I’m really thrilled to share news of this PRS Foundation Open Fund for Music Creators Award to record an album for release in 2022. Label and other info will follow in due course. Thanks so much – this is very exciting!
In another strand of work in the Night Vision development in 2021, I responded to the writing and ideas of the main text with a standalone series of drawings/visual compositions, which have a title Memory | Dream | Encounter.
As a way to extend the cross-discipline dialogue, I offered micro-commissions to five other composers with an invite to respond to fragments of the Memory | Dream | Encounter drawings with a sound work.
On 31st August 2021 the six composers met in a virtual gathering to listen together, discuss the works and creative process.
Many thanks indeed to the composers/sound artists. The works are:
Claire Docherty – Pulse dream fragment For Una MacGlone (bass) & Emma Roche (flute) (3’23) Dafna Naphtali- Striations (3′) Elisabetta Senesi – Under the Surface (3’50) Julia Drouhin – Mer4 (3’50) Nichola Scrutton – Gestures (3’44) Ruth Wiesenfeld – the wool from which the ribbons were made (3’54)
The images were a prompt, a connecting point, a spring board for dialogue. The sound compositions stand as individual works and as a collection, which hopefully will be shared publicly in the future.
I was delighted to be invited into a duo with Manuel Padding for Giant Tank’s Pot Luck, which was aired on TUSK TV on 6th August 2021. Big thanks to Manuel, and to Ali and Collette for hosting – connect to Giant Tank on their FB page – Giant Tank Facebook
Our duo track is available as part of TUSK Editions #5 – download the album at TUSK Festival’s TUSK Editions Bandcamp.
Sonic Bothy Ensemble produced a new digital work Verbaaaaatum for Tectonics Festival 2021. The festival was online for a month and hosted a fantastic array of digital and streamed music/sound performances. View the archive of the 2021 Tectonics Festival online at Tectonics Glasgow 2021
Hats off to Claire and all at Sonic Bothy for how everything has continued to grow and develop since the first lockdown hit in March 2020. In spite of the challenges, we’ve being actively involved in staying creatively connected to participants/musicians and producing new work, and it’s a joy.
Scottish Awards for New Music
Exciting that Sonic Bothy was shortlisted for The RCS Award for Education/Community Project at New Music Scotland. The awards were announced in an online event in July 2021 – congratulations to the winners. Read more about the category and shortlisted projects here…The RCS Award for Education/Community Project
Sonic Bothy Ensemble Album Fields
Sonic Bothy Ensemble’s debut album Fields is still available at Bandcamp in hard copy and digital formats…
I was thrilled to be one of ten artists selected for the pilot of the Drawing Correspondence Program. The Program was developed and facilitated by artists / educators Anita Taylor, Chloe Briggs and Tania Kovats. In addition, we were fortunate to have guest artists to share and discuss practice.
The intensive six-week development period had an umbrella theme of Grow. Regular self-directed drawing practice was focused through an exciting range of activities and investigations, live online drawing classes, one-to-one and group discussion, sharing and presentations.
We produced a publication at the end of the Program – 10 Letters and 10 Drawings – initially published on Issuu, with a physical publication to follow. Link to Issuu publication
I am delighted to be collaborating as a vocalist with artist Anne Colvin on her moving image artwork/experience Dear Prudence re-imagined. More information about the work is available at Dear Prudence re-imagined.
Zoë Strachan and I continue our exploration of performing live experimental radio artwork. Up Closeness is a dialogue between two green urban spaces, a close look at the local. An attempt to find small connections amid the dislocation from everyday life. Field recordings and voice sounds are combined with found and composed text to animate distinct temporal spaces. Live improvisation and embedded writing practice enact a mimetic re-inhabiting of space.
We first performed Up Closeness as a live broadcast at Radiophrenia Glasgow on 20th November 2020 in CCA Glasgow.
Wave Shift is an immersive soundscape composition. Source materials for the work include a selection of field recordings captured during an artist residency with UZ Arts at Sura Medura in Sri Lanka, and vocal sound recordings. Wave Shift was originally composed for a collaborative installation with artist/printmaker Natasha Russell, and then subsequently recomposed as this shorter standalone work.
Wave Shift Released in 2019
Wave Shift was the first release in August 2019 in the new season South Asia PhoNographic Mornings as part of the soundscape project Each Morning of the Worldproduced by Stéphane Marin in France on BandCamp. All donations from the project go to the World Forum for Acoustic Ecology (WFAE). Many thanks indeed to Stéphane for inviting me to contribute the track, record the voice intro and outro for the season’s radio broadcasts each week, and the album artwork.