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Rough Breathing | Alex South

Through the Rough Breathing project I have been collaborating with clarinettist Alex South to investigate the role and use of breath as an improvising tool in live performance. Our collaborative exploration to date has focused on a) the psychoacoustic and sonic relationships between voice and clarinet, and b) breath and bodily breathing processes as potential material and/or structural devices within free improvisation. One line of inquiry, for example, centres on how the breath might sculpt the dynamic flow of sound-making in performance.

With early exploratory performances at The Glad Cafe and Sharmanka Kinetic Theatre (many thanks John Cavanagh), the work was further supported and developed through a CCA/AC Projects Residency in the Creative Lab at CCA 2018  and Tectonics Festival 2019.

In 2020, Rough Breathing was shortlisted for the Scottish Awards for New Music Ism Prize for Collaboration.

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Sonic Bothy Inclusive New Music

I am delighted to have been working with Sonic Bothy  Ensemble since January 2014. Sonic Bothy was founded by creative director Claire Docherty, and explores, composes and performs experimental and contemporary music.

I post occasional updates – read more in News or click on the Sonic Bothy tag.

For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website

 

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Static Flux with Zoë Strachan

Static Flux – a radio art and performance collaboration

Zoë Strachan and I first produced Static Flux as a live studio broadcast for Radiophrenia in 2017. The work was then selected for a live performance at  Hidden Door Festival  2018.

Programme Note

Static Flux focuses on out-of-time memory states, and how they can be both static and in flux. We are interested in exploring narrative and time through chance encounters with remnants, fragments and the ephemera of past lives. Metaphors for our endeavour include the remnants found in second-hand bags and the pockets of clothing, or in notes scribbled on the back of black and white photographs. There is a melancholy air to these things, but as with any kind of haunting, also the potential for fear, and for deeper connections with our own sense of mortality.

@zoestrachan
@NicholaScrutton

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Building a Nation | Martin O’Connor

Building A Nation eflyerCollaboration as composer/sound designer with writer/theatre-maker Martin O’Connor on his solo show Togail Nàisean/Building a Nation. We toured as part of a double bill with Aisling Oidhche Meadhan Samhraidh/A Midsummer Nights Dream (performed by Daibhidh Walker, directed by Liz Carruthers).

The tour visited venues in  Lewis, North Uist, South Uist, Skye, Isle of Mull, Glasgow, Edinburgh. In 2018 the work had a performance at Tramway, Glasgow. Read more about it at Martin’s website here.

 

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Sonic Bothy Updates 2017

Sonic Bothy Review

Sonic Bothy Glass-instruments
Photo courtesy of Sonic Bothy.

Sonic Bothy Ensemble’s first gig of 2017 at Mono in Glasgow gets a wonderful review from The Cusp Magazine. Read the full review here

Sonic Bothy recording 1

Sonic Bothy Ensemble have been in residence at Riverside studios recording tracks for a forth coming album.

Paritor Award – Sonic Bothy was one of several Glasgow Life/City Council partnered projects submitted to the National Music Council Awards, and received the Paritor Award for New Music in Education. Read more about the Paritor Award and other winners at the National Music Council website.

Sonic Bothy Ensemble, Sound Festival

Performances include: Recital Rooms, City Halls, Glasgow, Mono, Glasgow, CCA, Glasgow, UNLIMITED, Tramway, Glasgow, ISME conference, RCS, Glasgow, SOUND Festival, Aberdeen, Atelier Public #2, GoMA, Glasgow, Counterflows Festival, The Glad Café, Glasgow

More Information

For more information on Sonic Bothy Ensemble, and all the charity’s activities, please visit Sonic Bothy’s website.

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Sura Medura Exhibition

Sura Medura Exhibition

A Sura Medura exhibition is running from 21st April to 19th May 2017 at The Briggait in Glasgow. The exhibition includes a range of work by artists who have been artist-in-residence at Sura Medura in Sri Lanka.

Wave Shift, a new work made in collaboration with artist and illustrator Natasha Russell, is premiered as part of the Sura Medura exhibition. Read more about Wave Shift

 

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Wave Shift | Natasha Russell

Wave ShiftWave Shift was originally an experimental audiovisual collaboration with artist and illustrator Natasha Russell in response to the ideas and situations we encountered on the UZ Arts Sura Medura Residency in Sri Lanka. Natasha and I were in residence from October – December 2016, along with Sumit Sarkar and other visiting artists. Following the installation I re-worked Wave Shift into a stand alone composition.

