Tag Archives: installation

Kate Briggs/Corner Corner Volta Flip

Corner Corner Volta Flip 2

I was delighted to collaborate on the audio form for Kate Briggs written piece Corner Corner Volta Flip, which was part of ‘How Forms Live’ at the Mitchell Library for Glasgow International Festival of Visual Art. The work was set up as a headphone installation in the Poet’s Corner.

Read more about Corner Corner Volta Flip

Sura Medura Exhibition

Sura Medura Exhibition

Sura Medura Exhibition

A Sura Medura exhibition is running from 21st April to 19th May 2017 at The Briggait in Glasgow. The exhibition includes a range of work by artists who have been artist-in-residence at Sura Medura in Sri Lanka.

Wave Shift, a new work made in collaboration with artist and illustrator Natasha Russell, is premiered as part of the Sura Medura exhibition. Read more about Wave Shift

 

Natasha Russell/Wave Shift

Sura Medura Exhibition

Wave Shift was originally an experimental audiovisual collaboration with artist and illustrator Natasha Russell in response to the ideas and situations we encountered on the UZ Arts Sura Medura Residency in Sri Lanka. Natasha and I were in residence from October – December 2016, along with Sumit Sarkar and other visiting artists. Following the installation I re-worked Wave Shift into a stand alone composition.

Wave Shift At The Briggait

During our post-residency collaboration, Natasha and I became interested in the way an understanding of the experience of a place shifts over time, between people, even at the drop of a hat. We decided to weave decaying memories, slippery facts and shifting folklores through sound and print to form a portable set that melts place and atmosphere into an imaginary landscape.

Wave Shift

Integrating with the structure and printed visual landscape of the set, the Wave Shift audio component plays out into the space as an immersive, abstract, evocative soundscape composition. Source materials for the work included a selection of field recordings captured during the residency and vocal sound recordings. Both the main thread of sound that underpins the work, composed with a series of hydrophone recordings, and the form, which unfolds as a series of wave-like emergences, draw on myriad notions of water as a bridge between real and fictional landscapes.

Performances/Broadcasts

2017`
Sura Medura Exhibition, The Briggait, Glasgow
Sura Medura Exhibition, Summerhall, Edinburgh
Radiophrenia

Sura Medura 3

Moving Out Sunbeach
Sura Medura 3

The final stage of our residency was focused on preparing for our Moving Out event. Overall, the day at Sunbeach was a wonderful combination of visual art, sound, sculpture, video, performance, people, food, beer, Arrack sour, sea, sand, laughing, chatting, sharing…and cake (what a fabulous day for a birthday!).

We were thrilled to have a good local crowd join us for the day, and also delighted that so many people came down from the Colombo Biennale and the University Faculty of Visual and Performing Arts to join us for some or all of the time.

Listening Sabda Saha PinturaIn our exhibition, which combined some finished elements and work-in-progress, my sound work Sabda saha Pintura was available as a headphone installation. Notebook Entry

The title Sabda saha Pintura means sound and picture in Sinhalese – through much discussion this seemed to be the most apt translation for the collage idea I was working with in the piece. Exploring  differences in the English/Sinhalese languages was very intriguing – how or in what way  metaphors or concepts translate, for example, sound, soundscape, landscape,  environment.

During the afternoon an audiovisual tuk tuk tour was running – a collaboration between Natasha (Russell) and me. Three people at a time could hop into Sudu’s tuk tuk Tuk Tuk Tourand take a short round trip to visit Natasha’s work in local shops accompanied by my soundtrack. Big thanks to Sudu and Chinthaka for running the tours.

The soundtrack combined recordings I gathered from those shops – peopleSudu - Tuk Tuk Tour Driver introducing themselves and their businesses, shop sounds, etc – the general store, jewellers, barbers, a fruit and veg stall. I also recorded an introduction to the tour in Sinhalese, with pronunciation help from folk at Sunbeach.

Before a fantastic Sri Lankan curry banquet, I accompanied Samson Omiagien with some live vocals for his performance piece with sculpture, which we had rehearsed  in the lead up to the event.

Video Jam

Later in the final week we headed up the road for the Colombo Biennale. I was absolutely delighted to have been invited by Shereen Perera to perform a live score for Video Jam – an event running as part of the opening night.

My film extract came from the beautifully strange, thoughtful film Light in the Yellow Breathing Space by Vimukthi Jayasundara.Video Jam Colombo Biennale

 

 

 

I still have much to reflect on – such a wonderful thought-provoking time. Thanks to Neil and UZ, Chaminda, Chathura, Hasantha, Kari and all at Sunbeach, Maria and Jack, my fellow artists-in-residence, everyone I met.

Creative Collective, Platform

Photo by Katy Dye
Stories of Easterhouse (photo: Katy Dye)

Stories of Easterhouse

As part of Made in Easterhouse at Platform Glasgow, I worked on the final stages of Stories of Easterhouse with the Creative Collective and Platform Associate Artist Katy Dye.

I recorded the stories, generated atmospheric backdrops through a creative sound workshop and composed the audio pieces for the final installation.

The map/sound installation is running through October/November 2016.

‘Tomorrow…’ at LCGA

tomorrow-installation-lcga
TOMORROW, TODAY WILL BE YESTERDAY

The collective Sound/Video Art Installation Tomorrow, Today will be Yesterday was conceived and curated by Rui Almeida in 2015 and includes my vocal work  At First Light.

Events

The installation has had various airings so far. In 2015, it was first installed at Noc Noc Festival, Portugal. Then  it ran at the CAAA Gallery, Portugal for two months, and the Media Arts Festival, ELO, Victoria, Canada.

Coming up

The same installation will run from 3rd – 6th November 2016 at the Limerick City Gallery of Art (LCGA). The event is part of Light Moves Festival of Screen Dance.

 

At First Light selected for Installation

Tomorrow CAAA Installation

The ‘Tomorrow, Today will be Yesterday‘ collective sound/video art installation will be installed in Gallery #3 at the CAAA in Guimarães, Portugal  from 12th December 2015 until February 13th 2016 and includes my vocal work At First Light .

The artists involved are: Alfredo Costa Monteiro (PT/ES), Artificial Memory Trace (Slavek Kwi) (CZ/UK), Darius Ciuta (LT), Elisabetta-Senesi (IT), Fernando Ribeiro (PT), Iride Project – Massimo Davi & Monica Miuccio (IT/IE), John F. Barber (US), Juan Carlos Vasquez (CO/FI), Lin Culbertson (US), Loren Chasse (US), Luigi Morleo (IT), Luís Antero (PT), Manuel Rocha Iturbide (MX), Mathieu Ruhlmann (CA), MUfi.re (PT), Nichola Scrutton (UK), Nuno Miranda Ribeiro (PT), Osvaldo Cibils (UY/IT), Paul Collins (CA/FR), Philip Mantione (US), sonosFera (PT), Steve Roden (US), Takamitsu Ohta (JP), Una Lee (KR/UK).

Visit the CAAA Gallery website here.

 

Women in/on Sound

The Women in Sound/Women on Sound Symposium in November 2015 marks the launch of a new network that:

“seeks to redress a growing knowledge gap concerning the impact women have in the field of sound studies, particularly within sound and music technology”.

The event will take place at Lancaster Institute for Contemporary Arts.

My piece At First Light has been selected to be part of the Symposium sound art installation.

More info here.