Tag Archives: new music

Sonic Bothy Inclusive New Music Ensemble

SB Counterflows 2014 sonic bothy sound reh1 sonic bothy sound workshop3

I am delighted to have been working with Sonic Bothy  inclusive new music ensemble since January 2014.

Scottish New Music AwardsSonic Bothy was founded by creative director Claire Docherty, and explores, composes and performs experimental and contemporary music. Residencies include CCA/AC, Glasgow and SOUND Festival, Aberdeen.

Visit the Sonic Bothy  website for more information about the project and up-to-the-minute news. Read about

Sonic Bothy recording 1

Performances include:

Recital Rooms, City Halls, Glasgow
Mono, Glasgow
CCA, Glasgow
UNLIMITED, Tramway, Glasgow
ISME conference, RCS, Glasgow
SOUND Festival, Aberdeen
Atelier Public #2, GoMA, Glasgow
Counterflows Festival, The Glad Café, Glasgow

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BBC Radio 3 Exposure

Exposure GigI was delighted to be performing solo on the first programme of a new BBC Radio 3 series – Exposure. The programme ‘explores the local alternative and underground music scenes’.

The live event is on 23rd September 2016 in Glasgow at the Glad Cafe. The programme will be broadcast on 29th September at 11 pm and available online for a month.

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At First Light

At First Light listener
At First Light listener – WISWOS, LICA

At First Light (fixed medium 8’49)

Arising from a current strand of exploration around ideas of impermanence and the ephemeral,  At First Light, a vocal meditation, was inspired by the play of light at sunrise and a notion that each moment may be filled with the past, present and future. The process of making the piece involved repeated exploration of the material ideas using a simple MAXMSP patch, with the final work being created in a single real-time improvisation. While a version of the piece was ultimately fixed to become At First Light, inherent in the process and the material is an idea of transient evolution – emergence, cycle and decay.

Selected Performances

2016
Group installation ‘Tomorrow, Today will be Yesterday‘ (LCGA, Limerick, Ireland)
Group installation ‘Tomorrow, Today will be Yesterday‘ (ELO, Victoria BC, Canada)
NYCEMF Concert 35 (New York, US)
Group installation ‘Tomorrow, Today will be Yesterday’ (CAAA, Guimaraes, Portugal)

2015
Group installation’Tomorrow, Today will be Yesterday’ (Guimaraes, Portugal)
Women in Sound/Women on Sound‘ Symposium (LICA, UK)

 

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Sonic Bothy Paritor Award

Sonic Bothy 8 Panes
Sonic Bothy rehearsing ‘8 Panes’ in City Halls, Glasgow.

Some excellent news for Sonic Bothy recently.

Sonic Bothy was one of several Glasgow Life/City Council partnered projects submitted to the National Music Council Awards, and was very excited to receive the Paritor Award for New Music in Education. Read more about the Paritor Award and other winners at the National Music Council website.

Read more about Sonic Bothy inclusive new music ensemble here.

 

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Teaching Fellow University of Glasgow

PhdGrad N Scrutton
PhD graduation

After being awarded my PhD from University of Glasgow I worked as a Teaching Fellow in Music there for two years.

Glasgow Unesco City of Music

2009-2011 University of Glasgow (Music)
Teaching Fellow (0.6 fte)

In brief, areas of work included:

Sonic Arts Levels II and III;
Practice-based Composition Workshops;
Contemporary Music Ensemble;
Lectures in Music and Technology;
Advising UG Dissertations and students on the MLitt in Popular Music Studies (Creative Practice);
First GLEAM concert organiser;
Music Education Project Organiser;
Course Administration.

2004-2009  University of Glasgow (Music):
Graduate Teaching Assistant

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Songs for a Stranger

Songs for a Stranger
Movement iii: solitude

Songs for a Stranger is a collection or cycle of five electroacoustic works that draws metaphorical inspiration from the many senses of the word ‘stranger’.

Everyone feels like a stranger sometimes – when travelling somewhere new; returning home; confronting solitude. Some feel estranged in close intimacy; others find connection through anonymity.

Songs for a Stranger movements:

i  A Fragile Memory (4’40)
ii  Blowing In (5′)
iii  Solitude? (4’26)
iv  I Said You Said (5′)
v  In the Midst (4’39)

The piece was premiered in the intimate ‘dark space’ at The Arches LIVE! Festival in September 2011, performed and diffused over a 4-channel speaker system. Vocal performance: me and Céline Hänni. Sound diffusion: Graeme Truslove. Many thanks indeed to the staff at The Arches.

Songs for a Stranger was further supported by a Creative Scotland Quality Arts Production Award.

 

 

REVIEWS

**** Joyce McMillan, The Scotsman 23/0911, Arches Live!, Glasgow

……And down at the rough end of the basement, in a bare tunnel of a room, there’s composer Nichola Scrutton’s Songs For A Stranger, a 25-minute piece that moves beyond the limits of language into five segments of abstract electronic sound, accompanied by the increasingly fierce and brilliant vocal improvisations of Scrutton and her performing partner, Celine Hanni. There’s a central moment of meditation – titled Solitude – that recalls the deep resonances of Tibetan chant; then a final, shattering visit to what sounds like a dying rainforest, as a fierce richness of animal sound gives way to crackling cataclysm, and the soft, low sigh of a final breath….

*** Mary Brennan, The Herald (“…as a live performance, full of vertiginous vocal techniques, it was always impressive…”)

Selected Performances

2014 Selected Artist, Voix Brutes Vol II, Audition Records, Berlin (v: in the midst)
2012 Basic.fm, broadcast by Pixel.Palace, Newcastle upon Tyne, UK  (v: in the midst)
2011  The Arches LIVE! Festival, Glasgow

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The Dwelling Series

Dwelling 2


The Dwelling Series is a triptych of vocal works. Multiple concepts arising from the notion of the title Dwelling gave rise to an interactive process of improvising and recording with MAXMSP, through which I sought to explore a sense of ‘inhabiting’ the work. As inspiration for generating improvised material under this complex umbrella concept of ‘dwelling’ I used three general metaphors to articulate events or states: dust (essence), cycle (flow/journey) and echo (memory).

The compositional process

The compositional process consisted of creating successive  vocal improvisations, which were merged together, fully intact, after each improvisation was captured. Manipulation of the captured improvisations was strictly limited to the editing of gestures and textures in time and space to enhance or magnify relationships/conflicts that emerged by chance as each layer was added.

(i) Dwelling/In Dialogue: studio composition (17′).

(ii) Dwelling/Encounters: pre-composed sound and live performance, in which two live performers merged and improvised with a pre-composed soundtrack projected through multiple loud speakers.  Swiss vocalist Céline Hänni and I undertook a short intensive residency to explore extended technique vocal improvisation that culminated in the final performance. (12’30)

(iii) Dwelling/In Reflection: live interactive solo performance (18′)

Dwelling 3

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