Tag Archives: new music

Rough Breathing – The Herald

181124 Keith Bruce Rough Breathing

Near the end of our CCA/AC Projects Residency we held an informal event in the Creative Lab. We shared a performance of work-in-progress and had a wonderful Q and A/discussion.

Many thanks indeed to Keith Bruce for including Rough Breathing in this nice piece about CCA Glasgow and the Counterflow Festival 2019.

https://www.heraldscotland.com/opinion/17241164.keith-bruce-glasgow-continues-to-host-ground-breaking-music/

Rough Breathing Update

Nichola and Alex recording CCASession with Wendy 181117IMG_6429

CCA sharing from JC 2
Thanks to John Cavanagh for this performance photo.

During our residency Alex South and I explored different elements through the Rough Breathing context – live electronics, audiovisual, and psychoacoustic and sonic relationships between voice and clarinet in addition to breathing practices informed by Pranayama.

We posted some blogs at AC Projects Counterflows, and shared some work-in-progress at an informal gathering at CCA near the end of the residency.

Huge thanks to Alasdair Campbell/AC Projects, Creative Scotland, Alex Misick, Kenny Christie and all at CCA Glasgow, and our guests in the lab, sound designer William Aikman, filmmaker Wendy Kirkup and dance artists Joan Clevillé and Solène Weinachter.

CCA/AC Projects Residency

CCA LogoCCA:AC Projects1

I’m very much looking forward to the forthcoming CCA/AC Projects Residency with Alex South. As the Scrutton/South Duo we will be further investigating the role and impact of breath in our performance practices.

Read more at the CCA website

We will be documenting our development and will be posting occasional blogs.

Scrutton/South Duo Sharmanka

Sharmanka Scrutton:South

Scrutton/South Duo at Sharmanka

Many thanks to John Cavanagh for inviting us to perform on 1st July 2018 at Sharmanka Gallery amongst the wonderful, atmospheric kinetic sculptures.

Alex and I are collaborating as a performance duo  exploring the music/sound potential of voice and clarinets through improvisation.

I am very much looking forward to our residency in Oct/Nov 2018 with CCA/AC Projects to pursue our Rough Breathing project.

Here’s a link to the Sharmanka event. https://www.facebook.com/events/181727232538481/

 

Beton 7 Festival in Athens

Q + A 1

Opening Event

Demosthenes introI was absolutely delighted to be part of the opening of the Beton 7 Festival in Athens on 4th June 2018. The event opened with an introduction by curator Demosthenes Agrafiotis, followed by my solo performance When Night Comes, screenings of Wendy Kirkup’s two films Touches Bloquees and film from a score, and a Q + A session with Wendy and me in conversation with Simon Murray.

After the opening the festival runs from 5th – 17th June 2018. The theme of the festival was “Visions-V_Ideas, Performances”…

“Visions-V_ideas, Performances” celebrates 5 years since its launch at BETON7. In April 2014, it was stated that the set of actions of the festival aimed at exploring the interface between performance and video in the specific frame of the Votanikos neighbourhood – the site of BETON7, Center for the Arts.

A review may be necessary, not in the sense of a conclusion but an assessment for future adjustments. According to a terminology, performance is at the crossroad of the living arts (arts vivants), which rely on the human body as the main tool, in order to found its artistic idiosyncrasy or specificity (dance for example) and the visual arts, where physical elements allow to shape primarily spatial structures (e.g. sculpture). At this crossroad, the video is entering, which is the field, the opportunity to create a new version of what is happening at the aforementioned crossroad from aesthetic and social point of view.”

Gallery 1

When Night Comes 4

Many thanks to Rania and Demosthenes for their invitation, welcome and hospitality.

 

 

When Night Comes

When Night Comes 2

When Night Comes

When Night Comes is a solo performance created in dialogue with Wendy Kirkup’s art film film from a score. 

In the film, I performed Berio’s Sequenza III for solo voice. After Wendy’s films were selected to be screened at the Beton 7 Festival in Athens, I was invited to perform at the opening as a response to the film before the screening.

The performance is improvised. I draw inspiration and gestures from both my knowledge of Berio’s score and the compositional and material aesthetic of the film itself.

The performance and screenings originally took place at  the 5th Edition of the Beton 7 Festival in Athens, Greece

Select Performances

2018
Opening of the Beton 7 Festival, Athens, Greece