During our post-residency collaboration, Natasha and I were interested in the way an understanding of the experience of a place shifts over time, between people, even at the drop of a hat. We decided to weave decaying memories, slippery facts and shifting folklores through sound and print to form a portable set that melts place and atmosphere into an imaginary landscape.

Wave Shift At The BriggaitIntegrating with the structure and printed visual landscape with the set, my Wave Shift audio was projected into the space as an immersive, abstract, evocative soundscape. Source materials for the work included a selection of field recordings captured during the residency and vocal sound recordings. Both the main thread of sound that underpinned the work, composed with a series of hydrophonerecordings, and the form, which unfolds as a series of wave-like emergences, draw on myriad notions of water as a bridge between real and fictional landscapes.

The installation was exhibited in 2017 at Sura Medura Exhibition, The Briggait, Glasgow and then Summerhall, Edinburgh

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Sura Medura Moving Out

Moving Out Sura Medura 2016

The final stage of our residency was focused on preparing for our Moving Out event. The other artists involved were Natasha Russell, Sumit Surkar, Samson Ogiamien, and Rose Staff. On the day, we were thrilled to have a big local crowd join us, and delighted that many people came down from the Colombo Biennale and the University Faculty of Visual and Performing Arts to join us for some or all of the time.

Overall, the day at Sunbeach was a wonderful combination of visual art, sound, sculpture, video, performance, people, food, beer, Arrack sour, sea, sand, laughing, chatting, sharing…and cake (what a fabulous day for a birthday!). In our exhibition, which combined some finished elements and work-in-progress, my sound work Sabda saha Pintura was available as a headphone installation.

Listening Post Sabda Saha Pintura

The title Sabda saha Pintura means sound and picture in Sinhalese – through much discussion this seemed to be the most apt translation for the collage idea I was working with in the piece. Exploring  differences in the English/Sinhalese languages was very intriguing – how or in what way  metaphors or concepts translate, for example, sound, soundscape, landscape,  environment.

 

 

Sudu - Tuk Tuk Tour Driver

Tuk Tuk TourDuring the afternoon an audiovisual tuk tuk tour was running – a collaboration between Natasha (Russell) and me. Three people at a time could hop into Sudu’s tuk tukand take a short round trip to visit Natasha’s work in local shops accompanied by my soundtrack.

The soundtrack combined recordings I gathered from those shopkeepers  introducing themselves and their businesses, shop sounds, etc – the general store, jewellers, barbers, a fruit and veg stall. I also recorded an introduction to the tour in Sinhalese, with pronunciation help from folk at Sunbeach. Big thanks to Sudu and Chinthaka for running the tours.

Samson and Nichola Moving Out 1Samson and Nichola Moving Out 2

Early evening, I accompanied Samson Omiagien with some live vocals for his performance piece with sculpture, which we had rehearsed  in the lead up to the event.  The evening finished with a fantastic Sri Lankan curry banquet.

Big thanks to Neil and all at UZ Arts, Chaminda, Chathura, Hasantha, Kari and all at Sunbeach, Maria and Jack, my fellow artists-in-residence, everyone I met.

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Video Jam Colombo Art Biennale Clip

Video Jam at Colombo Art Biennale

Watch Video Jam clip

Here’s a short clip from the Video Jam at the opening night of the Colombo Art Biennale. The link takes you straight through to the Facebook page of Decibel.lk – a Sri Lankan online news, reviews and events site…just click the image to play…

Thanks to Decibel for that. And big thanks to Shereen Perera for inviting me to score for Video Jam.

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Sabda saha Pintura

Fishing boat Dodanduwa

Sabda saha Pintura is a sound collage composed on site during the six-week Sura Medura residency with UZ Arts in Sri Lanka using a selection of field recordings captured early in the residency. Repetition and fast cut edits try at the same time to capture something of the sensory experience on arrival in Hikkaduwa and reveal detail in a dense sound world. Sabda saha Pintura had its first airing as a headphone installation at Moving Out for the Colombo Art Biennale in November 2016.

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Creative Collective, Platform

Photo by Katy Dye
Stories of Easterhouse (photo: Katy Dye)

Stories of Easterhouse

As part of Made in Easterhouse at Platform Glasgow, I worked on the final stages of Stories of Easterhouse with the Creative Collective and Platform Associate Artist Katy Dye.

I recorded the stories, generated atmospheric backdrops through a creative sound workshop and composed the audio pieces for the final installation.

The map/sound installation is running through October/November 2016.

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BBC Radio 3 Exposure

Exposure GigI was delighted to be performing solo on the first programme of a new BBC Radio 3 series – Exposure. The programme ‘explores the local alternative and underground music scenes’.

