I was absolutely delighted to be one of four composers selected for the Choreographers and Composers Lab 2015 – a two-week intensive residency with Phoenix Dance Theatre in Leeds. The residency was led by Sharon Watson and Ken Hesketh, with guest speakers – Robert Cohan, Peter Weigold, Zoé Martlew, Dr Jo Butterworth, Mike Dixon, Didy Veldman.
Choreographers: Adrienne Hart, Mbulelo Ndabeni, Claire Lefèvre and Sandrine Monin. Composers: Roberto David Rusconi, Nichola Scrutton, Sarah Westwood and Eloise Gynn. Dancers: Hannah Bateman, Francesca Caselli, Andreas Grimaldier, Joshua Harriette, Carmen Marfil, Marie Astrid Mence, Ben Mitchell, Vanessa Pang, Alice Shepherdson, Sam Vaherlehto , Prentice Whitlow. Musicians: Hara Alonso, Oliver Dover, Sean Hamilton, Becky Yen-Huan
A new solo live work City Song has been selected for performance at the forthcoming Sound Kitchen as part of Prague Quadrennial of Performance Design and Space in June 2015. See the Event page here for more info and links.
City Song explores a shifting dynamic of power, connectedness and fragmentation, and emerged during development time that was supported by a Creative Scotland Artists’ Bursary Award.
I am pleased to say that Lateral has been selected for a curated listening hour as part of the Brooklyn Acoustic Ecology Festival on 16th/17th April 2015. Read more about the festival here.
I am pleased to say that my fixed medium work Post Industrial Broadcast #1 will feature in the Kansas City Electronic Music and Arts Alliance ‘Modern Soundscapes’ concert on March 7th 2015.
Post-Industrial Broadcast #1 has been selected for Framework Radio’s seasonal CD release (winter 2014) to be issued on 21st December 2014 (the solstice!). Meanwhile it is available for listening through Framework and on various other broadcasts. The CD was first aired on Resonance fm on Sunday 7th Dec 2014. More info, with an option to purchase through donation, at Framework Radio. Here’s the track listing and details Issue #7. Well worth a listen – it’s a lovely thing…Many thanks to Patrick Tubin McGinley
I am delighted that Word of Mouth has been selected for Issue 3 of Huellkurven Magazine. Huellkurven is an online sound poetry magazine and a series of events dedicated to sound poetry, noise poetry, sound-text…
Delighted to be awarded a Creative Scotland Artist Bursary to undertake some preliminary research and development for new work initially inspired by Elias Canetti’s book Crowds and Power.
My vocal composition HearAfter has been selected to be part of an exhibition at The Auricle Sound Art Gallery in Christchurch, New Zealand. The exhibition, and installation Transnational Express will run from 3rd – 26th July 2014.
Post-Industrial Broadcast #1is part of The Stranger that is next to me – which is presenting a collection of audio works from practitioners around the world concerned with and focused on The Stranger at Errant Bodies/Project Space in Berlin. Organized by Brandon LaBelle in collaboration with Osso, Lisbon.
A recording of Songs for a Stranger: (v) in the midst has been selected for the documentary audio compilation Voix Brutes Vol II, to be released by Audition Records on 15th May 2014. The focus of the Voix Brutes compilations is the voice in live performance – its extended forms, techniques and possibilities.
More info including the list of selected artists is here.
[ar093] VOIX BRUTES | International Compilation | Vol.II listen
Theology with Martin O’Connor has been shortlisted for a CATS 2013-14 award in the Best Music and Sound Category. Announcements will be made on 8th June 2014. See details and the full listings at CATS.
Reviews of recent performances at Behaviour Festival
Lateral has been selected for here. now. where? – a project in which a collection of soundscapes from different ‘sensibilities, languages and formats’ will be diffused inside local taxis through the sound and radio art platform Saout Radio. The project is curated by Younes Baba-Ali and Anna Raimondo and seeks to explore a notion of ‘delocalisation in the present moment through the experience of listening in the urban space’.
Lateral has been selected for the first Framework radio show of 2014. which will have a series of broadcasts during the week 12th – 18th Jan 2014 starting with Resonance fm on Sunday 12th. Broadcast details are here.
I’m delighted that my HearAfter sound piece will be installed for a month at the ohrenhoch gallery in Berlin in early January as part of their Sunday Series.
My composition Word of Mouth will be part of a collective sound installation for the Música Viva Fringe Festival 2013. The installation runs 16th November 2013 – 5th January 2014 at the CAAA Centre for Art and Architecture Affairs, Guimarães, Portugal.
