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Teaching Fellow University of Glasgow

After being awarded my PhD from University of Glasgow I worked as a Teaching Fellow in Music there for two years.

Glasgow Unesco City of Music

2009-2011 University of Glasgow (Music)
Teaching Fellow (0.6 fte)

In brief, areas of work included:

Sonic Arts Levels II and III;
Practice-based Composition Workshops;
Contemporary Music Ensemble;
Lectures in Music and Technology;
Advising UG Dissertations and students on the MLitt in Popular Music Studies (Creative Practice);
First GLEAM concert organiser and host;
Music Education Project Organiser;
Course Administration.

2004-2009  University of Glasgow (Music):
Graduate Teaching Assistant

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Songs for a Stranger

Songs for a Stranger - SolitudeSongs for a Stranger is a collection or cycle of five electroacoustic works that draws metaphorical inspiration from the many senses of the word ‘stranger’.

Everyone feels like a stranger sometimes – when travelling somewhere new; returning home; confronting solitude. Some feel estranged in close intimacy; others find connection through anonymity.

Songs for a Stranger movements:

i  A Fragile Memory (4’40)
ii  Blowing In (5′)
iii  Solitude (4’26)
iv  I Said You Said (5′)
v  In the Midst (4’39)

The piece was premiered in the intimate ‘dark space’ at The Arches LIVE! Festival in September 2011, performed and diffused over a 4-channel speaker system. I invited Swiss vocalist Céline Hänni to rehearse and perform the work for Arches Live. Sound diffusion: Graeme Truslove. Many thanks indeed to all at The Arches.

Songs for a Stranger was further supported by a Creative Scotland Quality Arts Production Award.

 

 

 

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SoundAround at Perth Concert Hall

SoundAroundSoundAround was a mental health music/sound workshop and performance project co-facilitated with Erin Scrutton.

Over 10 weekly sessions we created a range of musical materials using voice, drumming, percussion and recorded sounds to create a final live interactive performance for the ‘Come Awa’ In’ opening weekend of Perth Concert Hall in Scotland.

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All We’re Skilled In/Plantation Productions

All We’re Skilled In was a film, sound art and heritage project run in partnership with Plantation Productions, Glasgow Film Theatre and Scottish Screen Archive. Erin Scrutton and I worked with young carers in Glasgow to create atmospheric sound tracks for silent film clips using original historical footage of the Govan shipyards and the people who worked there. The film below, made by Jamie Dempster, is a short documentary of the project itself. The film has had several screenings, including the Glasgow International Film Festival.


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The Arias

Aria for Breath and Glass (4’09) and Aria for Voice and Plastic (4’42) are a pair of studio compositions. The Arias were originally made for a Charles Rennie Mackintosh Festival concert held at the University of Glasgow. The compositions emerged as a material response to two gesso ‘Opera’ panels (Opera of the Winds, Opera of the Seas) created by Margaret MacDonald (Mackintosh), and drew further inspiration from the plastic debris crisis in the pacific ocean.

Events included: RadiaLx, Radio Art Festival / 88.4 FM, Lisbon, Portugal, Elektramusic ‘Radio Show for Experimental Music’, Web Radio, summer playlist, ‘Soundgate’, Aalborg, Denmark, Sonic Art Oxford Jukebox online, Soundscape Room, Digital Arts Week, Zurich, International Electroacoustic Listening Room, Fullerton (CA).

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Panic Patterns / Louise Welsh and Zoë Strachan

I was commissioned by Glasgay! as composer/sound designer for Panic Patterns  by Zöe Strachan and Louise Welsh. The work was further supported by  a Creative Scotland New Music Award. The play was directed by Alison Peebles and ran from 19th – 30th October at the Citizens Theatre, Glasgow.

Reviews

“… sound designer Nichola Scrut(t)on’s noises off for comfort…” ****The Herald

“Nichola Scrutton’s sound design plays a starring role…” Broadway World

“…an atmospheric set and soundscape…” ***The Scotsman

“…while Nichola Scrutton’s ghost-radio music……add to a twitchy atmosphere” Times Higher

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Panic Patterns Creative Scotland Award

New Music Funding Award for Panic Patterns

I am absolutely delighted to say that I have been awarded a Creative Scotland New Music Award to support the Glasgay! commission for Panic Patterns production at the Citizens Theatre. Panic Patterns is a new play by Louise Welsh and Zoë Strachan, directed by Alison Peebles. The show will run from 19th – 30th October 2010.

Creative Scotland

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Simpozeum / Sarah Tripp

I composed electroacoustic music for Simpozeum – a live performance by writer and artist Sarah Tripp.

Sarah created three spoken word/gesture performances: customs, objects, people, as part of ‘(Sim-poze-um)’, a collaborative installation event  by four Glasgow-based artists created for Glasgow International Festival of Visual Arts. The performances took place in the Jeffrey Room, Mitchell Library, Glasgow.  The music for the performances was projected and diffused through a four-channel speaker system.