The live event is on 23rd September 2016 in Glasgow at the Glad Cafe. The programme will be broadcast on 29th September at 11 pm and available online for a month.

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In Transit with Zoë Strachan

In Transit – a collaborative live-to-air broadcast

Radiophrenia commissioned me and writer Zoë Strachan to collaborate on a Live-to-Air commission. We performed live from the Radiophrenia studio on 5th September 2016 at CCA Glasgow.

Programme Note

In our collaboration we explored the state of being In Transit and how it disrupts the interior monologues of two people on separate but overlapping journeys of a slightly mysterious kind.

Radiophrenia is a temporary art radio station broadcasting from the CCA in Glasgow. In 2016 it produced a two-week exploration into current trends in sound and transmission arts.

@zoestrachan
@NicholaScrutton

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Sura Medura Residency

uzarts logo sura medura residency

I was thrilled to be selected for a six-week Sura Medura residency with UZ Arts  from October to December 2016. The Sura Medura residency on this occasion was being hosted in Hikkaduwa, Sri Lanka. My fellow artists were Natasha Russell and Sumit Sarkar, and two other artists arrived later in the residency – Martin Janicek and Samson Ogiamien. Early experience after arrival was a whirlwind of sensations and there was definitely a process of settling into Sunbeach and adjusting – heat, humidity, sounds, smells, surf, swimming, dogs, jungle, mozzies, food, walks, and meeting many warm friendly folk along the way sharing experiences, tips and ideas.

Sura Medura, Storm Brewing

Presentations

As part of the residency we travelled to Colombo and gave presentations to staff and students in the University Faculty of Visual and Performing Arts in week 3. That was a really good day – as well as meeting people, we were fortunate to be shown round all the art departments then had lunch before travelling back.

Sura Medura, Train Nichola ScruttonTrain TimetableFaculty Of Visual And Performing Arts Colombo UniversityFaculty Of Visual And Performing Arts Colombo University2

Thinking about soundscapes

The sound environment is generally very dense and I spent quite a bit of time actively listening and drawing.The area has two main aspect – beach and jungle – and each has its own distinct soundscape. On the beach side the sea roars continuously as the surf thunders in and on the jungle side the air is thick with heat, bird song, massive trees rustling and people going about their daily lives.  A railway line runs between the two through much of the area and regular trains, horns and bells punctuate the air. In the mix are a whole rich array of sounds – the hollering voices of people selling at markets and on the street, the honking and revving of huge buses overtaking other vehicles at breakneck speed (treacherous), thunderstorms and torrential rain, intermittent firework eruptions, the bread, fish and other vans making melodic announcements and so on. I created two soundscape pieces – Sabda saha Pintura and Wave Shift.

Sura Medura, Fish Market

Sura Medura, Lightening Storm

Sura Medura, Jungle

 

 

 

 

 

In week five  we hosted a Moving Out public event at Sunbeach as part of the Colombo Art Biennale, which was a big success. And actually it was on my birthday so an extra cake was involved at the end of the night. Read a bit more info on that at Moving Out. Finally, we had a trip up to Colombo for the opening of the Biennale. I also had been invited to perform/score a film clip at the opening as part of Video Jam. More info on that at Video Jam

Huge thanks to Neil and all at UZ Arts, Chaminda, Chathura, Hasantha, Kari and all at Sunbeach, Maria and Jack, my fellow artists-in-residence, everyone I met.

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Curator – WebSYNradio

websynradio

Glasgow Soundscapes: Place, Space and Memory

I am delighted to have been invited by Dominique Balaÿ to curate a programme for broadcast on WebSYNradio from 16th – 30th June 2016.  Alongside a selection of my own works are compositions by Alistair MacDonald, Bethan Parkes, Luca Nasciuti and Mark Vernon – big thanks to them for contributing.

Read more and listen at synradio.fr.

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Good Days Bad Days | Martin O’Connor

A sound installation created in collaboration with writer/theatre-maker Martin O’Connor.

Good Days Bad Days wordsMartin and I undertook a 5-month research and development period with Glasgow’s North East Recovery Community commissioned by Platform-to-Health and GRAND (Getting Real About Alchohol N Drugs). Participants were engaged in conversations focusing on remembering their first and last alcoholic drink, to open up bigger discussions of childhood and family life; living conditions and wider society in Glasgow and the impact of addiction and recovery on individuals and communities.

IMG_7584

These conversations formed the basis of an immersive sound installation that was staged at Platform Glasgow and as a headphone installation at Outskirts Festival in 2016.