“The installation offers visitors an immersion into distinct soundscapes under the theme of “text-sound composition”, originally selected by Miso Music Portugal for the 2012 Sound Walk/Garden”. More info here
The event is taking place at Espace Soubeyran, Crest, Drôme, France. The festival is chocka with concerts from 22nd – 24th August and Nuite Blanche runs over from 24th – 25th.
I’m looking forward to the Scottish Music Centre’s Composition Marathon 2013. The event takes place over the weekend of 23th March, with final performances at The Arches from 3 – 6 pm on Sunday 4th March. Tickets are available from The Arches and more info here.
My piece Word of Mouth has been selected for a Musica Viva Festival Sound Walk/Sound Garden, an immersive soundscape installation with a theme of “sound-text composition” at the Goethe-Institut in Lisbon, Portugal, More info at MisoMusic Portugal
A 30 min programme of my works has been selected for broadcast at the RadiaLx 2012 Radio Art Festival, which is hosted by Rádio Zero in Lisbon, Portugal.
I’m delighted to say that Lateral is programmed in the AIR/EAR – Instalación Radial – running through June and July and hosted by Radio-System in Argentina.
Breathing Space has been selected by Anna Raimondo for diffusion in the gallery of the Institut de Culture de Rabat in Morocco from 26th May – 2nd June 2012.
Minty Donald introducing high-slack-low-slack-high
Commissioned Artists: John Cavanagh, Minty Donald/Nick Miller, Douglas Morland, Nichola Scrutton, Hanna Tuulikki
A group of artists with shared, but diverse, interests in sound, space and place – have created audio works to be performed in public spaces close to or on the River Clyde over five days during the Festival (Monday 23rd – Friday 27th April 2012). Each performance is timed to coincide with high tide. In these citywide performances, the natural cadences and flux of the river, once significant in the tempo of Glasgow life, will again leak into the urban fabric.
On Saturday 28th April, all five works will be performed in the Trust Hall of Clydeport Authority Headquarters, an opulent, circular, Edwardian boardroom overlooking the Clyde. Here, the sonic interpretations of the river’s tidal cycle will permeate a building that stands as symbol of Glasgow’s maritime heritage.
‘High-Slack-Low-Slack-High reflects on the functional and symbolic roles played by urban rivers in contemporary cities – and in particular, the role of the River Clyde in Glasgow today. It’s common belief that, following the decline of shipbuilding and other maritime industries, Glasgow turned its back on the River. Now, while the riverbanks are undergoing significant regeneration, the water itself remains a relatively dead space. Through interweaving the natural cadences of the tide with contemporary urban rhythms, High-Slack-Low-Slack-High is an invitation to re-imagine the relationship between river and city – beyond the legacy of Glasgow’s industrial and manufacturing past.’
Perpetually rising and falling yet constrained within manmade embankments, detached from the city that once saw it as symbolic of its industrial prowess, the tidal river is taken as an invitation to reflect on ideas of change and continuity, nature and culture, in relation to the contemporary, post-industrial city.
(press written by Minty Donald)
Performances
23 April – Hanna Tuulikki, Bell’s Bridge, G51 – 3.15pm
24 April – John Cavanagh – Riverside Museum, G3 8RS – 3.45pm
25 April – Nichola Scrutton – Dixon Street, G1 4AL – 4.05pm
26 April – Douglas Morland – Clyde north waterfront between Victoria and Glasgow Bridges, G5 – 4.45pm
27 April – Minty Donald/Nick Millar – citywide – 5.25pm (and throughout the week)
28 April – 5pm and 7.30pm – Clydeport Authority Headquarters
2009-2011 University of Glasgow (Music) Teaching Fellow (0.6 fte)
In brief, areas of work included:
Sonic Arts Levels II and III;
Practice-based Composition Workshops;
Contemporary Music Ensemble;
Lectures in Music and Technology;
Advising UG Dissertations and students on the MLitt in Popular Music Studies (Creative Practice);
First GLEAM concert organiser and host;
Music Education Project Organiser;
Course Administration.
2004-2009 University of Glasgow (Music):
Graduate Teaching Assistant
I am very pleased to say I received a Creative Scotland Quality Arts Production Award for the development of vocal performance work Songs for a Stranger.
Songs for a Stranger is a collection or cycle of five electroacoustic works that draws metaphorical inspiration from the many senses of the word ‘stranger’. The work was originally created for, and supported by, Arches Live Festival.
Cove Park residency for Lifeguard research and development with Adrian Howells, Minty Donald, Nick Millar, Mike Brookes and National Theatre of Scotland.