24 Stops was written and performed by Sarah Tripp and composed for radio by Nichola Scrutton
It is very exciting to hear the chimes as they were intended when originally created by Sarah Tripp. Furthermore, Radiophrenia 2016 festival is a perfect setting to listen to them, every hour on the hour for 24 hours amongst such a wealth of radio and sound art…
Joint composer with Erin Scrutton for Code Butterfly, a site-specific performance created by Curious Seed Dance Company for the Leith Festival, Edinburgh, (involving 5 professional performers, (dancers/ aerial artists, singer) and 15 young women from the Leith area. Performances: Out Of The Blue, old Drill Hall. Edinburgh (2007).
Directed by Christine Devaney
Designed by Karen Tennant
Production Manager: John Riddell
with Jennifer Patterson, Skye Reynolds, Kaela Rowan
After being awarded my PhD from University of Glasgow I worked as a Teaching Fellow in Music there for two years.
2009-2011 University of Glasgow (Music) Teaching Fellow (0.6 fte)
In brief, areas of work included:
Sonic Arts Levels II and III;
Practice-based Composition Workshops;
Contemporary Music Ensemble;
Lectures in Music and Technology;
Advising UG Dissertations and students on the MLitt in Popular Music Studies (Creative Practice);
First GLEAM concert organiser;
Music Education Project Organiser;
2004-2009 University of Glasgow (Music):
Graduate Teaching Assistant
SoundAround was a mental health music/sound workshop + performance project co-facilitated with Erin Scrutton.
Over 10 weekly sessions we created a range of musical materials using voice, drumming, percussion and recorded sounds to create a final live interactive performance for the ‘Come Awa’ In’ opening weekend of Perth Concert Hall in Scotland.
is a film, sound art and heritage project run in partnership with Plantation Productions, Glasgow Film Theatre and Scottish Screen Archive. Erin Scrutton and I worked with young carers in Glasgow to create atmospheric sound tracks for silent film clips using original historical footage of the Govan shipyards and the people who worked there. The film below, made by Jamie Dempster, is a short documentary of the project itself. The film has had several screenings, including the Glasgow International Film Festival.
I composed electroacoustic music for live performance by writer and artist Sarah Tripp.
Sarah created three spoken word/gesture performances: customs, objects, people, as part of ‘(Sim-poze-um)’, a collaborative installation event by four Glasgow-based artists created for Glasgow International Festival of Visual Arts. The performances took place in the Jeffrey Room, Mitchell Library, Glasgow. The music for the performances was projected and diffused through a four-channel speaker system.