Sabda saha Pintura (Sound and Picture) was composed during the six-week Sura Medura residency with UZ Arts in Sri Lanka. Loosely speaking, the work is a collage using a selection of the field recordings I gathered during my time there.
Sabda saha Pintura had its first airing at our collective Moving Out event at Sunbeach Hotel on 26th November 2016 as part of the Colombo Art Biennale.
The installation has had various airings so far. In 2015, it was first installed at Noc Noc Festival, Portugal. Then it ran at the CAAA Gallery, Portugal for two months, and the Media Arts Festival, ELO, Victoria, Canada.
24 Stops was written and performed by Sarah Tripp and composed for radio by Nichola Scrutton
It is very exciting to hear the chimes as they were intended when originally created by Sarah Tripp. Furthermore, Radiophrenia 2016 festival is a perfect setting to listen to them, every hour on the hour for 24 hours amongst such a wealth of radio and sound art…
The ‘Tomorrow, Today will be Yesterday‘ collective sound/video art installation will be installed in Gallery #3 at the CAAA in Guimarães, Portugal from 12th December 2015 until February 13th 2016 and includes my vocal work At First Light.
The artists involved are: Alfredo Costa Monteiro (PT/ES), Artificial Memory Trace (Slavek Kwi) (CZ/UK), Darius Ciuta (LT), Elisabetta-Senesi (IT), Fernando Ribeiro (PT), Iride Project – Massimo Davi & Monica Miuccio (IT/IE), John F. Barber (US), Juan Carlos Vasquez (CO/FI), Lin Culbertson (US), Loren Chasse (US), Luigi Morleo (IT), Luís Antero (PT), Manuel Rocha Iturbide (MX), Mathieu Ruhlmann (CA), MUfi.re (PT), Nichola Scrutton (UK), Nuno Miranda Ribeiro (PT), Osvaldo Cibils (UY/IT), Paul Collins (CA/FR), Philip Mantione (US), sonosFera (PT), Steve Roden (US), Takamitsu Ohta (JP), Una Lee (KR/UK).
Arising from a current strand of exploration around ideas of impermanence and the ephemeral, At First Light, a vocal meditation, was inspired by the play of light at sunrise and a notion that each moment may be filled with the past, present and future. The process of making the piece involved repeated exploration of the material ideas using a simple MAXMSP patch, with the final work being created in a single real-time improvisation. While a version of the piece was ultimately fixed to become At First Light, inherent in the process and the material is an idea of transient evolution – emergence, cycle and decay.