Category Archives: Performance

HumDrum

 

Pop-Up Drumming and Singing Events

And Then She Said sister duo Nichola Scrutton and Erin Scrutton in association with Plan B Collective  created HumDrum to celebrate 100 years of International Women’s Day. Subsequent events included the West End Festival and the Royal Highland Show.

Big thanks to our sponsors above, and a HUGE THANKS TO EVERYONE WHO WAS INVOLVED – what a joyous day of celebration!!

Check out some photos  of the HumDrum event at the Royal Concert Hall steps in Glasgow to celebrate 100 years of International Women’s Day at Universal News.

110222 IWD flier

 

 

 

 

 

 

 

Performances

2011
5th March, Glasgow
5th June: West End Festival
25th June: Royal Highland Show.

 

GLEAM concert at GU

I am delighted to have organised the first GLEAM electroacoustic concert in the University of Glasgow Concert Hall. A call for works drew of 60 submissions. The event includes fixed medium works by:

Christian Banasik, Géraud Bec, Iain Campbell, Timothy Cooper, Jonas Foerster, Annelie Nederberg, Felipe Otondo, Dale Perkins, Calum Scott, Pei-Yu Shi, Graeme Truslove, Matt Walch.

Date and time: Saturday 20th March 2010 at 6 pm.

Free entry.

The Dwelling Series

Dwelling 2


The Dwelling Series is a triptych of vocal works. Multiple concepts arising from the notion of the title Dwelling gave rise to an interactive process of improvising and recording with MAXMSP, through which I sought to explore a sense of ‘inhabiting’ the work. As inspiration for generating improvised material under this complex umbrella concept of ‘dwelling’ I used three general metaphors to articulate events or states: dust (essence), cycle (flow/journey) and echo (memory).

The compositional process

The compositional process consisted of creating successive  vocal improvisations, which were merged together, fully intact, after each improvisation was captured. Manipulation of the captured improvisations was strictly limited to the editing of gestures and textures in time and space to enhance or magnify relationships/conflicts that emerged by chance as each layer was added.

(i) Dwelling/In Dialogue: studio composition (17′).

(ii) Dwelling/Encounters: pre-composed sound and live performance, in which two live performers merged and improvised with a pre-composed soundtrack projected through multiple loud speakers.  Swiss vocalist Céline Hänni and I undertook a short intensive residency to explore extended technique vocal improvisation that culminated in the final performance. (12’30)

(iii) Dwelling/In Reflection: live interactive solo performance (18′)

Dwelling 3