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At First Light

At First Light listener
At First Light listener – WISWOS, LICA

At First Light  is a studio composition (8’49). Arising from an ongoing strand of exploration around ideas of ‘ephemeral’,  At First Light is a vocal meditation  inspired by the play of light at sunrise and a notion that each moment may be filled with the past, present and future. The process of making the piece involved repeated exploration of the material ideas using a simple MAXMSP patch, with the final work being created in a single real-time improvisation. While a version of the piece was ultimately fixed to become At First Light, inherent in the process and the material is an idea of transient evolution – emergence, cycle and decay.

The piece was selected for:

Women in Sound/Women on Sound‘ Symposium at Lancaster Institute for Contemporary Arts (LICA) (2015)
New York City Electroacoustic Music Festival Concert 35 (NYCEMF) (2016)
Tomorrow, Today will be Yesterday‘ group installation at CAAA, Guimaraes, Portugal, ELO, Victoria BC, Canada, and LCGA, Limerick, Ireland as part of the Screen Dance Festival.

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Phoenix Dance Theatre | Choreographers and Composers Lab

I was absolutely delighted to be one of four composers selected for the Choreographers and Composers Lab 2015 – a two-week intensive residency with Phoenix Dance Theatre in Leeds. The residency was led by  Sharon Watson and Ken Hesketh, with guest speakers – Robert Cohan, Peter Weigold, Zoé Martlew, Dr Jo Butterworth, Mike Dixon, Didy Veldman.

Choreographers: Adrienne Hart, Mbulelo Ndabeni, Claire Lefèvre and Sandrine Monin.
Composers: Roberto David Rusconi, Nichola Scrutton, Sarah Westwood and Eloise Gynn.
Dancers:  Hannah Bateman, Francesca Caselli, Andreas Grimaldier, Joshua  Harriette, Carmen Marfil, Marie Astrid Mence, Ben Mitchell, Vanessa Pang, Alice Shepherdson, Sam Vaherlehto , Prentice Whitlow.
Musicians: Hara Alonso, Oliver  Dover, Sean  Hamilton, Becky Yen-Huan

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Sonnets/Radiophrenia

RAdiophrenia logo

 



Sonnets was a series of live, interactive, largely improvised sound poems, and was created for a Radiophrenia live-to-air commission in 2015. The work drew on the root meanings of the title word – from  ‘son’ (song) and ‘sonus’ (sound) – rather than the traditional poetic form. I used minimal processing, and focused instead on weaving together a palette of breathy sounds, phonemic fragments and vocal gestures into a series of self-contained but interlinked sound worlds, sometimes with field recordings, to invoke or reference a fictional place or state.

(Please note the sound clips are currently off-air)

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Sound Kitchen Prague

Sound Kitchen
A new solo live work City Song has been selected for performance at the forthcoming Sound Kitchen as part of Prague Quadrennial of Performance Design and Space in June 2015. See the Event page here for more info and links.

City Song explores a shifting dynamic of power, connectedness and fragmentation, and emerged during development time that was supported by a Creative Scotland Artists’ Bursary Award.

Creative Scotland

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Teine Èiginn | Dougie Strang

Tein Eigin/Need Fire
Dougie preparing the installation

I composed a soundscape for Teine Èiginn / Need Fire – an installation created by Dougie Strang for the Hidden Door Festival 2015.

The teine èiginn, or need fire, was lit during a ritual enacted in times of illness, amongst people and/or livestock.  Records show that the ritual was still in use in remote communities in the Scottish Highlands up until the end of the nineteenth century.

Watch a short film version 

In addition to my own voice on the soundtrack, many thanks to Dougie Strang and Rona MacDonald for singing a song each.

 

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Theology CATS Award Nomination

Theology with Martin O’Connor has been shortlisted for a CATS 2013-14 award in the Best Music and Sound Category. Announcements will be made on 8th June 2014. See details and the full listings at CATS.

Reviews of recent performances at Behaviour Festival

**** Joyce MacMillan The Scotsman

Mary Brennan The Herald

Gareth Vile The Vile Blog

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Theology | Martin O’Connor

Composer/sound designer with Martin O’Connor for A Govan of the Mind/Theology, performed at The Pearce Institute as part of The Arches Behaviour Festival in April 2014.

Nominated for a CATS Award 2013-14 – Best Music and Sound Category

The show is in two parts: Part 1, Theology is a Glaswegian-dialect version of the Catholic Order of Mass, with composition by Oliver Searle, performed with a local male choir brought together for the production; and Part 2 A Govan of the Mind is a non-narrative epic poem celebrating the beauty of our everyday language.

