A performance of Lateral will take place on 25th April 2012 at 4.05 pm as part of the High-Slack-Low-Slack-High event for GI Festival on site in Dixon Street, Glasgow, and again on 28th April for the final event in the Clydeport Authority Headquarters at 5 pm and 7.30 pm. The live performers are Claire Docherty, Kirstie Edgar, Jessica King, Nichola Scrutton, Morag Stark and Hanna Tuulikki.
The events are free but booking is recommended for the Saturday 28th April event – contact email@example.com to book a place.
Artists: John Cavanagh, Minty Donald/Nick Miller, Douglas Morland, Nichola Scrutton, Hanna Tuulikki
A group of artists with shared, but diverse, interests in sound, space and place – have created audio works to be performed in public spaces close to or on the River Clyde over five days during the Festival (Monday 23rd – Friday 27th April 2012). Each performance is timed to coincide with high tide. In these citywide performances, the natural cadences and flux of the river, once significant in the tempo of Glasgow life, will again leak into the urban fabric.
On Saturday 28th April, all five works will be performed in the Trust Hall of Clydeport Authority Headquarters, an opulent, circular, Edwardian boardroom overlooking the Clyde. Here, the sonic interpretations of the river’s tidal cycle will permeate a building that stands as symbol of Glasgow’s maritime heritage.
‘High-Slack-Low-Slack-High reflects on the functional and symbolic roles played by urban rivers in contemporary cities – and in particular, the role of the River Clyde in Glasgow today. It’s common belief that, following the decline of shipbuilding and other maritime industries, Glasgow turned its back on the River. Now, while the riverbanks are undergoing significant regeneration, the water itself remains a relatively dead space. Through interweaving the natural cadences of the tide with contemporary urban rhythms, High-Slack-Low-Slack-High is an invitation to re-imagine the relationship between river and city – beyond the legacy of Glasgow’s industrial and manufacturing past.’
Perpetually rising and falling yet constrained within manmade embankments, detached from the city that once saw it as symbolic of its industrial prowess, the tidal river is taken as an invitation to reflect on ideas of change and continuity, nature and culture, in relation to the contemporary, post-industrial city.
(press written by Minty Donald)
23 April – Hanna Tuulikki, Bell’s Bridge, G51 – 3.15pm
24 April – John Cavanagh – Riverside Museum, G3 8RS – 3.45pm
25 April – Nichola Scrutton – Dixon Street, G1 4AL – 4.05pm
26 April – Douglas Morland – Clyde north waterfront between Victoria and Glasgow Bridges, G5 – 4.45pm
27 April – Minty Donald/Nick Millar – citywide – 5.25pm (and throughout the week)
28 April – 5pm and 7.30pm – Clydeport Authority Headquarters
After being awarded my PhD from University of Glasgow I worked as a Teaching Fellow in Music there for two years.
2009-2011 University of Glasgow (Music) Teaching Fellow (0.6 fte)
In brief, areas of work included:
Sonic Arts Levels II and III;
Practice-based Composition Workshops;
Contemporary Music Ensemble;
Lectures in Music and Technology;
Advising UG Dissertations and students on the MLitt in Popular Music Studies (Creative Practice);
First GLEAM concert organiser;
Music Education Project Organiser;
2004-2009 University of Glasgow (Music):
Graduate Teaching Assistant
I am very pleased to say that I have received a Creative Scotland Quality Arts Production Award for the development of vocal performance work Songs for a Stranger.
Songs for a Stranger is a collection or cycle of five electroacoustic works that draws metaphorical inspiration from the many senses of the word ‘stranger’. The work was originally created for, and supported by, Arches Live Festival.