The album is part of a creative research project by Rebecca Collins and Johanna Linsley – read and listen more here. The event forms part of ‘The Sonic Study Series: Act I Sonic Practice’ and is a pop-up event for the Festival of Creative Learning 2020 at the University ofEdinburgh.
Many thanks to Rebecca and Johanna for the invitation to produce a vocal response to Stolen Voices book chapter Necessary Notes.
Zoë Strachan and I created Rays & Correlations for a live broadcast from the Radiophrenia studio on 15th May 2019. This is our third collaborative radio artwork. Previous works are In Transit and Static Flux. Static Flux was also originally performed as a live broadcast on Radiophrenia and then selected for a Spoken Word live performance at Hidden Door Festival 2018 in Edinburgh.
Inspired by the patterns of cosmic ray interactions in a cloud chamber, we imagine the myriad signals and attempts at communication that might enter a sphere and intersect, cluster, miss or fade away. Rays & Correlations is a voice-focused improvised performance with layers of interactive soundscape. The listener is invited to find a thread to hold onto amid interweaving sparse and dense streams of words and evocations – and to decide whether the sound space is literal, as inside a kind of radome, or metaphorical – representing any individual consciousness trying to make sense of human connection.
Excited to be performing some of our Rough Breathing project this weekend at Tectonics Festival in Glasgow with Alex South. We’ll be in the Old Fruitmarket at 4pm on Sunday 5th May. Here’s a link for more info…
Here’s a link to the main festival information and programme details…Festival info
I’m really delighted to say that Alex South and I will be performing Rough Breathing at Tectonics Festival 2019. The BBC SSO festival is on 4th and 5th May at City Halls and Old Fruitmarket in Glasgow.
The starting point for Night Vision is a series of non-narrative texts captured through an experimental writing practice in the middle of the night lying down in a semi-conscious, or liminal, state.
This is a very different artistic approach for me. Early inquiries were focused on selection, how to interact with the texts, and what happens when these words/sounds are given voice off the page?
The work was initially developed at Rough Mix, Magnetic North’s creative development programme. The residency was held in Perth Theatre in January 2019. Big, big thanks to Magnetic North and the artists and performers involved in the residency. Thanks to Lorna, Neil, Ian and Laurie for the first performance sharing of Night Vision. And thanks to Lise for recordings, chat and tech support.