Post Industrial Broadcast #1 (9’39) portrays a fictional place or state in a process of transformation. The piece draws from a range of source materials including hydrophone and contact microphone recordings, a radio, the human voice, two-way radios, and an oil radiator and synthesized sounds. Compositionally, the piece unfolds in a wave-like structure. Subtle sounds of water emerge and recede giving a sense of constant flow, while sheets of sound – long, loosely articulated sound gestures – are agitated and interrupted by unpredictable micro-collisions and interference. A sense of forbidding is subtly teased apart by hints of human presence and moments of iridescence.
Post-Industrial Broadcast #1 was awarded the 2013 IAWM Pauline Oliveros Prize for electroacoustic media, US.
Undae! Electroacoustic Music I + II, Thrmnphone netlabel (Spain)
Curated show Glasgow Soundscapes: WebSynRadio (France)
KcEMA Modern Soundscapes concert (Missouri, US)
‘The Stranger’, AKSC, World Radio Day (Macedonia)
Framework Seasonal Issue #7 CD – featured artist (Estonia)
Undae Radio no.64, Radio Circulo (Spain)
‘The Stranger that is next to me’, Errant Bodies (Berlin)
‘Nuit blanche’, Festival Futura (France)
‘Interzone’, The Whisky Bond (Glasgow)