Static Flux is a radio and performance collaboration with writer Zoë Strachan, which was initially created as a live studio broadcast for Radiophrenia in 2017.
Static Fluxfocuses on out-of-time memory states, and how they can be both static and in flux. We are interested in exploring narrative and time through chance encounters with remnants, fragments and the ephemera of past lives. Metaphors for our endeavour include the remnants found in second-hand bags and the pockets of clothing, or in notes scribbled on the back of black and white photographs. There is a melancholy air to these things, but as with any kind of haunting, also the potential for fear, and for deeper connections with our own sense of mortality.
Collaboration as composer/sound designer with writer/theatre-maker Martin O’Connor on his solo show Togail Nàisean/Building a Nation. We toured as part of a double bill with Aisling Oidhche Meadhan Samhraidh/A Midsummer Nights Dream and had a performance at Tramway, Glasgow in 2018. Read more about it at Martin’s website here.
Isle of Mull
A Sura Medura exhibition is running from 21st April to 19th May 2017 at The Briggait in Glasgow. The exhibition includes a range of work by artists who have been artist-in-residence at Sura Medura in Sri Lanka.
Wave Shift, a new work made in collaboration with artist and illustrator Natasha Russell, is premiered as part of the Sura Medura exhibition. Read more about Wave Shift
Wave Shift was originally an experimental audiovisual collaboration with artist and illustrator Natasha Russell in response to the ideas and situations we encountered on the UZ Arts Sura Medura Residency in Sri Lanka. Natasha and I were in residence from October – December 2016, along with Sumit Sarkar and other visiting artists. Following the installation I re-worked Wave Shift into a stand alone composition.
During our post-residency collaboration, Natasha and I became interested in the way an understanding of the experience of a place shifts over time, between people, even at the drop of a hat. We decided to weave decaying memories, slippery facts and shifting folklores through sound and print to form a portable set that melts place and atmosphere into an imaginary landscape.
Integrating with the structure and printed visual landscape of the set, the Wave Shift audio component plays out into the space as an immersive, abstract, evocative soundscape composition. Source materials for the work included a selection of field recordings captured during the residency and vocal sound recordings. Both the main thread of sound that underpins the work, composed with a series of hydrophone recordings, and the form, which unfolds as a series of wave-like emergences, draw on myriad notions of water as a bridge between real and fictional landscapes.
Sura Medura Exhibition, The Briggait, Glasgow
Sura Medura Exhibition, Summerhall, Edinburgh
I completed my Seasonal Yoga Teacher Training in March 2017 and am now a 200 hr Registered Yoga Teacher.The range of practices are a very natural extension of my creative sound and voice explorations, and feed directly into the work in a very holistic way.
Many thanks to everyone at the Seasonal Yoga Academy and to all the wonderful people I have met and shared experiences with on the journey so far.
The final stage of our residency was focused on preparing for our Moving Out event. Overall, the day at Sunbeach was a wonderful combination of visual art, sound, sculpture, video, performance, people, food, beer, Arrack sour, sea, sand, laughing, chatting, sharing…and cake (what a fabulous day for a birthday!).
We were thrilled to have a good local crowd join us for the day, and also delighted that so many people came down from the Colombo Biennale and the University Faculty of Visual and Performing Arts to join us for some or all of the time.
In our exhibition, which combined some finished elements and work-in-progress, my sound work Sabda saha Pintura was available as a headphone installation.
The title Sabda saha Pintura means sound and picture in Sinhalese – through much discussion this seemed to be the most apt translation for the collage idea I was working with in the piece. Exploring differences in the English/Sinhalese languages was very intriguing – how or in what way metaphors or concepts translate, for example, sound, soundscape, landscape, environment.
During the afternoon an audiovisual tuk tuk tour was running – a collaboration between Natasha (Russell) and me. Three people at a time could hop into Sudu’s tuk tuk and take a short round trip to visit Natasha’s work in local shops accompanied by my soundtrack. Big thanks to Sudu and Chinthaka for running the tours.
The soundtrack combined recordings I gathered from those shops – people introducing themselves and their businesses, shop sounds, etc – the general store, jewellers, barbers, a fruit and veg stall. I also recorded an introduction to the tour in Sinhalese, with pronunciation help from folk at Sunbeach.
Before a fantastic Sri Lankan curry banquet, I accompanied Samson Omiagien with some live vocals for his performance piece with sculpture, which we had rehearsed in the lead up to the event.
Later in the final week we headed up the road for the Colombo Biennale. I was absolutely delighted to have been invited by Shereen Perera to perform a live score for Video Jam – an event running as part of the opening night.
My film extract came from the beautifully strange, thoughtful film Light in the Yellow Breathing Space by Vimukthi Jayasundara.
I still have much to reflect on – such a wonderful thought-provoking time. Thanks to Neil and UZ, Chaminda, Chathura, Hasantha, Kari and all at Sunbeach, Maria and Jack, my fellow artists-in-residence, everyone I met.
I was excited to be invited to create a live score for the Video Jam event on the opening night of the Colombo Art Biennale, Sri Lanka. I responded with a solo vocal performance to a beautiful clip of Sri Lankan film-maker Vimukthi Jayasundara’s Light in the Yellow Breathing Space.