Design: Rachel O’Neill, lighting design: Kate Bonney, choir leader: Matt Regan. See here for full team and more info.

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KPC Sound Mix/GI Festival of Visual Art

KPC Sound Mix is a sound artwork commissioned by Kinning Park Complex and Open Jar Collective for Broth Mix – a food-based project that will run in KPC for two weeks during Glasgow International Festival of Visual Art from 7th – 14th April 2014.

The sound artwork is a collage of field recordings, interviews, and music clips that presents a snapshot of KPC. The piece  will be available on MP3 players with headphones at KPC during the two-week period and can be downloaded here at KPC Sound Mix.

Many thanks indeed to all the contributors!

Interviews and field recordings

Ammy Jay, Amrik Kanr, Anne Davidson, Catherine Weir, Chris, Clem Sandison, Helen Kyle, Kinning Park Complex, Lindsay Keenan, Nicole’s dance class, Reuben Chesters – Locovore, Women’s cooking/gardening group

Music Clips

Death Rattle/Tricky
Erin Scrutton, Nichola Scrutton, Kirsty Ewing, Barbara Chalmers, Michelle Drumm

Luskentyre and Stevie Jones
Martin Douglas (tuba)

Sokobauno Puppet and Object Theatre
Shane Connolly (composer; reading; performance – accordian, percussion), Stevie Jones (recording), Alasdair Roberts (guitar), Georgie McGeown (flute)

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HearAfter

Ohrenhoch Gallery, Berlin

Originally produced by the Gallery of Modern Art, HearAfter was installed in the Round Room on the 2nd floor balcony from 25th October – 2nd December 2013.

HearAfter is a contemplative, immersive pre-composed sound installation inspired by the life cycle, memory, and the process of decay. HearAfter is a pun on ‘hereafter’, which means ‘in the time to follow’ and is often associated with questions about experiences after death. With this in mind, the piece HearAfter, through the present moment of a listening experience, at one level might be heard to tap into memory – a sense of something past, gone, altered or retold, but at the same time could suggest a kind of anticipation of a future that is both factually certain yet remains unknown.

While the human voice is often considered primarily as a communicator of words, I am artistically interested in its potential as sonorous, expressive and sculptural material. The sounds of breathing and an array of vocal gestures weave together with other abstract sounds into a collage of overlapping cycles and collisions.

Producer curator Katie Bruce talks, after the preview, about our first meeting and the HearAfter work at the GoMA blog

Performances

2014
Transnational Express, Auricle Sonic Arts Gallery, Christchurch, NZ
Ohrenhoch Sound Gallery, Weichselstr. 4912045 Berlin-Neukölln

2013
25 Oct – 2nd Dec, Gallery of Modern Art, Glasgow, Scotland

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24 Stops | Sarah Tripp

24 Stops Radio Artwork

Collaboration with  Sarah Tripp on 24 Stops radio artwork

“The work is a sequence of hourly chimes, one for each hour of the day. The chimes combine percussion and spoken word to reflect the character of a given hour and mark the passing of the day.

‘24 Stops’ was written and performed by Sarah Tripp
Composed for radio by Nichola Scrutton.
Percussion  was performed by Nichola Scrutton, Fritz Welch and Mark Vernon and recorded by Iain Donnelly.

‘24 Stops’ was developed on the inaugural Radio Writing residency at Camden Arts Centre with the support of University College London Hospital Arts.”24 stops

24 Stops was written and performed by Sarah Tripp and composed for radio by Nichola Scrutton. Photos © Sarah Tripp

24 Stops was later broadcast on Radiophrenia every hour on the hour for 24 hours  in 2016.

 

 

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One Autumn Night


One Autumn Night  is an encounter, a dialogue between two contrasting kinds of musical material: one is human and lyrical, using voice sounds and simple sung melodic fragments, the other is clearly digital and artificial but is subtly inflected with speech-like gestures.  The drama, which unfolds in two waves, is a negotiation that nods to the complexities of striving for a thoughtful interaction between humanity, technology and nature.

Events include: 2013 Acoustic Frontiers, Radio, Ottawa, Canada, 2012 RadiaLx, Radio Art Festival / 88.4 FM, Lisbon, Portugal, Basic.fm, broadcast by Pixel.Palace, Newcastle upon Tyne, UK, WEALR, 2012 New Music Festival , Cal State Fulerton, US. 2011 Lights Out Listening Group, The Old Hairdressers, Glasgow