Zoë Strachan and I created Rays & Correlations for a live broadcast from the Radiophrenia studio on 15th May 2019. This is our third collaborative radio artwork. Previous works are In Transit and Static Flux. Static Flux was also originally performed as a live broadcast on Radiophrenia and then selected for a Spoken Word live performance at Hidden Door Festival 2018 in Edinburgh.
Inspired by the patterns of cosmic ray interactions in a cloud chamber, we imagine the myriad signals and attempts at communication that might enter a sphere and intersect, cluster, miss or fade away. Rays & Correlations is a voice-focused improvised performance with layers of interactive soundscape. The listener is invited to find a thread to hold onto amid interweaving sparse and dense streams of words and evocations – and to decide whether the sound space is literal, as inside a kind of radome, or metaphorical – representing any individual consciousness trying to make sense of human connection.
Listen out for Sarah Tripp’s Radiophrenia commission online or at 87.9fm. First transmission is at 6pm on 14th Nov 2017 with a repeat broadcast at 6pm on 15th Nov.
“One Hundred Glass Brains Waking Up is a fictional conversation between two people who begin as strangers. Without any prior social bonds they discover they are free to make each other up. This is escapist fiction pared back to two people in a room looking for a way out of social stultification.”
Performed by: Brighton Upton Trust
Composed by: Nichola Scrutton
Static Flux is a radio and performance collaboration with writer Zoë Strachan, which was initially created as a live studio broadcast for Radiophrenia in 2017.
Static Fluxfocuses on out-of-time memory states, and how they can be both static and in flux. We are interested in exploring narrative and time through chance encounters with remnants, fragments and the ephemera of past lives. Metaphors for our endeavour include the remnants found in second-hand bags and the pockets of clothing, or in notes scribbled on the back of black and white photographs. There is a melancholy air to these things, but as with any kind of haunting, also the potential for fear, and for deeper connections with our own sense of mortality.
Radiophrenia invited myself and writer Zoë Strachan to collaborate on a Live-to-Air commission. In our collaboration we explored the state of being In Transit and how it disrupts the interior monologues of two people on separate but overlapping journeys of a slightly mysterious kind.
Radiophrenia is a temporary art radio station broadcasting from the CCA in Glasgow. In 2016 it produced a two-week exploration into current trends in sound and transmission arts.
24 Stops was written and performed by Sarah Tripp and composed for radio by Nichola Scrutton
It is very exciting to hear the chimes as they were intended when originally created by Sarah Tripp. Furthermore, Radiophrenia 2016 festival is a perfect setting to listen to them, every hour on the hour for 24 hours amongst such a wealth of radio and sound art…
Sonnets was a series of live, interactive, largely improvised sound poems, and was created for a Radiophrenia live-to-air commission in 2015. The work drew on the root meanings of the title word – from ‘son’ (song) and ‘sonus’ (sound) – rather than the traditional poetic form. I used minimal processing, and focused instead on weaving together a palette of breathy sounds, phonemic fragments and vocal gestures into a series of self-contained but interlinked sound worlds, sometimes with field recordings, to invoke or reference a fictional place or state.