I am now on Bandcamp and have started adding tracks – a few early studio compositions so far. Over the coming months I’ll be adding more tracks. I would be super grateful if you would have a wee look, listen and follow me to help me get up and running.
A clip of my composition Lateralwill be included in BBC Radio 4 prog Shaped by the River Clyde. The programme is about artist and humanitarian George Parsonage, and features artist Minty Donald. Many thanks to Minty for including my work.
Minty originally commissioned Lateral as part of High-Slack-Low-Slack-High for Glasgow International Festival in 2012.
Following up that performance on Dixon Street by the River Clyde, I created a studio version, which has been broadcast internationally.
Lateral has been selected for here. now. where? – a project in which a collection of soundscapes from different ‘sensibilities, languages and formats’ will be diffused inside local taxis through the sound and radio art platform Saout Radio. The project is curated by Younes Baba-Ali and Anna Raimondo and seeks to explore a notion of ‘delocalisation in the present moment through the experience of listening in the urban space’.
Lateral has been selected for the first Framework radio show of 2014. which will have a series of broadcasts during the week 12th – 18th Jan 2014 starting with Resonance fm on Sunday 12th. Broadcast details are here.
A performance of Lateral will take place on 25th April 2012 at 4.05 pm as part of the High-Slack-Low-Slack-High event for GI Festival on site in Dixon Street, Glasgow, and again on 28th April for the final event in the Clydeport Authority Headquarters at 5 pm and 7.30 pm.
The events are free but booking is recommended for the Saturday 28th April event – contact email@example.com to book a place.
Originally commissioned and created for High-Slack-Low-Slack-High – a suite of audio works relating to the Clyde River curated by Minty Donald for GI Festival of Visual Art – Lateral was made as a live, site-specific installation set in Dixon Street, Glasgow. Subsequent to that event I created a studio version of the work.
Dixon Street is a main thoroughfare that runs from the river directly up through the city’s main shopping artery. The aims of the work were to highlight a sense of disconnection from the river and to create multiple cross currents by merging the river sounds of Lateral and the sounds of the city environment. The work was projected over large horn speakers mounted in the street between two buildings, creating a view down to the river. Six vocalists added a further layer of human presence with their resonant tones both emerging out of and being subsumed by the undulating sound density of the site.
The starting point for the work was the idea of a ‘Lateral System’ – a system of navigational aids comprising shapes, colours and numbers, used to guide boats up river channels into ports and docks. However, the multiple resonances of the word ‘lateral’ took on greater significance in the work through the associations and digressions that emerge with the notion of a flowing river. Place names, numerical information from tidal charts and signal/radio sounds serve as signposts along the way, rooting the work in a real world place. But the perpetual flow of water and the periodic rhythms of a vocal landscape contribute to a sense of multiple spatial and historical resonances, and to ideas of flowing with and against the current.
Many thanks indeed to Claire Docherty, Kirstie Edgar, Jessica King, Morag Stark and Hanna Tuulikki for their live vocal contributions both on site at Dixon Street and at the closing event in the Clydeport Authority Headquarters.
Curated radio show Glasgow Soundscapes: WebSynRadio (France)
Curated listening hour at Brooklyn Acoustic Ecology Festival (US)
LOLG project Shona Island (Scotland)
(25 Feb – 2 March)
Here. now. where? Saout Radio, 5th Marrakech Biennale
(12 – 18 January)
Framework Radio broadcasts
12th london, uk ::: resonance 104.4fm
13th amsterdam, nl ::: concertzender
13th vancouver, us ::: radio nouspace
14th south devon, uk ::: soundartradio 102.5fm
14th maribor, si ::: radio marš 95.9fm
15th lisbon, pt ::: radio zero
15th vancouver, us ::: radio nouspace
16th coimbra, pt ::: rádio universidade de coimbra 107.9fm
16th lisbon, pt ::: radio zero
17th ljubljana, si ::: radio študent 89.3fm
17th brussels, be ::: radio campus 92.1fm
17th vancouver, us ::: radio nouspace
18th london, uk ::: resonance 104.4fm
18th new york state, us ::: wgxc 90.7fm
18th brasilía, br ::: rádio paisagem
Foldover, WOBC 91.5 fm, Ohio
Time/Zones, Akademie der Kunst, Berlin
AIR/EAR Installation, Radio-System, Argentine
High-Slack-Low-Slack-High, GI Festival, Dixon Street, Glasgow
High-Slack-Low-Slack-High, GI Festival, Clydeport HQ, Glasgow
Artists: John Cavanagh, Minty Donald/Nick Miller, Douglas Morland, Nichola Scrutton, Hanna Tuulikki
A group of artists with shared, but diverse, interests in sound, space and place – have created audio works to be performed in public spaces close to or on the River Clyde over five days during the Festival (Monday 23rd – Friday 27th April 2012). Each performance is timed to coincide with high tide. In these citywide performances, the natural cadences and flux of the river, once significant in the tempo of Glasgow life, will again leak into the urban fabric.
On Saturday 28th April, all five works will be performed in the Trust Hall of Clydeport Authority Headquarters, an opulent, circular, Edwardian boardroom overlooking the Clyde. Here, the sonic interpretations of the river’s tidal cycle will permeate a building that stands as symbol of Glasgow’s maritime heritage.
‘High-Slack-Low-Slack-High reflects on the functional and symbolic roles played by urban rivers in contemporary cities – and in particular, the role of the River Clyde in Glasgow today. It’s common belief that, following the decline of shipbuilding and other maritime industries, Glasgow turned its back on the River. Now, while the riverbanks are undergoing significant regeneration, the water itself remains a relatively dead space. Through interweaving the natural cadences of the tide with contemporary urban rhythms, High-Slack-Low-Slack-High is an invitation to re-imagine the relationship between river and city – beyond the legacy of Glasgow’s industrial and manufacturing past.’
Perpetually rising and falling yet constrained within manmade embankments, detached from the city that once saw it as symbolic of its industrial prowess, the tidal river is taken as an invitation to reflect on ideas of change and continuity, nature and culture, in relation to the contemporary, post-industrial city.
(press written by Minty Donald)
23 April – Hanna Tuulikki, Bell’s Bridge, G51 – 3.15pm
24 April – John Cavanagh – Riverside Museum, G3 8RS – 3.45pm
25 April – Nichola Scrutton – Dixon Street, G1 4AL – 4.05pm
26 April – Douglas Morland – Clyde north waterfront between Victoria and Glasgow Bridges, G5 – 4.45pm
27 April – Minty Donald/Nick Millar – citywide – 5.25pm (and throughout the week)
28 April – 5pm and 7.30pm – Clydeport Authority Headquarters