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Night Vision

Night Vision Nichola Scrutton

Night Vision (working title) is an interdisciplinary performance project.

The starting point was a series of non-narrative texts and drawings captured in the middle of the night lying down in a semi-conscious state. This was a new approach for me.

Early inquiries focused on selection and how to interact with the texts. What happens when these words and symbols are given voice, off the page?  In 2019, initial ideas were explored in a Magnetic North Rough Mix Residency  including a public performance at Perth Theatre.

The work is now in the next phase of development. More information to follow…

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Sonic Bothy Updates 2018

181105 Sonic Bothy Diagonal JoyPerformance

Sonic Bothy Ensemble and Bothy Learning Space joined forces for some intensive rehearsals and a big performance, Diagonal Joy, in the Recital Room at City Halls in November 2018.

NominationSonic Bothy ISME 2016 at RCS photo © SB

Everyone’s excited that Sonic Bothy inclusive new music ensemble has been nominated for a Scottish Award For New Music.

More Information

For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.

 

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When Night Comes

When Night Comes 4When Night Comes 3

 

 

 

 

 

 

When Night Comes was a solo performance created in dialogue with Wendy Kirkup’s film from a score (2017). In the film I perform Berio’s Sequenza III for solo voice. After Wendy’s films were selected to be screened at the 5th Edition of the Beton 7 Festival in Athens, Greece in 2018, I was invited to perform at the opening as a response to the film prior to the screening on the opening night of the festival. My improvised performance drew inspiration and gestures from both my knowledge of Berio’s score and the compositional and material aesthetic of the film itself. The title is a play on a fragment of text from Berio’s  score – “before night comes”.

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Static Flux at Hidden Door Festival

Static Flux 2 Nichola and Zoë

Zoë Strachan and I performed Static Flux at the Hidden Door Festival in Edinburgh on 29th May 2018.

Hidden Door Festival:  hiddendoorblog.org
Our FB page: FB event page

Static Flux is a sonic seance! In this spoken word/sound piece Zoë and I are exploring narrative and time through chance encounters with remnants, fragments and the ephemera of past lives. The performance was originally created for a live studio broadcast for Radiophrenia in 2017.

Hidden Door brings lost Leith venues to life with 2018 line-up

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The Mark of the Beast / Martin O’Connor

Mark of the Beast 1

The Mark of the Beast – a collaboration as composer/sound artist with writer/theatre-maker Martin O’Connor that explores lived experience of alcohol and addiction in Glasgow.

Between November 2015 and March 2016, Martin and I worked with the North East Recovery Community to create materials for a sound installation Good Days Bad Days.  I composed a ‘soundtrack’ from the many voices/stories of participant’s experiences that was projected as an immersive installation at Platform Glasgow. The work was commissioned by GEAC Platform-to-Health and GRAND (Getting Real About Alcohol n Drugs).

The installation was research and development for Martin’s live solo show The Mark of the Beast , for which I re-composed the Good Days Bad Days material in 2018.

***** The Herald (Platform Glasgow)
**** The Wee Review (Scottish Storytelling Centre, Edinburgh)

 

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Static Flux/Zoë Strachan

Zoë and Nichola

Static Flux is a radio and performance collaboration with writer Zoë Strachan. The work was initially produced as a live studio broadcast for Radiophrenia in 2017 and then subsequently selected for a live performance at  Hidden Door Festival  2018.

Radiophrenia 2017
Static Flux
 
focuses on out-of-time memory states, and how they can be both static and in flux. We are interested in exploring narrative and time through chance encounters with remnants, fragments and the ephemera of past lives. Metaphors for our endeavour include the remnants found in second-hand bags and the pockets of clothing, or in notes scribbled on the back of black and white photographs. There is a melancholy air to these things, but as with any kind of haunting, also the potential for fear, and for deeper connections with our own sense of mortality.

 

 

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Building a Nation / Martin O’Connor

Building A Nation eflyerCollaboration as composer/sound designer with writer/theatre-maker Martin O’Connor on his solo show Togail Nàisean/Building a Nation. We toured as part of a double bill with Aisling Oidhche Meadhan Samhraidh/A Midsummer Nights Dream (performed by Daibhidh Walker, directed by Liz Carruthers).

The tour visited venues in  Lewis, North Uist, South Uist, Skye, Isle of Mull, Glasgow, Edinburgh. In 2018 the work had a performance at Tramway, Glasgow. Read more about it at Martin’s website here.

 

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Sonic Bothy Updates 2017

Sonic Bothy Review

Sonic Bothy Glass-instruments
Photo courtesy of Sonic Bothy.

Sonic Bothy Ensemble’s first gig of 2017 at Mono in Glasgow gets a wonderful review from The Cusp Magazine. Read the full review here

Sonic Bothy recording 1

Sonic Bothy Ensemble have been in residence at Riverside studios recording tracks for a forth coming album.

Paritor Award – Sonic Bothy was one of several Glasgow Life/City Council partnered projects submitted to the National Music Council Awards, and received the Paritor Award for New Music in Education. Read more about the Paritor Award and other winners at the National Music Council website.

Sonic Bothy Ensemble, Sound Festival

Performances include: Recital Rooms, City Halls, Glasgow, Mono, Glasgow, CCA, Glasgow, UNLIMITED, Tramway, Glasgow, ISME conference, RCS, Glasgow, SOUND Festival, Aberdeen, Atelier Public #2, GoMA, Glasgow, Counterflows Festival, The Glad Café, Glasgow

More Information

For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.

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Wave Shift / Natasha Russell

Wave ShiftWave Shift was originally an experimental audiovisual collaboration with artist and illustrator Natasha Russell in response to the ideas and situations we encountered on the UZ Arts Sura Medura Residency in Sri Lanka. Natasha and I were in residence from October – December 2016, along with Sumit Sarkar and other visiting artists. Following the installation I re-worked Wave Shift into a stand alone composition.

During our post-residency collaboration, Natasha and I were interested in the way an understanding of the experience of a place shifts over time, between people, even at the drop of a hat. We decided to weave decaying memories, slippery facts and shifting folklores through sound and print to form a portable set that melts place and atmosphere into an imaginary landscape.

Wave Shift At The BriggaitIntegrating with the structure and printed visual landscape with the set, my Wave Shift audio was projected into the space as an immersive, abstract, evocative soundscape. Source materials for the work included a selection of field recordings captured during the residency and vocal sound recordings. Both the main thread of sound that underpinned the work, composed with a series of hydrophonerecordings, and the form, which unfolds as a series of wave-like emergences, draw on myriad notions of water as a bridge between real and fictional landscapes.

The installation was exhibited in 2017 at Sura Medura Exhibition, The Briggait, Glasgow and then Summerhall, Edinburgh