Delighted to be working with Ian Spink, Aya Kobayashi, Skye Reynolds, Selina Boyack and Stella to develop Radio Play. The immediate focus was a scratch performance for UNFIX Festival 2019.
I’m really delighted to say that Alex South and I will be performing Rough Breathing at Tectonics Festival 2019. The BBC SSO festival is on 4th and 5th May at City Halls and Old Fruitmarket in Glasgow.
Read more about line up here…
Tectonics Glasgow 2019 announcement
and buy tickets here…
Love Street – The Musical
Martin O’Connor and I are once again working together – this time on a co-commission by Outspoken Arts Scotland.
We have been invited to develop a proposal for a new theatre production in Paisley called Love Street – The Musical.
Over the last couple of months we have been out and about visiting organisations and gathering stories from people in Paisley who have memories and connections to Love Street. More to follow…
Near the end of our CCA/AC Projects Residency we held an informal event in the Creative Lab. We shared a performance of work-in-progress and had a wonderful Q and A/discussion.
Many thanks indeed to Keith Bruce for including Rough Breathing in this nice piece about CCA Glasgow and the Counterflow Festival 2019.
During our residency Alex South and I explored different elements through the Rough Breathing context – live electronics, audiovisual, and psychoacoustic and sonic relationships between voice and clarinet in addition to breathing practices informed by Pranayama.
We posted some blogs at AC Projects Counterflows, and shared some work-in-progress at an informal gathering at CCA near the end of the residency.
Huge thanks to Alasdair Campbell/AC Projects, Creative Scotland, Alex Misick, Kenny Christie and all at CCA Glasgow, and our guests in the lab, sound designer William Aikman, filmmaker Wendy Kirkup and dance artists Joan Clevillé and Solène Weinachter.
I’m very much looking forward to the forthcoming CCA/AC Projects Residency with Alex South. Alex and I will be further investigating the role and impact of breath in our performance practices.
Read more at the CCA website
We will be documenting our development and will be posting occasional blogs.
I am super delighted to be part of the 2018 Space/Time creative retreat with Magnetic North Theatre Company. This is arrival day at the wonderful residency centre Cove Park in the west of Scotland. The sunset is stunning.
My fellow artists are Eoin Carey, Pat Law, Ross Whyte and Sharron Devine and the residency is facilitated by Magnetic North’s Artistic Director Nicholas Bone and Alice McGrath, Creative Director of Red Bridge Arts.
During the residency we will be taking an in depth look at our various practices through the question ‘how does an artist keep developing?’.
Rough Breathing Performance
Many thanks to John Cavanagh for inviting us to perform on 1st July 2018 at Sharmanka Gallery amongst the wonderful, atmospheric kinetic sculptures.
Alex and I are collaborating as a performance duo exploring the music/sound potential of voice and clarinets through improvisation.
I am very much looking forward to our residency in Oct/Nov 2018 with CCA/AC Projects to pursue our Rough Breathing project.
Here’s a link to the Sharmanka event. https://www.facebook.com/events/181727232538481/
I was absolutely delighted to be part of the opening of the Beton 7 Festival in Athens on 4th June 2018. The event opened with an introduction by curator Demosthenes Agrafiotis, followed by my solo performance When Night Comes, screenings of Wendy Kirkup’s two films Touches Bloquees and film from a score, and a Q + A session with Wendy and me in conversation with Simon Murray.
After the opening the festival runs from 5th – 17th June 2018. The theme of the festival was “Visions-V_Ideas, Performances”…
“Visions-V_ideas, Performances” celebrates 5 years since its launch at BETON7. In April 2014, it was stated that the set of actions of the festival aimed at exploring the interface between performance and video in the specific frame of the Votanikos neighbourhood – the site of BETON7, Center for the Arts.
A review may be necessary, not in the sense of a conclusion but an assessment for future adjustments. According to a terminology, performance is at the crossroad of the living arts (arts vivants), which rely on the human body as the main tool, in order to found its artistic idiosyncrasy or specificity (dance for example) and the visual arts, where physical elements allow to shape primarily spatial structures (e.g. sculpture). At this crossroad, the video is entering, which is the field, the opportunity to create a new version of what is happening at the aforementioned crossroad from aesthetic and social point of view.”
Many thanks to Rania and Demosthenes for their invitation, welcome and hospitality.