Zoë Strachan and I continue our exploration of performing live experimental radio artwork. Up Closeness is a dialogue between two green urban spaces, a close look at the local. An attempt to find small connections amid the dislocation from everyday life. Field recordings and voice sounds are combined with found and composed text to animate distinct temporal spaces. Live improvisation and embedded writing practice enact a mimetic re-inhabiting of space.
We first performed Up Closeness as a live broadcast at Radiophrenia Glasgow on 20th November 2020 in CCA Glasgow.
Some tracks are available on my Bandcamp page – currently I have a few early studio compositions up and over the coming months I’ll be adding more recent works. Here is a link to follow me at Bandcamp and be notified when I release more sounds.
Necessary Notes: A Vocal Response – solo performance as part of the Stolen Voices album launch on 8th February 2020.
“Nichola Scrutton is, as ever, an absolute wonder- her voice can disarm, charm and bewitch….She takes the listener into otherwordly realms, an uncertain space between sleep and consciousness.” (The Tempohouse)
The album launch was part of a creative research project by Rebecca Collins and Johanna Linsley – more here. The event forms part of ‘The Sonic Study Series: Act I Sonic Practice’ and is a pop-up event for the Festival of Creative Learning 2020, University ofEdinburgh. Many thanks to Rebecca and Johanna for the invitation. More info about the event at CCA Stolen Voices.
From the archive – Bruised was my first solo performance work, made in the early 1990s as part of a collaborative project Segami Dance Company with New Zealand performer Hugh Major. Read more at Segami. I am currently going through archive materials to see what remains from that time.
From the archive – Segami Dance Company was a collaborative project with New Zealand performer Hugh Major in the early 1990s in Edinburgh, Scotland. We joined forces after our paths crossed while working in the experimental theatre scene.
We created a handful of works including Bruised (solo), My Heart and My Legs, This Glorious Prison, and Shifting Sands, and performed in Edinburgh, London and a few venues in New Zealand’s north island. During our stay in New Zealand we also held workshops and collaborated with performing arts students to create their own contribution to our performance.
Our main influences were Butoh dance, other movement practices like Tai Chi, and indigenous cultures – we were interested in creating intense, contemplative, energetic work. I am currently going through archive materials to see what remains from that time.
Sonic Bothy Ensemble had two very exciting performances in the pipe-line – one in late March at The Sage, Gateshead for Gateshead Jazz Festival and one in early May at Tectonics, Old Fruitmarket. Unfortunately both were cancelled or postponed due to lockdown.
Meanwhile Sonic Bothy has resumed some rehearsals online. More news about future events will follow as and when available.
Performance Anxiety Research Project
Since September 2019 I have been Lead Artist on the development of Sonic Bothy’s Performance Anxiety Project, along with Creative Director Claire Docherty (Project Manager) and Malcy Duff who works with Bothy Learning Space (Support Artist). At the core of the project was a series of exploratory workshops, co-led with Malcy. The project aims, through direct experience in workshops, consultation and research, to increase awareness and create resources to support musicians with an ALSN in any aspect of performance anxiety and associated issues. The project has been detailed in an extensive research report, written up at the end of the practical work.
Sonic Bothy Ensemble Album Fields
Sonic Bothy Ensemble’s debut album Fields is still available at Bandcamp in hard copy and digital formats…
For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.
Delighted to be working with Ian Spink, Aya Kobayashi, Skye Reynolds, Selina Boyack and Stella Boyack to develop Radio Play. The immediate focus was a scratch performance for UNFIX Festival 2019. Here’s more info about the event on Sunday 31st March at CCA Glasgow Scratch Night. We re-visited the work for Batch2 Festival In August 2019.