Rough Breathing is a collaborative performance project with vocalist Nichola Scrutton and clarinettist Alex South. This sound clip is from the first movement of our Rough Breathing performance at Tectonics Glasgow 2019 in The Old Fruitmarket.
Many thanks to BBC Radio 3 for the permission to use this clip from the BBC’s live recording of the event. Listen here until April 2020.
Many thanks to Alasdair Campbell, AC Projects, CCA Glasgow and all at Tectonics Glasgow 2019 for supporting Rough Breathing.
Many thanks indeed to Stéphane for inviting me to contribute the track and also the visual artwork for the album cover/track. I also recorded the voice intro and outro for the season’s radio broadcasts each week.
This version of Wave Shift is a re-working of a longer piece originally produced as part of an installation following a UZ Arts Residency at Sura Medura in Sri Lanka.
Rough Breathing is a collaborative performance project with vocalist Nichola Scrutton and clarinettist Alex South. This sound clip is from a free improvisation performed as part of a sharing with an invited audience at the end of a residency at CCA Glasgow in November 2018.
Many thanks to Alasdair Campbell and all at the AC Projects/CCA Creative Lab Residency. And thanks to Keith Bruce at The Herald for including us in this review.
Fretwork (fixed medium, 4’48) was inspired by two distinct concepts of its title: instrumental – using fretted guitar as sound source; and architectural – the ornamental carved or inlaid wood decoration traditionally associated with eaves and balustrades, a decorative detail also applied, on a much smaller scale, to the guitar.
Fretwork draws its compositional language from the intimate physical gestures associated with playing the guitar – the act of plucking becomes transformed metaphorically into a range of percussive attacks, pops and clicks. While the piece unfolds as an abstract sound collage, fragments of recognisable guitar sounds emerge and recede amidst more decorative falsely extended vibrations and resonances.
Acoustic Frontiers, CKCU 93.1, Canada
Last Friday Listening Room, Enter the Octagon, UC San Diego, US
Sweet Thunder Festival of EA Music, Listening Room, San Francisco
Radio Circulo FM100.4 Madrid
NoiseFloor Festival, Stafford, UK
Featured on Thrmnphone Netlabel Album, Spain
New York City Electroacoustic Music Festival, US
Undae Project, Madrid, Spain
Lights Out Listening, The Old Hairdresser’s, Glasgow
Originally commissioned and created for High-Slack-Low-Slack-High – a suite of audio works relating to the Clyde River curated by Minty Donald for GI Festival of Visual Art – Lateral was made as a live, site-specific installation set in Dixon Street, Glasgow. Subsequent to that event I created a studio version of the work.
Dixon Street is a main thoroughfare that runs from the river directly up through the city’s main shopping artery. The aims of the work were to highlight a sense of disconnection from the river and to create multiple cross currents by merging the river sounds of Lateral and the sounds of the city environment. The work was projected over large horn speakers mounted in the street between two buildings, creating a view down to the river. Six vocalists added a further layer of human presence with their resonant tones both emerging out of and being subsumed by the undulating sound density of the site.
The starting point for the work was the idea of a ‘Lateral System’ – a system of navigational aids comprising shapes, colours and numbers, used to guide boats up river channels into ports and docks. However, the multiple resonances of the word ‘lateral’ took on greater significance in the work through the associations and digressions that emerge with the notion of a flowing river. Place names, numerical information from tidal charts and signal/radio sounds serve as signposts along the way, rooting the work in a real world place. But the perpetual flow of water and the periodic rhythms of a vocal landscape contribute to a sense of multiple spatial and historical resonances, and to ideas of flowing with and against the current.
Many thanks indeed to Claire Docherty, Kirstie Edgar, Jessica King, Morag Stark and Hanna Tuulikki for their live vocal contributions both on site at Dixon Street and at the closing event in the Clydeport Authority Headquarters.
Curated radio show Glasgow Soundscapes: WebSynRadio (France)
Curated listening hour at Brooklyn Acoustic Ecology Festival (US)
LOLG project Shona Island (Scotland)
(25 Feb – 2 March)
Here. now. where? Saout Radio, 5th Marrakech Biennale
(12 – 18 January)
Framework Radio broadcasts
12th london, uk ::: resonance 104.4fm
13th amsterdam, nl ::: concertzender
13th vancouver, us ::: radio nouspace
14th south devon, uk ::: soundartradio 102.5fm
14th maribor, si ::: radio marš 95.9fm
15th lisbon, pt ::: radio zero
15th vancouver, us ::: radio nouspace
16th coimbra, pt ::: rádio universidade de coimbra 107.9fm
16th lisbon, pt ::: radio zero
17th ljubljana, si ::: radio študent 89.3fm
17th brussels, be ::: radio campus 92.1fm
17th vancouver, us ::: radio nouspace
18th london, uk ::: resonance 104.4fm
18th new york state, us ::: wgxc 90.7fm
18th brasilía, br ::: rádio paisagem
Foldover, WOBC 91.5 fm, Ohio
Time/Zones, Akademie der Kunst, Berlin
AIR/EAR Installation, Radio-System, Argentine
High-Slack-Low-Slack-High, GI Festival, Dixon Street, Glasgow
High-Slack-Low-Slack-High, GI Festival, Clydeport HQ, Glasgow
Aria for Breath and Glass (4’09) and Aria for Voice and Plastic (4’42) are a pair of stereo, fixed medium works. The Arias were made for a Charles Rennie Mackintosh Festival concert held at the University of Glasgow. The compositions emerged as a material response to two gesso ‘Opera’ panels (Opera of the Winds, Opera of the Seas) created by Margaret MacDonald (Mackintosh), and drew further inspiration from the plastic debris crisis in the pacific ocean.
RadiaLx, Radio Art Festival / 88.4 FM, Lisbon, Portugal
Elektramusic ‘Radio Show for Experimental Music’, Web Radio, summer playlist
‘Soundgate’, Aalborg, Denmark
Sonic Art Oxford Jukebox online listen Soundscape Room, Digital Arts Week, Zurich
International Electroacoustic Listening Room, Fullerton (CA)
RMA postgraduate conference, University of Bristol
CRM Festival, University of Glasgow Concert Hall