Aria for Breath and Glass (4’09) and Aria for Voice and Plastic (4’42) are a pair of studio compositions. The Arias were originally made for a Charles Rennie Mackintosh Festival concert held at the University of Glasgow. The compositions emerged as a material response to two gesso ‘Opera’ panels (Opera of the Winds, Opera of the Seas) created by Margaret MacDonald (Mackintosh), and drew further inspiration from the plastic debris crisis in the pacific ocean.
Events included: RadiaLx, Radio Art Festival / 88.4 FM, Lisbon, Portugal, Elektramusic ‘Radio Show for Experimental Music’, Web Radio, summer playlist, ‘Soundgate’, Aalborg, Denmark, Sonic Art Oxford Jukebox online, Soundscape Room, Digital Arts Week, Zurich, International Electroacoustic Listening Room, Fullerton (CA).
A film about Hooks + Bites – a Glow Co-Create project for the Curriculum for Excellence. The project worked in partnership with Perth Concert Hall, Perth and Kinross Council, Learning and Teaching Scotland and Creative Scotland.
Hold Your Breath was a large-scale visual/sound art project set up to improve the entrances/exits to the Clyde Tunnel, with the participation of the Whiteinch and Linthouse communities at each end of the tunnel. I composed the various contributions of source sound and music into one large 40-minute work, which was to be projected by radio into the cars traveling through the Clyde Tunnel. More info at Hold Your Breath
I composed electroacoustic music for Move Mood, an observational documentary film by writer and artist Sarah Tripp. Screenings at X-Ray at the Persevence, London, Diversions Film Festival, Edinburgh Filmhouse, Artists Film & Video at the BBC Glasgow (in association with the National Gallery of Modern Art and the Glasgow International Festival of Visual Art). Here’s an excerpt from the film.