invoke or reference a fictional place or state.

(Please note the sound clips are currently off-air)