Tag Archives: voice

The Arias

Opera Of The Seas
Opera of the Seas by Margaret Macdonald Mackintosh


Aria for Breath and Glass (4’09) and Aria for Voice and Plastic (4’42) are a pair of stereo, fixed medium works. The Arias were made for a Charles Rennie Mackintosh Festival concert held at the University of Glasgow. The compositions emerged as a material response to two gesso ‘Opera’ panels (Opera of the Winds, Opera of the Seas) created by Margaret MacDonald (Mackintosh), and drew further inspiration from the plastic debris crisis in the pacific ocean.

Opera Of The Wind1
Opera of the Winds by Margaret Macdonald Mackintosh
Selected Performances

RadiaLx, Radio Art Festival / 88.4 FM, Lisbon, Portugal
Elektramusic ‘Radio Show for Experimental Music’, Web Radio, summer playlist
‘Soundgate’, Aalborg, Denmark
Sonic Art Oxford Jukebox online listen
Soundscape Room, Digital Arts Week, Zurich
International Electroacoustic Listening Room, Fullerton (CA)
RMA postgraduate conference, University of Bristol
CRM Festival, University of Glasgow Concert Hall

Hold Your Breath

Hold Your Breath 5


Hold Your Breath was a large-scale visual/sound art project set up to improve the entrances/exits to the Clyde Tunnel, with the participation of the Whiteinch and Linthouse communities at each end of the tunnel.

I composed the various contributions of source sound and music into one large 40-minute work, which was to be projected by radio into the cars traveling through the Clyde Tunnel.

Various groups were involved in creating sound/music source materials for the soundscape: Paragon Ensemble working with St Jerome’s and Whiteinch Primary Schools; Art Form with Bryan Tolland; Tigerstyle and Dhol Infusion drummers; and the MacAlpine Family all contributed. I worked with Paragon Ensemble in the schools, gathering up sounds/songs from the children, the playground and surrounding streets, and recorded songs at the MacAlpine’s (four generation) family party

(photos courtesy of Kathy Friend)

Sustenance

 Sustenance is an acousmatic work (14’37) that explores human interaction with objects and processes that make up our daily existence. The sound materials progress through sections, each defined by a specific sonic/material character drawn from the objects and processes used in cooking. At a higher level of structure, the work traces a general transformation from dry to wet, reflecting decay.

Selected Performances

Basic.fm, broadcast by Pixel.Palace, Newcastle upon Tyne, UK
Elektramusic ‘Radio Show for Experimental Music’, Web Radio, summer playlist
‘Soundgate’, Aalborg, Denmark
SONUS online listening library, CEC Website listen
Selected for NAISA Deep Wireless 7 CD, produced in Toronto, Canada
Elektramusic ‘Radio Show for Experimental Music’, Web Radio, month of January