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24 Stops | Sarah Tripp

24 Stops Radio Artwork

Collaboration with  Sarah Tripp on 24 Stops radio artwork

“The work is a sequence of hourly chimes, one for each hour of the day. The chimes combine percussion and spoken word to reflect the character of a given hour and mark the passing of the day.

‘24 Stops’ was written and performed by Sarah Tripp
Composed for radio by Nichola Scrutton.
Percussion  was performed by Nichola Scrutton, Fritz Welch and Mark Vernon and recorded by Iain Donnelly.

‘24 Stops’ was developed on the inaugural Radio Writing residency at Camden Arts Centre with the support of University College London Hospital Arts.”24 stops

24 Stops was written and performed by Sarah Tripp and composed for radio by Nichola Scrutton. Photos © Sarah Tripp

24 Stops was later broadcast on Radiophrenia every hour on the hour for 24 hours  in 2016.

 

 

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Post-Industrial Broadcast #1

Post Industrial Broadcast #1 (9’39) portrays a fictional place or state in a process of transformation. The piece draws from a range of source materials including hydrophone and contact microphone recordings, a radio, the human voice, two-way radios, and an oil radiator and synthesized sounds. Compositionally, the piece unfolds in a wave-like structure. Subtle sounds of water emerge and recede giving a sense of constant flow, while sheets of sound – long, loosely articulated sound gestures – are agitated and interrupted by unpredictable micro-collisions and interference. A sense of forbidding is subtly teased apart by hints of human presence and moments of iridescence.

Post-Industrial Broadcast #1 was awarded the 2013 IAWM Pauline Oliveros Prize for electroacoustic media, US.

Selected Performances

2018
Re-release of Framework Seasonal Issue #7  on Bandcamp
2016
Undae! Electroacoustic Music I + IIThrmnphone netlabel (Spain)
Curated show Glasgow Soundscapes: WebSynRadio (France)
2015
KcEMA Modern Soundscapes concert  (Missouri, US)
‘The Stranger’, AKSC, World Radio Day (Macedonia)
2014
Framework Seasonal Issue #7 CD – featured artist (Estonia)
MUSlab (Mexico)
Undae Radio no.64, Radio Circulo (Spain)
‘The Stranger that is next to me’, Errant Bodies (Berlin)
2013
‘Nuit blanche’, Festival Futura (France)
‘Interzone’, The Whisky Bond (Glasgow)

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One Autumn Night


One Autumn Night  is an encounter, a dialogue between two contrasting kinds of musical material: one is human and lyrical, using voice sounds and simple sung melodic fragments, the other is clearly digital and artificial but is subtly inflected with speech-like gestures.  The drama, which unfolds in two waves, is a negotiation that nods to the complexities of striving for a thoughtful interaction between humanity, technology and nature.

Events include: 2013 Acoustic Frontiers, Radio, Ottawa, Canada, 2012 RadiaLx, Radio Art Festival / 88.4 FM, Lisbon, Portugal, Basic.fm, broadcast by Pixel.Palace, Newcastle upon Tyne, UK, WEALR, 2012 New Music Festival , Cal State Fulerton, US. 2011 Lights Out Listening Group, The Old Hairdressers, Glasgow

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Interzone at Whisky Bond

The Whisky Bond is hosting “INTERZONE”, a weekend of art, music and happenings exploring the boundaries of perception through synaesthesic installations of sound, light, video and performance, transforming the industrial shell of the 5th floor into a multi-sensory immersive environment of electric surrealism.

Opening Event: Friday 1st March, 6pm – 1am
Exhibition and events continue: Saturday 2nd & Sunday 3rd March, opening times TBC

More info on the Interzone FB page here.

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Lifeguard | Adrian Howells

Lifeguard   was a site-specific performance created and performed by Adrian Howells, in collaboration with Mike Brookes, Minty Donald, Rob Drummond, Ira Mandela Siobhan, Jane Mason, Nick Millar and Nichola Scrutton. Produced by National Theatre of Scotland and The Arches in association with Govanhill Baths Community Trust

Performances: 5th – 27th October 2012, Govanhill Baths, Calder Street, Glasgow.

Exploring the emotional and psychological effects of water, from its therapeutic qualities to our overwhelming fear of it, lifeguard re-evaluates the place of swimming in our lives as a health-promoting and life-saving activity.

 

 

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Word of Mouth

Word of Mouth is fixed medium work (4′) that uses the human voice as the only sound source. Structurally the piece uses gestural phonemes to project a range of non-linguistic vocal sounds on the breath, which are extended and woven together to evoke metaphorical and spatial associations.

Selected Performances

CAAA Centre for Art and Architecture Affairs, Portugal (Fringe Música Viva 2013)
Radio 6: Cafe Sonore, Netherlands (Musica Viva Sound Garden)
France Musique Radio: ‘Electrain de Nuit’, Christian Zanesi (Musica Viva Sound Garden)
Música Viva Festival Sound Garden, Lisbon, Portugal (2012)
RadiaLx, Radio Art Festival / 88.4 FM, Lisbon, Portugal
Lights Out Listening Event, Glasgow